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"Penelitian ini bertujuan untuk menyajikan suntingan teks naskah Serat Rebut Unggul koleksi Perpustakaan Pusat Universitas Indonesia dengan nomor koleksi K 16. 02. Teks berbentuk macapat. Naskah Serat Rebut Unggul menceritakan tentang obyek-obyek yang ada di jagat raya, antara lain manusia, hewan, tumbuhan, matahari, bulan, bintang, angin, dan mendung. Obyek-obyek tersebut saling memperlihatkan kemampuan yang dimiliki agar menjadi yang paling unggul. Metode yang digunakan adalah metode penelitian filologi edisi naskah tunggal. Pada bagian suntingan teks menggunakan metode edisi standar yang dilengkapi dengan ringkasan cerita, pedoman alih aksara, dan catatan kaki.

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This research aims to present text editing of the manuscript Serat Rebut Unggul collection of Perpustakaan Pusat Universitas Indonesia with the collection number K 16 .02 . Macapat shaped text. The manuscript Serat Rebut tells about objects in the universe, including human, animals, plants, sun, moon, stars, wind and clouds. All of them objects show ability to become the most superior .The method used in this research is single manuscript edition. On this editing process used the standard edition within summary , transliteration?s guidelines and footnotes."

"Tujuan utama penelitian ini adalah untuk mengungkapkan strategi dalam berhikayat pada akhir abad ke-19. Korpus penelitian ini berupa naskah-naskah HST yang disalin oleh Muhammad Bakir dan Safirin di skriptorium milik keluarga Fadli di Pecenongan. Untuk mencapai tujuan penelitian tersebut maka dilakukan tinjauan dari dua sudut pandang, yaitu dari aspek naskah dan dari aspek teksnya. Penelitian dilakukan dengan menggunakan pendekatan kodikologi, filologi, dan naratologi. Aspek-aspek naskah yang dikaji meliputi eksordium, kolofon, kata berhias, tanda tangan, penebalan garis aksara, dan karakter tulisan. Aspek teks yang dikaji terkait dengan adanya sampingan. Sampingan di dalam teks HST mengindikasikan adanya suatu variasi dalam narasi hikayat. Di tengah modernisasi tradisi cetak yang berkembang pesat, variasi aspek naskah dan teks diciptakan oleh penyalin naskah untuk menarik minat pembaca. Dengan hal tersebut, penyalin naskah melakukan suatu terobosan untuk bertahan. Rupanya, penyalin naskah tidak lantas menafikan adanya modernisasi tradisi cetak. Penyalin naskah bahkan mendayagunakan modernitas yang ada untuk mengembangkan usaha persewaan naskah miliknya. Hal inilah yang mengakibatkan naskah-naskah salinan Safirin dan Muhammad Bakir pada khususnya, cenderung memiliki aspek naskah dan narasi teks yang berbeda dari naskah-naskah lain sezaman.

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The main purpose of this study was to reveal the strategy of telling story (berhikayat) at the end of the nineteenth century. The corpus of this study are Hikayat Sultan Taburat (HST) manuscripts copied by Muhammad Bakir and Safirin in the scriptorium belonging to the Fadli family in Pecenongan. To achieve the objectives of the study, it is conducted a review of two perspectives: from the aspects of the manuscripts and from the aspects of the text. This research conducted by using approach of codicology, philology, and naratology. Aspects of the manuscripts examined include the exordium, colophon, ornamented word, signature, line thickening, and script character of the manuscripts. The aspect of the texts studied is related to the presence of aside. Aside in the HST texts indicates a variation in narrative of telling hikayat. In the midst of the modernization of the printing tradition, variation of the manuscripts aspects and texts made by the scriber to attract the readers. The scriber make a breakthrough to survive. Apparently, the scriber of the manuscripts does not necessarily deny the existence of the modernization of the printing tradition. The scriber of the manuscripts even utilizes the modernity to develop his manuscripts rental. This has resulted in the manuscripts of Safirin and Muhammad Bakir, in particular, tending to have different aspects of manuscript aspects and narrative texts than other contemporary manuscripts."

"Unknown."

"Nazam Tarekat merupakan sastra pesantren Jawa abad ke-19 karya Kiai Ahmad ar-Rifai Kalisalak. Ada empat naskah salinan yang mengandung teks nazam Tarekat: naskah KBG 616-h koleksi Perpustakaan Nasional Republik Indonesia, naskah LOr.11.004 koleksi Perpustakaan Universitas Leiden, Belanda, satu naskah milik warga Rifaiyyah Wonosobo, dan satu naskah milik warga Rifaiyyah Pekalongan. Masalah penelitian ini adalah penyajian teks nazam Tarekat agar dapat dimanfaatkan oleh kalangan yang lebih luas, dasar-dasar penulisan nazam Jawa, adaptasi puitika Arab dalam nazam Tarekat, gagasan dan fungsi sosial nazam Tarekat. Dalam upaya memecahkan masalah-masalah tersebut, nazam Tarekat dikaji secara filologis, sastra bandingan, dan sosiologis. Penelitian ini menghasilkan edisi kritis teks nazam Tarekat yang termuat dalam naskah KBG 616-h disertai dengan terjemahan bahasa Indonesia. Penelitian ini berhasil mengungkapkan bahwa penulisan nazam Jawa oleh Kiai Ahmad ar-Rifai didasarkan atas rahmat Ilahi. Berkaitan dengan adaptasi puitika Arab ke dalam nazam Tarekat, penelitian ini berhasil memperlihatkan bahwa pada aspek metrum Kiai Ahmad ar-Rifai tidak menerapkan metrum nazam Arab ke dalam nazam Jawanya, sementara pada aspek rima Kiai Ahmad ar-Rifai menggunakan strategi penambahan kata, permainan bunyi, dan penafsiran untuk menjaga konsistensi rima akhir. Penelitian ini juga menunjukkan bahwa nazam Tarekat mengandung gagasan tarekat sebagai jalan hidup yang bermoral, sementara fungsi sosialnya adalah untuk mendobrak tatanan sosial yang diciptakan oleh pemerintah kolonial Belanda.

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Nazam Tarekat is the literature of the Javanese Pesantren in the 19th Century written by Kiai Ahmad ar-Rifai Kalisalak, Batang, Central Java. There are four manuscripts containing the text of nazam Tarekat: KBG 616-h manuscript collection of the National Library of the Republic of Indonesia, LOr.11.004 manuscript collection of the Library of the University of Leiden, the Netherlands, a manuscript owned by a member of the Rifaiyyah community in Wonosobo, and a manuscript owned by a member of the Rifaiyyah community in Pekalongan. The problems of this research are the presentation of the text of nazam Tarekat in order to be used by a wider circle, the basic writing of the Javanese nazam, an adaptation of Arabic poetics in nazam Tarekat, the ideas and social functions of the nazam Tarekat. To solve these problems, the nazam Tarekat text has been researched philologically, through comparative literature and sociologically. This research resulted in the critical edition of the nazam Tarekat text contained in the KBG 616-h manuscript and its translation in Indonesian language. This research reveals that the writing of Javanese nazam written by Kyai Ahmad ar-Rifai was based on the grace of god. Regarding the adaptation of Arabic poetics to nazam Tarekat, this research reveals that in the aspect of meter, Kiai Ahmad ar-Rifai did not apply Arabic nazam meter into its Javanese nazam. While in the aspect of rhyme, Kiai Ahmad ar-Rifai applied the strategies of addition of words, play of sounds, and interpretation to maintain the consistency of the last rhyme. This research also reveals that nazam Tarekat contains ideas of tarekat as moral-based way of life, while its social function was to break down the social order established by the Dutch colonial ruler."

"[ABSTRAKPenelitian ini membahas teks al-Jawa>hir al-Khamsah karya Shaykh Muh}ammad al-Ghawth al-Hindi>. Teks ini merupakan buku manual bagi para pengikut tarekat Shat}t}a>riyah dalam menempuh jalan tasawuf. Penelitian ini bertujuan menjawab tiga pertanyaan: di antara naskah-naskah al-Jawa>hir al-Khamsah yang ditemukan, naskah al-Jawa>hir al-Khamsah yang manakah yang dapat dijadikan landasan untuk edisi teks, apa saja isi kandungan teks al-Jawa>hir al-Khamsah, bagaimana konteks yang melatarbelakangi proses penyalinan naskah al-Jawa>hir al-Khamsah dari Banten. Penelitian ini bertujuan untuk menyajikan suntingan teks, terjemah, dan tinjauan isi teks al-Jawa>hir al-Khamsah serta mengungkap kontek penyalinan naskah al-Jawa>hir al-Khamsah dari Banten. Penelitian ini adalah penelitian kepustakaan dengan menggunakan beberapa metode dan pendekatan, seperti: filologi, kodikologi dan analisis tema. Riset ini berhasil membuat suntingan teks dan terjemahannya, mengungkap isi teks al-Jawa>hir al-Khamsah salinan dari Banten yang berisi ?tiga permata? yakni tatacara beribadah, tatacara berzuhud, dan tatacara berdo‟a dengan menggunakan al-Ism al-A?z}am, serta menjelaskan konteks penyalinan naskah al-Jawa>hir al-Khamsah Banten.;

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ABSTRACTThis study discusses the text al-Jawa>hir al-Khamsah, a work of al-Shaykh} Muhammad Ghawth al-Hindi>. This text is a manual for the followers of the shat}t}a>riyah congregation in the path of Sufism. This study aims to answer three questions: among of al-Jawa>hir al-Khamsah manuscripts that was found, which one of them can be used as the basis for edition, what are the contents of the text of al-Jawa>hir al-Khamsah, how is the context underlying the process of copying manuscripts of al-Jawa>hir al-Khamsah from Banten. This study aims to present the text editing, translations, and reviews the contents of the text of al-Jawa>hir al-Khamsah and copying manuscripts reveal the context of al-Jawa>hir al-Khamsah from Banten. This study is the research literature by using several methods and approaches, such as philology, codicology and tematic analysis. This research managed to make text editing and translation, revealing the contents of the text of al-Jawa>hir al-Khamsah from Banten which contains a copy of the "three gems" that is the procedure of worship, zuhud procedures, and method and procedures of praying by using al-Ism al-A'z}am, as well as explaining the context of the manuscript copy of al-Jawa>hir al-Khamsah from Banten.;This study discusses the text al-Jawa>hir al-Khamsah, a work of al-Shaykh} Muhammad Ghawth al-Hindi>. This text is a manual for the followers of the shat}t}a>riyah congregation in the path of Sufism. This study aims to answer three questions: among of al-Jawa>hir al-Khamsah manuscripts that was found, which one of them can be used as the basis for edition, what are the contents of the text of al-Jawa>hir al-Khamsah, how is the context underlying the process of copying manuscripts of al-Jawa>hir al-Khamsah from Banten. This study aims to present the text editing, translations, and reviews the contents of the text of al-Jawa>hir al-Khamsah and copying manuscripts reveal the context of al-Jawa>hir al-Khamsah from Banten. This study is the research literature by using several methods and approaches, such as philology, codicology and tematic analysis. This research managed to make text editing and translation, revealing the contents of the text of al-Jawa>hir al-Khamsah from Banten which contains a copy of the "three gems" that is the procedure of worship, zuhud procedures, and method and procedures of praying by using al-Ism al-A'z}am, as well as explaining the context of the manuscript copy of al-Jawa>hir al-Khamsah from Banten.;This study discusses the text al-Jawa>hir al-Khamsah, a work of al-Shaykh} Muhammad Ghawth al-Hindi>. This text is a manual for the followers of the shat}t}a>riyah congregation in the path of Sufism. This study aims to answer three questions: among of al-Jawa>hir al-Khamsah manuscripts that was found, which one of them can be used as the basis for edition, what are the contents of the text of al-Jawa>hir al-Khamsah, how is the context underlying the process of copying manuscripts of al-Jawa>hir al-Khamsah from Banten. This study aims to present the text editing, translations, and reviews the contents of the text of al-Jawa>hir al-Khamsah and copying manuscripts reveal the context of al-Jawa>hir al-Khamsah from Banten. This study is the research literature by using several methods and approaches, such as philology, codicology and tematic analysis. This research managed to make text editing and translation, revealing the contents of the text of al-Jawa>hir al-Khamsah from Banten which contains a copy of the "three gems" that is the procedure of worship, zuhud procedures, and method and procedures of praying by using al-Ism al-A'z}am, as well as explaining the context of the manuscript copy of al-Jawa>hir al-Khamsah from Banten., This study discusses the text al-Jawa>hir al-Khamsah, a work of al-Shaykh} Muhammad Ghawth al-Hindi>. This text is a manual for the followers of the shat}t}a>riyah congregation in the path of Sufism. This study aims to answer three questions: among of al-Jawa>hir al-Khamsah manuscripts that was found, which one of them can be used as the basis for edition, what are the contents of the text of al-Jawa>hir al-Khamsah, how is the context underlying the process of copying manuscripts of al-Jawa>hir al-Khamsah from Banten. This study aims to present the text editing, translations, and reviews the contents of the text of al-Jawa>hir al-Khamsah and copying manuscripts reveal the context of al-Jawa>hir al-Khamsah from Banten. This study is the research literature by using several methods and approaches, such as philology, codicology and tematic analysis. This research managed to make text editing and translation, revealing the contents of the text of al-Jawa>hir al-Khamsah from Banten which contains a copy of the "three gems" that is the procedure of worship, zuhud procedures, and method and procedures of praying by using al-Ism al-A'z}am, as well as explaining the context of the manuscript copy of al-Jawa>hir al-Khamsah from Banten.]"

"ABSTRAKDisertasi ini mengkaji teks Syattariyyah wa muhammadiyyah (disingkat SWM)milik Muhammad Hilman, Rama Guru Syatariyah di Pengguron KaprabonanCirebon. Penelitian terhadap SWM dilakukan dengan menggunakan teori filologidan tasawuf. SWM adalah salah satu teks penting yang dapat menjadi sumberprimer dan menjelaskan karakteristik keislaman di Cirebon. Pertanyaan utamapenelitian ini adalah bagaimana menyediakan sumber primer tentang Islam diCirebon yang terdapat dalam teks SWM. Tujuan utama penelitian ini adalahmenyajikan edisi teks. Edisi teks SWM dibuat dengan menggunakan metodeedisi kritis. Isi teks SWM terdiri atas Tarekat Syatariyah dan Muhammadiyah.Dalam teks SWM terdapat lima ciri karakter Tarekat Syatariyah Cirebon yangkhas, yaitu aksara, ilustrasi, silsilah, ajaran, dan jaringan Tarekat Syatariyah diCirebon yang berbeda dengan Tarekat Syatariyah yang lain. Kajian isiselanjutnya membahas karakteristik Tarekat Syatariyah dan Muhammadiyah.Hasil temuan penelitian ini; pertama, silsilah tarekat Syatariyah di Cirebon dariteks SWM tidak berasal dari Syaikh Abdul Muhyi atau Abdurrauf as-Sinkili,tetapi melalui Syaikh Abdullah bin Abdul Qahhar; kedua, TarekatMuhammadiyah adalah nur Muhammadiyah. Cara untuk memperoleh nurMuhammad melalui martabat tujuh; ah}adiyah, wah}dah, wa>h}idiyah, ?alam arwa>h},?alam ajsa>m, ?alam mis\a>l, dan insa>n ka>mil.

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ABSTRACTThe dissertation analyzes the text of Syat}t}a>riyyahwa Muh}ammadiyyah(abbreviated as SWM) using philological theory and sufism perspective. Thistext belongs to Muhammad Hilman, the sufi leader of Tarekat Syattariyah inPengguronKaprabonan Cirebon. Because SWM is one of the most importantprimary texts in explaining the characteristics of Islam in the region, what beinginvestigated in the text is how to provide primary source of Cirebon?s Islam.Thus, it is mainly aimed to provide text edition using critical edition method. Inaddition, it is also aimed to analyze the characteristics? of the two tarekats, asSWM intensively discussed Syatariyah and Muhammadiyyah. At least fivecharacteristics of Cirebon?s Syatariyah were apparent, namely writing system,illustration, teachings, its particular networking and genealogy. Its genealogy isdistinct in the sense that it does not originate from Syaikh Abdul Muhyi orAbdurrauf as-Sinkili, but instead it is from Syaikh Abdullah bin Abdul Qahhar.As for Muhammadiyah, it is NurMuhammadiyah which is obtained throughseven martabat, namely ah}adiyah, wa>h}idiyah, wah}dah, ?alamarwa>h}, ?alamajsa>m,?alammis\a>l, and insa>n ka>mil"

"ABSTRAKPenelitian ini membahas naskah Undang-Undang Ternate UUT koleksi peti Perpustakaan Nasional Republik Indonesia. Naskah ini berupa surat perjanjian dan pengangkatan Raja Tambuku yang berada di bawah kekuasaan Ternate. Penelitian ini bertujuan menyajikan edisi teks UUT dan menjelaskan bentuk wacana kekuasaan yang terdapat di dalamnya. Untuk mencapai tujuan penelitian tersebut digunakan teori filologi dan teori analisis wacana. Hasil penelitian menunjukkan bahwa dari lima naskah UUT hanya ada dua yang sama tetapi tidak identik. Perbedaan yang terdapat pada dua naskah yang sama ini terletak pada lampiran teks. Berkaitan dengan itu, digunakan metode landasan untuk menyajikan edisi teks. Teks yang telah dibuat edisinya ini kemudian dikaji melalui pendekatan analisis wacana. Melalui pendekatan ini, struktur wacana UUT dianalisis untuk mengeluarkan makna teks melalui bahasa. Temuan penelitian ini memperlihatkan bahwa UUT diproduksi sebagai respon terhadap pemberontakan Raja Tambuku. Untuk mengantisipasi pemberontakan berulang, Belanda menciptakan pengetahuan baru berupa produksi undang-undang dengan struktur yang terdiri atas exordium, isi, penutup, dan lampiran. Elemen-elemen struktur tersebut memperlihatkan dominasi kekuasaan Belanda dalam aspek politik, hukum, dan ekonomi. Kekuasaan tersebut terlihat melalui pembuatan aturan dan intervensi terhadap aturan yang sudah ada di Tambuku. Selain itu, kekuasaan juga terlihat dari aspek bahasa yang digunakan dalam teks. Aspek semantik, sintaksis, stilistik, dan retoris dalam teks UUT memperlihatkan adanya upaya dominasi kekuasaan di Tambuku. Hal ini terlihat dari penggunaan jenis kalimat, pilihan kata, dan ungkapan yang bermakna retoris.

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ABSTRACTThe research examines the manuscripts of Ternate Laws Undang Undang Ternate which are part of the chest collection koleksi peti of the National Library of the Republic of Indonesia. These manuscripts contain letters of agreement and the appointment of King Tambuku who reigned under the Sultanate of Ternate. The aim of this research is to produce a textual edition of the Ternate Laws, as well as explaining various forms of discoursal power contained therein. These objectives were achieved by applying theories from the philology and discourse analysis. The results show that, of the five Ternate Laws manuscripts under investigation, only two were found to be similar, albeit unidentical. The difference between these two similar manuscripts is in their appendices. In relation to this, the basic method was applied to compose the textual edition of the Ternate Laws. The resulting text was then examined using the discourse analysis approach. In this approach, the discoursal structure of the Ternate Laws was analyzed in order to extract textual meanings which were expressed by means of a language. The results show that the Ternate Laws were produced as a response to the rebellion of King Tambuku. In order to prevent any future rebellions, the Dutch colonial government created a new body of knowledge in the form of written Laws whose structure consists of an exordium, contents, conclusion, and appendices. Such structural elements signify the dominance of the Dutch colonial government in the areas of politics, law, and economy. This power is demonstrated by their intervention in the creation of regulations, as well as in the regulations already existing in Tambuku. Furthermore, power is also revealed through the language used in the manuscripts. Analyses of Ternate Laws manuscripts in terms of various linguistic aspects, such as semantics, syntax, stylistics, and rhetoric, indicate an effort to achieve dominance over Tambuku. This effort is further revealed through the uses of certain sentence types, word choices, and expressions with rhetorical meanings. "

"ABSTRAKPenelitian ini mengkaji tentang struktur teks Tantu Pangg?laran TP dalam kerangka ldquo;pembentukan ma??ala rdquo; untuk penyeimbangan Pulau Jawa. Kerangka ldquo;pembentukan ma??ala rdquo; merepresentasikan komponen-komponen struktur penyeimbangan Pulau Jawa. Komponen struktur penyeimbangan Pulau Jawa memberi pengetahuan pada kategori, fungsi, dan peran ma??ala. Oleh karena itu, tujuan penelitian ini adalah menelisik struktur, kategori, fungsi, dan peran ma??ala dalam teks TP sebagai produk karya sastra ma??ala. Garapan penelitian menggunakan metode struktural, teori interpretatif, dan pendekatan objektif dengan perspektif filosofis fenomenologi ?aiwa-Buddha yang melatarbelakangi pengisahan teks TP. Pendekatan struktural digunakan untuk memperoleh komponen-komponen ldquo;pembentukan ma??ala rdquo; untuk menyeimbangan Pulau Jawa. Perolehan komponen-komponen tersebut merepresentasikan proses penyeimbangan Pulau Jawa. Pemahaman terhadap proses penyeimbangan Pulau Jawa berlandaskan pada pemikiran filosofis fenomenologi ?aiwa-Buddha, sehingga gagasan ldquo;pembentukan ma??ala rdquo; memperlihatkan wujud struktur yantra yang terangkai dalam pengisahan teks TP secara keseluruhan.

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ABSTRACTThis study examines the structure of Tantu Pangg laran TP in the framework of ma ala forming in balancing Java island. The ma ala forming framework represents the components of balancing structure of Java island. The components of the balancing structure of Java island yield knowledge of the categories, functions, and roles of ma ala. Therefore, the purpose of this study is to examine the structure, category, function, and role of ma ala in the text of TP as a product of ma ala literature. The work of this research uses a structural method, interpretative theory, and objective approach with the philosophical perspective of the aiwa Buddhism phenomenology that lies behind the naration of TP text. The structural approach is used to acquire components of ma ala forming in order to balance Java island. The acquisition of these components represents the balancing of Java island. Understanding the balancing of Java island is based on the philosophical thought of the aiwa Buddha phenomenology, so the idea of ma ala forming shows the yantra structure strung together in the naration of the TP text as a whole."

"Disertasi ini mengkaji teks Putru Kalpasan PK MM yang merupakan salah satu genre sastra-tutur, khususnya tutur-eskatologis. PK MM merupakan teks sakral yang digunakan sebagai tuntunan praktis dalam tata upacara penyucian dan pemujaan roh leluhur yang disebut ritual ddha pada masa Jawa Kuno. Di antara keenam teks Jawa Kuno yang digunakan, empat naskah berupa lontar Borassus flabellifer , yang ditulis dengan aksara Buda, dan dua naskah kertas beraksara Jawa Baru. Kajian kritik teks textual criticism dengan metode stemma dari Karl Lachmann 1850 . Metode edisi teks yang ditempuh adalah edisi diplomatik secara paralel paralel diplomatic edition and edisi kritik.Kajian eskatologi, khususnya dari sudut personal eschatology eskatologi-kal pasan mengasilkan temuan cukup signifikan. Pertama, teks PK MM ini merupakan teks pertama dalam khazanah naskah Jawa yang menerangkan tata upacra sesaji ddha dari masa Jawa Kuno. Kedua, konsep kal pasan absorption yang dipahami sebagai ldquo;pembebasan rdquo; roh dari noda daamala pada ritual hambukur menjadi conditio sine quanon dalam pembayatan pitara menjadi Dewa Pitara ldquo;jiwa menjadi dewa rdquo; . Ketiga, penggubah teks PK Merapi-Merbabu menampilkan pemikiran eskalotogis dengan berpusat pada kosmologi Jawa, yakni mendudukkan Bhara Guru sebagai dewa tertinggi di Winduppt, kahyangan tertinggi dari 29 swarga. Hal ini menggambarkan adanya kesinambungan pemikiran keagamaan dari masa Jawa Kuno abad ke-9 mdash;15 M yang diwariskan sebagai teks kosmo-eskatologis dalam tradisi Sastra-Ajar di gunung Merapi-Merbabu pada abad ke-16 Masehi. Kata Kunci: Putru Kal pasan, eskatologi Jawa Kuno, sajirddha, Dewa Pitara, Sastra-Ajar, skriptorium Merapi-Merbabu.

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ABSTRACTThis dissertation examined the text Putru Kal pasan PK which is one of tutur literary genres, especially an eschatological-tutur. PK Merapi-Merbabu is a sacred text that is used as a practical guidance for rites of purification and worship ancestral spirits called Shr ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ddha. Among the six of Old Javanese texts used, there are four palm-leaf manuscripts Borassus flabellifer written in the so-called Buda, and two paper manuscripts in the Javanese alphabets. The study of textual criticism with stemma method of Karl Lachmann 1850 . Text edition method applied are a parallel diplomatic edition and critical edition. To understand the meaning of the lsquo;content rsquo;, this edtion is completed by translation into Indonesian. Eschatological studies, particularly from the point of personal eschatology kal ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ?pasan results in several significant findings. First, the text PK Merapi-Merbabu is the first text found in the treasures of the Java script in detail explaining the rites of offerings from the Old Javanese for Shr ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ddha ritual purposes. Second, the concept kal ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ?pasan absorption understood as liberation of the soul of da ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ?amala stains in the hambukur has become conditio sine quanon in purification pitara to become Dewa Pitara ancestral spirits who become a god . Third, the author of text PK featuring eskalotogical thought with a focus on Javanese cosmology puts Bh ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ara Guru as the supreme god in Windup ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ?p ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ?t, the highest celestial of 29 heavens. It is illustrates the continuity of religious thought from the Old Javanese era in the 9th mdash;15th century that inherited as a cosmo-eschatological text into the Sastra-Ajar tradition in the Merapi-Merbabu volcano in the 16th century. Keywords: Putru Kal ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ?pasan, Old Javanese eschatology, Bh ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ara Guru, Shr ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ddha offerings, Dewa Pitara, Sastra-Ajar, scriptorium of Merapi-Merbabu volcano."

"ABSTRAKPenelitian ini mengkaji teks Serat Gandakusuma koleksi Ruang Naskah Perpustakaan Universitas Indonesia. Fokus kajian ini secara filologis adalah untuk menyajikan suntingan teks Serat Gandakusuma yang telah dibersihkan dari kesalahan dan diterjemahkan sehingga dapat dipahami isinya oleh pembaca pada masa kini. Secara kesastraan, penelitian ini menyoroti karakter teks sebagai karya sastra alegoris bermuatan sufisme Jawa yang mengisahkan tentang perjalanan spiritual tokoh Raden Gandakusuma di dalam mencapai kesempurnaan. Penelitian ini mengkaji bagaimana metrum-metrum tembang macapat yang digunakan di dalam teks mewujudkan perjalanan sufi Raden Gandakusuma, serta bagaimana peran perempuan di dalam mendukung perjalanan sufi yang dilakukan oleh Raden Gandakusuma.

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ABSTRACTThis research examines the text of Serat Gandakusuma from the collection of The Manuscript Section of The Library of Universitas Indonesia. Philologically, this study focuses on the presentation of the edition text of Serat Gandakusuma which has been cleaned from its error and translated in Indonesian language so that its content can be understood by today rsquo;s readers. As in the perspective of literature, this research focuses in the text rsquo;s character as an allegorical text which contains the concepts of Javanese Sufism through the story of Raden Gandakusuma and his spiritual journey to reach a true perfection. This research analyzes how the macapat meters in the text actualizes the sufi journey of Raden Gandakusuma, and also how the role of women in supporting the sufi journey of Raden Gandakusuma."