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Abstrak :
Film sebagai salah satu karya sinematografi yang dilindungi dalam Hak Cipta. Keterlibatan banyak pihak dalam proses pembuatannya mulai dari Produser, Sutradara, Penulis Naskah,  Pemain Film, sampai kru film lainnya memberikan kesempatan kepada insan perfilman untuk dapat memperoleh hak ekonominya. Permasalahan yang dibahas dalam penelitian ini adalah pengaturan film sebagai ciptaan karya sinematografi dalam Undang-Undang Hak Cipta dan Undang-Undang Perfilman serta kepatutan pemberian royalti sebagai hak ekonomi pelaku pertunjukan pemain film. Penelitian ini merupakan jenis penelitian hukum empiris untuk meenganalisa pemberlakuan Undang-Undang Hak Cipta dan Undang-Undang Perfilman terhadap kepatutan pemberian royalti sebagai hak ekonomi pelaku pertunjukan pemain film. Pengumpulan data dilakukan dengan studi kepustakaan yang berkaitan dengan permasalahan dan wawancara dengan narasumber yakni akademisi Institut Kesenian Jakarta, Sutradara, Produser, dan Pemain Film. Undang-Undang Hak Cipta dan Undang-Undang Perfilman telah memberikan payung hukum terhadap kemungkinan pemain film memperoleh hak ekonomi berupa royalti atas fiksasi akan karakter yang diperankannya. Namun pada prakteknya, hubungan kerja antara Produser dan Pemain Film merupakan hubungan perburuhan yang mana pekerjanya dibayar sekali atas pekerjaan yang dilakukan sehingga jarang sekali ditemui adanya pemberian royalti kepada pemain film karena dalam perjanjian hanya menyepakati pembayaran sekali saja dan hak ciptanya dipegang oleh Produser atau pemilik rumah produksi.  ......Film as one of the cinematographic works protected by copyright. The involvement of many parties in the production process, from Producers, Directors, Scriptwriters, Film Players, to other film crews, provides an opportunity for filmmakers to be able to obtain their economic rights. The problems discussed in this study are the regulation of films as cinematographic creations in the Copyright Act and the Film Act and the appropriateness of granting royalties as an economic right for actors performing film performers. This research is a type of empirical legal research to analyze the application of the Copyright Law and the Film Law on the appropriateness of granting royalties as an economic right for film performers. Data collection was carried out by means of literature studies related to problems and interviews with informants, namely academics from the Jakarta Art Institute, directors, producers, and film actors. The Copyright Law and the Film Law have provided a legal umbrella for the possibility of film actors obtaining economic rights in the form of royalties for fixations on the characters they play. However, in practice, the working relationship between Producers and Film Actors is a labor relationship in which the worker is paid once for the work performed, so that royalties are rarely found for film actors because the agreement only agrees to pay once and the copyright is held by the Producer or the owner of the house production.

Abstrak :
Skripsi ini membahas rincian makna pantai yang terdapat dalam film ‘Les Plages d'Agnes’ karya Agnes Varda. Penelitian ini menggunakan metode kualitatif yang ditunjang dengan teori-teori pengkajian sinema. Hasil penelitian menyatakan bahwa melalui analisis aspek naratif dan sinematografis ditemukan beberapa rincian makna pantai dalam film ‘Les Plages d’Agnès’. Berdasarkan rincian makna tersebut dapat dilihat bahwa Varda secara konsisten menggunakan pantai sebagai penyambung narasi sepanjang alur dalam film ini. Keseluruhan makna pantai dalam film ini berdasarkan analisis terhadap alur dan latar ruang membuktikan bahwa film sepenuhnya memperlihatkan diri Varda melalui latar pantai. Pantai menjadi dominan dalam film ini dan hadir dalam hampir setiap sekuen serta identik dengan laut, ombak, pasir, ikan, suara burung camar, perahu layar dan segala hal yang berada di pantai dan laut. ......The focus of this study is to find the details meaning of the beach in the film ‘Les Plages d’Agnès’. This study uses some theories on the cinema studies. The final results of this study show that the details meaning of beach are found in the film ‘Les Plages d’Agnès’ through an analysis from the narrative and cinematographic aspect. Based on the details of the meaning of the beach, Varda consistently uses the beach as a link along in the film narrative. On the whole meaning of the beach in the film based on the analysis of the narrative structure and the setting proves that the existence of Varda in the film appear through the beach. The beach has become dominant in this film and has existed in almost every sequence, it is considered as the sea, the waves, the sand, the fish, the voice of the seagulls, the yachts and everything that lies on the beach and the sea.

Abstrak :
When Norma Jeane Baker became famous as Marilyn Monroe in the 1950s, she said her mother, Gladys Baker, was either dead or not a part of her life, depending on the publicity campaign of the moment. However, neither was true. In fact, Marilyn's mentally ill mother was very much present in her world, and the complex family dynamic that unfolded behind the scenes, as the star went from actress to icon, is a story that has never before been told ... until now." "In this groundbreaking work, J. Randy Taraborrelli draws detailed and sympathetic portraits of the women so influential in the life of the actress, including her mother, her foster mother, and her legal guardian. He tells the heartbreaking story of a world-famous daughter dealing secretly with a parent's severe paranoid schizophrenia and exposes the shocking scope of Marilyn's own mental deterioration and her desperate attempts to help both herself and her mother.