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"Penelitian ini menganalisis representasi perilaku perempuan pada foto kiriman pembaca di majalah segmentasi anak perempuan di Indonesia dan representasi perilaku feminin dalam foto kiriman pembaca berdasarkan fashion mereka. Hal ini berkaitan dengan fungsi media sebagai salah satu agen sosialisasi bagi anak. Penellitian ini menggunakan konsep representasi untuk menganalisis representasi perilaku feminin. Selain itu juga dipakai konsep semiotika yang dibuat oleh Sausurre yang menyatakan bahwa suatu tanda terdiri dari penanda dan petanda yang akan menunjukkan makna dari suatu tanda. Hasilnya adalah terdapat tiga representasi yang sama-sama diangkat oleh kedua majalah anak ini, yaitu representasi perilaku perempuan menggunakan make up, perempuan mengenakan aksesoris, dan perempuan berperilaku ramah dengan tersenyum.

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This research analyzes feminine behavior representation in the reader photo submission in girls' magazine in Indonesia and the feminine behavior representation in the reader photo submission based on their fashion. This relates to the function of the media as one of the socialization agents for children. This research uses representation concept to analyze the representation of feminine behavior. Besides, this research also uses semiotic concept by Saussurre which states that a sign consists of signifier and signified that disclose the meaning of a sign. The result is that there are three representations are equally appointed by this two girls? magazine, they are behavior representation that woman uses make up, woman uses accessory, and women behave friendly by smiling."

"Artikel ini membahas feminitas dalam majalah ELLE RUSSIA. Pada artikel ini, pembahasan difokuskan pada enam iklan parfum yakni Dior Addict Eau de Toilette, GIORGIO ARMANI ACQUA di GIOIA, DOLCE & GABBANA – LIGHT BLUE, GUCCI Flora Gardenia the Floral Fragrances, PRADA CANDY FLORALE The New Eau de Toilette, GIVENCHY Very Irresistible L’eau en rose yang dimuat dalam halaman majalah ELLE RUSSIA edisi Juli 2014. Analisis dilakukan menggunakan teori Semiotika Roland Barthes. Metode yang digunakan adalah metode deskriptif analisis. Hasil analisis artikel ini menyatakan bahwa majalah ELLE RUSSIA memuat konten perempuan dan feminitas dalam bentuk fashion, make up, skincare, parfum memberikan dampak secara tersirat melalui tampilan feminitas yang dipromosikan pada tampilan fisik yang sensual, kebebasan, serta perpaduan warna sesuai konsep.

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This article discusses femininity in ELLE Russia Magazine. In this article, the discussion focused on six perfume ads, namely Dior Addict Eau de Toilette, Giorgio Armani Acqua di Gioia, Dolce & Gabbana Light Blue, Gucci Flora Gardenia the Floral Fragrances, Prada Candy Florale the New Eau de Toilette, and Givenchy Very Irresistible L'eau en Rose, which were published on the pages of the July 2014 issue of ELLE Russia Magazine. The analysis was carried out using Roland Barthes' semiotics theory. The method used is the descriptive method of analysis. The results of the analysis of this article stated that ELLE Russia Magazine contains women's and femininity content in the form of fashion, makeup, skincare, and perfume, giving an implicit impact through the appearance of femininity that is promoted through a sensual physical appearance, freedom, and a combination of colors according to the concept."

"ABSTRAKDisertasi ini memproblematikakan representasi perempuan Indonesia melalui sinetron dengan menggunakan perspektlf feminis sosiologi, dalam konteks situasi sosial pasca Orde Baru sebagai konteks sosiologis signifikansi booming media dalam situasi yang berbeda dari dekade sebelumnya. Proses menggunakan perspektif feminis, disertasi ini juga melihat dialog antara sosiologi sebagai ilmu arus utama dengan feminis yang dianggap partikular.Sebagai upaya menyumbang pada ruang publlk, disertasi ini juga berusaha memperlihatkan implikasi praktis sumbangan feminis terhadap kehidupan ruang publik di Indonesia.

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AbstractAfter the tumbling down of the New Order, the situation concerning the media in Indonesia is getting freer. The eradication of the Department of Information and the lesser control by the military is used by the media to secure freedom of the press by the legislature and regulation. The media afterward is a booming economic activity which can be seen from the increasing numbers of media whether print, audio or audio visual. The dissertation oontextualises such situation as particular important and significant historical event, because it marks the sequence of social change."

"ABSTRAKSkripsi ini membahas representasi femininitas dalam anime Gake no Ue no Ponyo karya Hayao Miyazaki. Penelitian ini bertujuan untuk menganalisis konstruksi imaji femininitas dalam anime tersebut. Metode analisis dalam skripsi ini menggunakan pendekatan semiotika Rolland Barthes. Pembahasan dalam skripsi ini menggunakan teori Dorothy Smith dalam bukunya Text, Fact, and Femininity (1990). Hasil penelitian ini menunjukkan bahwa representasi femininitas dalam anime Gake no Ue no Ponyo bertentangan dengan representasi femininitas umumnya ada dalam budaya patriarki, ditampilkan dalam bentuk femininitas yang bernegosiasi yaitu strategic femininity.

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ABSTRACTThis study focused on representation of femininity which is contained in Hayao Miyazaki?s anime Gake no Ue no Ponyo. The purposed of this study is to analyze the construction image of femininity that is shown in the anime. The analysis method of this study uses Rolland Barthes semiotic approached. The discussion in this study uses the theory from Dorothy Smith in her book, Text, Fact, and Femininity (1990). The result of this research showed that the representation of femininity in Gake no Ue no Ponyo anime as a contrary to the representations of femininity known in patriarchal culture, showed by the negotiation in femininity namely strategic femininity."

"ABSTRACTContemporary feminists in Indonesia do not yet have questions about nationality, since the conversation about nationality has been considered final at the beginning of Indonesian independence. In fact, in terms of contemporary analysis, women have problems with nationality, when the definition of nationality is dominated by the study of political science that is male view biased. By tracing history to contemporary time, the relationship between women and nationality is dominated by patriarchal interests for the mobilization of power, even if women have an independent political interest. That is why political interests of women are situated marginally in nationality. But if we use the perspective of the social sciences, as feminist theories, then the notion of nationality is broader than that of women and the state. We are still less productive in abstracting the relationship between women and citizens in nationality, while it is a daily practice of womens struggles both personally and organically. Women have proven to be an active agency to become citizens beyond the mobilization of the state.This paper seeks to arouse feminist questions about nationalism, in order to reveal the role of women who are hidden in nationality."

"ABSTRACTThe discussion on terrorism is currently focused on issues concerning law enforcement efforts, cooperation between defense institutions, analysis of legal policies, and definitions of terrorism. Women (especially wives) are excluded from the process of dialogue and response to terrorism. This study emphasizes the experience and voice of the wives of former convicted terrorists. This article explores the process of upheaval and negotiation from the extremist narratives contained in the logic of thinking as a struggle in the context of self acceptance and autonomy. This study uses a case study approach with a feminist perspective, and in depth interviews as a method of data collection. The feminist view of Relational Autonomy and the Politics of Piety was chosen as a theoretical framework for analyzing findings. The results of the study indicate that there is an indoctrination from the husband about the teachings of extremism and that the wife experiences a struggle to internalize the teaching. On the other hand, there are also findings that show wives also negotiate with their husbands in carrying out the teachings of extremism. The conclusion of this study shows that the wifes figure experiences the process of constructivism and relational autonomy in the struggle process and its negotiations so far. In addition, the wife can also be seen as an agent to strengthen the spirit of nationality through the values of tolerance."

"ABSTRACTThe chaotic political issues always accompany the nation of Indonesia until this day. One of them is reflected in political dimension which summarized on the intolerance narrative in the election of Jakarta governor in 2017. Nonetheless, gender and women dimensions seem to shrink from public attention. Within the framework of the state, the important role of women for national life is reduced in the ideology of ibuism.This ideology actually finds a way in triggering activation of women when adapting to Political Islam. For that reason, research question of this paper is how the ibuism of political Islam affect the perception and preferences of female voters in the election of Jakarta governor in 2017? In order to answer the question, this paper uses a qualitative methodology with a phenomenological approach. As the final result, this paper conclude that in the framework of ibuism of political Islam, women played a role as agent which directing women voter perception. It is worked in taklims mobilization network where women voter are asked vow to vote or do not vote particular candidate in Jakarta governor election in 2017."

"ABSTRACTThis paper discusses gender bias within the Indonesian historiography tradition. Various historical literature records that all major events in Indonesian history as a nation are masculine and strongly dominated by male narratives.There is no space for women to be present in the narratives of the past. As if the history of Indonesia is a history of men, whereas if critical research is done then women such as men have a past narrative that is also important. Women are present and give meaning to the development of the nations history. This matter is absent in Indonesian historiography. The strength of gender bias in the historiography of Indonesia can not be separated from the strong patriarchal culture in the life of society. Thus the gender bias ultimately forms a canon, so this is then reproduced from generation to generation. This article argues that critical research by revealing a new fact is a power to change gender bias in Indonesian historiography."

"ABSTRACTThe purpose of this study is to explain about womens positions and roles that are represented in films as agents who frame identity and ethnical stereotype of the East. By using intersectional feminist perspective, the study analyze texts from three Indonesian films which using film sets in the regions of Eastern Indonesia as follows: Aisyah: Let Us Be a Family (2016), Salawaku (2016), and Marlina, the Murderer in Four Acts (2017). Findings show that films about Eastern Indonesia still embed with the perspectives of orientalism and colonialism. Women from non Eastern Indonesia are commonly represented to having superior positions and important roles in educating and spreading the feeling of nationalism. On the other hand, Eastern Indonesian women are mostly represented inferior and alienated from their communities and nature."