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Abstrak :
Since the abrogration of presidential instruction number 14/1967 which banned chinese customs celebration and religion in public, there has been arevival in chinee festivals, language, art, media, culture and not in the least in the field of architecture and urban planning. With increasing interest in heritage and the support of the Indonesian goverment for heritage cities programees, sevral promising initiativies involving Chinese architecture have been launched in cities both large and small. A brief glance of the history of Chinese Indonesian architecture is given, as well as some recnet initiatives in selected cities olus a discussion of the importance of public space in accomanodating Chinese-festivals. Study of old maps and photograps prompts reflection on the characteristic and development of pecinan during the colonial era and of their later history. The analysis in this article and examples of recand developments in the citiess discussed can be used as an inpiration in the revitalization of pecinan, thereby contributing in a attracive andliveble urban environment.

Abstrak :
Indonesia sebagai negara multikultural terintegrasi dalam semboyan Bhineka Tunggal Ika sebagai simbol persatuan. Pada kenyataannya masih ada etnis yang mengalami diskriminasi yaitu etnis Cina, hingga sekarang kitapun masih bisa melihat adanya sentimen yang diarahkan kepada mereka. Pemisahan etnis tertentu akan mengganggu ketahanan nasional. New Museum mengubah paradigma museum dari tempat pameran masa lalu menjadi tempat pendidikan dan media komunikasi untuk kepentingan masa kini dan masa depan. Etnis Cina harus direpresentasikan di museum sebagai cara untuk merangkul dan sebagai simbol pengakuan negara terhadap minoritas. Penelitian ini bertujuan untuk melihat sejauh mana museum nasional Indonesia mengakomodir etnis Cina dan kendala apa yang dihadapi serta cara untuk mengatasinya. Dan juga menunjukkan sejauh mana pemerintah menggunakan museum sebagai sarana pembentuk integrasi nasional. Penelitian menunjukkan etnis Cina belum direpresentasikan karena Museum Nasional Indonesia masih terjebak dalam konsep traditional museum yang berfokus koleksi dan masa lalu. ......Indonesia as a multicultural country is integrated in the motto of Bhinneka Tungga Ika or Unity in Diversity as a symbol of unity. But now adays, there are still ethnic groups that discriminated like Chinese Ethnic as we can still see the sentiment pointed to them. The Segregation of certain ethnic will disrupt national resilience. New Museum transforms the paradigm of the museum from the place of the past exhibition into a place of education and communication media for the benefit of both present and the future. Chinese Ethnic must be represented in museums as a way to embrace and symbolize state recognition of minorities. This research aims to see the extent to which the Museum Nasional Indonesia accommodates the Chinese and what obstacles are faced and ways to overcome them. And also shows the extent to which the government uses museum as a means of forming national integration. This research shows that Chinese minority has not been represented because Museum Nasional Indonesia are still trapped in traditional museum concepts.

Abstrak :
Socioeconomic history of Chinese Indonesian in Java, Indonesia; collected articles