"[
ABSTRAKTesis ini merupakan penelitian mengenai representasi ketokohan Hasan Saleh dan
ketokohan Daud Beureueh di dalam novel Napoleon dari Tanah Rencong dan teksteks
nonsastra. Penelitian ini bertujuan untuk mengungkapkan narasi ketokohan
Hasan Saleh dan ketokohan Daud Beureueh dalam novel maupun teks-teks nonsastra.
Landasan pemikiran yang dipakai dalam penelitian ini menggunakan perspektif new
historicism. Hasil penelitian menunjukkan bahwa ketokohan Hasan Saleh dan
ketokohan Daud Beureueh dalam teks novel direpresentasikan berbeda dengan teksteks
nonsastra yang menjadi sumber dalam penelitian ini. Dalam teks novel,
ketokohan Hasan Saleh direpresentasikan sebagai seorang yang memiliki peran besar
dalam berjuang, membela, dan mempertahankan hingga menyatukan kembali Aceh
dengan Indonesia. Akan tetapi dalam teks-teks non-sastra tersebut, nama Hasan Saleh
sangat sedikit dimunculkan dan banyak dikenal sebagai Pemberontak. Sebaliknya,
tokoh Daud Beureueh yang nama dan riwayat hidupnya banyak dibicarakan di dalam
teks-teks nonsatra, dalam novel ini direpresentasikan berbeda dengan teks-teks
nonsastra tersebut. Dengan demikian, Novel Napoleon dari Tanah Rencong
merupakan novel historis yang mengungkapkan, menginformasikan, dan
mempertanyakan kembali kebenaran peristiwa sosial politik yang terjadi di Aceh
antara tahun 1942 sampai dengan tahun 1962. Sikap mengungkapkan,
menginformasikan, dan mempertanyakan kembali kebenaran sejarah sesuai dengan
perspektif new historicism yang memahami setiap segi realitas tertuang dalam teks
dan struktur sosial ditentukan oleh ?praktik diskursif? yang dominan, sehingga harus
dipertanyakan lagi kebenarannya.
ABSTRACTThis thesis is a study on the representation of Hasan saleh and Daud Beureueh
in the Napoleon dari Tanah Rencong. This study aims to reveal the figure of Hasan
Saleh and Daud Beureueh in the novel as literary text and also in the non-literary
texts (history texts). The frame of reference used is new historicism perspective. The
result showed that the representation of Hasan Saleh and Daud Beureueh is revealed
differently in both of the text. The name of Hasan Saleh as a fighter that has big part
to preserve the Independence of Indonesia, is not more appeared in non-literary work
(history texts). The name of Hasan Saleh in most non-literary work only
synchronized as a rebel. On the other hand, Daud Beureueh, whose name and
biography is mentioned over and over in the most of non-literary texts, in the novel,
is represented differently. Thus, this novel is a historical trying to prove, to tell
information and to question the truth of history regarding to the history of social
political events taking place in Aceh from 1942 up to 1962. The way of trying to
prove, to tell information, and to question the truth of history appropriate with new
historicism perspective that appreciate the fact in texts and social structure is based
on dominant ?discursive practice? that have to be questionable;This thesis is a study on the representation of Hasan saleh and Daud Beureueh
in the Napoleon dari Tanah Rencong. This study aims to reveal the figure of Hasan
Saleh and Daud Beureueh in the novel as literary text and also in the non-literary
texts (history texts). The frame of reference used is new historicism perspective. The
result showed that the representation of Hasan Saleh and Daud Beureueh is revealed
differently in both of the text. The name of Hasan Saleh as a fighter that has big part
to preserve the Independence of Indonesia, is not more appeared in non-literary work
(history texts). The name of Hasan Saleh in most non-literary work only
synchronized as a rebel. On the other hand, Daud Beureueh, whose name and
biography is mentioned over and over in the most of non-literary texts, in the novel,
is represented differently. Thus, this novel is a historical trying to prove, to tell
information and to question the truth of history regarding to the history of social
political events taking place in Aceh from 1942 up to 1962. The way of trying to
prove, to tell information, and to question the truth of history appropriate with new
historicism perspective that appreciate the fact in texts and social structure is based
on dominant ?discursive practice? that have to be questionable;This thesis is a study on the representation of Hasan saleh and Daud Beureueh
in the Napoleon dari Tanah Rencong. This study aims to reveal the figure of Hasan
Saleh and Daud Beureueh in the novel as literary text and also in the non-literary
texts (history texts). The frame of reference used is new historicism perspective. The
result showed that the representation of Hasan Saleh and Daud Beureueh is revealed
differently in both of the text. The name of Hasan Saleh as a fighter that has big part
to preserve the Independence of Indonesia, is not more appeared in non-literary work
(history texts). The name of Hasan Saleh in most non-literary work only
synchronized as a rebel. On the other hand, Daud Beureueh, whose name and
biography is mentioned over and over in the most of non-literary texts, in the novel,
is represented differently. Thus, this novel is a historical trying to prove, to tell
information and to question the truth of history regarding to the history of social
political events taking place in Aceh from 1942 up to 1962. The way of trying to
prove, to tell information, and to question the truth of history appropriate with new
historicism perspective that appreciate the fact in texts and social structure is based
on dominant ‘discursive practice’ that have to be questionable;This thesis is a study on the representation of Hasan saleh and Daud Beureueh
in the Napoleon dari Tanah Rencong. This study aims to reveal the figure of Hasan
Saleh and Daud Beureueh in the novel as literary text and also in the non-literary
texts (history texts). The frame of reference used is new historicism perspective. The
result showed that the representation of Hasan Saleh and Daud Beureueh is revealed
differently in both of the text. The name of Hasan Saleh as a fighter that has big part
to preserve the Independence of Indonesia, is not more appeared in non-literary work
(history texts). The name of Hasan Saleh in most non-literary work only
synchronized as a rebel. On the other hand, Daud Beureueh, whose name and
biography is mentioned over and over in the most of non-literary texts, in the novel,
is represented differently. Thus, this novel is a historical trying to prove, to tell
information and to question the truth of history regarding to the history of social
political events taking place in Aceh from 1942 up to 1962. The way of trying to
prove, to tell information, and to question the truth of history appropriate with new
historicism perspective that appreciate the fact in texts and social structure is based
on dominant ‘discursive practice’ that have to be questionable, This thesis is a study on the representation of Hasan saleh and Daud Beureueh
in the Napoleon dari Tanah Rencong. This study aims to reveal the figure of Hasan
Saleh and Daud Beureueh in the novel as literary text and also in the non-literary
texts (history texts). The frame of reference used is new historicism perspective. The
result showed that the representation of Hasan Saleh and Daud Beureueh is revealed
differently in both of the text. The name of Hasan Saleh as a fighter that has big part
to preserve the Independence of Indonesia, is not more appeared in non-literary work
(history texts). The name of Hasan Saleh in most non-literary work only
synchronized as a rebel. On the other hand, Daud Beureueh, whose name and
biography is mentioned over and over in the most of non-literary texts, in the novel,
is represented differently. Thus, this novel is a historical trying to prove, to tell
information and to question the truth of history regarding to the history of social
political events taking place in Aceh from 1942 up to 1962. The way of trying to
prove, to tell information, and to question the truth of history appropriate with new
historicism perspective that appreciate the fact in texts and social structure is based
on dominant ‘discursive practice’ that have to be questionable]"
Depok: Fakultas Ilmu Pengetahuan dan Budaya Universitas Indonesia, 2014
