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"Wu Zetian adalah kaisar perempuan satu-satunya dalam sejarah kedinastian Tiongkok dan tercatat menggunakan 14 nama era selama pemerintahannya. Nama era memegang peranan penting dalam pemahaman sejarah dan historiografi Tiongkok. Nama era dapat merepresentasikan keadaan politik, sosial, budaya, dan pribadi kaisar sebagai penciptanya. Penelitian ini bertujuan untuk mengetahui latar belakang perubahan nama era dan karakter Wu Zetian yang tercermin melalui analisis nama era. Penelitian ini menggunakan metode penelitian sejarah. Hasil analisis menunjukkan bahwa ditemukan empat faktor utama perubahan nama era pada masa pemerintahan Wu Zetian, yaitu peristiwa, pencapaian, suasana hati, dan harapan. Selain itu, nama era mencerminkan Wu Zetian sebagai perempuan yang memiliki karakter religius, ambisius, percaya diri, bijaksana, berjiwa pemimpin, dan penuh pertimbangan.

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Wu Zetian, the only female emperor in Chinese dynastic history, used 14 reign-titles during her reign. Reign-titles hold a significant role in comprehending Chinese history and historiography. Reign-titles can reflect the political, social, cultural, and personal circumstances of its creator, the emperor. This research aims to determine the background to the change in reign-title and Wu Zetian's character as reflected through the analysis of reign-titles. This research uses historical research methods. The analysis reveals that during Wu Zetian's reign, reign-titles changed due to four main factors: events, achievements, moods, and expectations. Furthermore, the reign-titles of Wu Zetian indicate her as a highly ambitious woman with strong religious beliefs, exceptional self-confidence, wisdom, prudence, and leadership skills."

"Darbareye Elly merupakan sebuah film thriller psikologis dari Iran yang disutradarai oleh Asghar Farhadi dan diproduksi pada tahun 2009. Bercerita tentang sekelompok teman yang sedang pergi ke pinggir kota, Pantai Kaspia, untuk berlibur. Seiring berjalannya cerita, terungkap kebohongan-kebohongan dari para tokoh untuk mewujudkan keinginannya masing-masing. Motivasi dari para tokoh membuat perubahan karakter yang digambarkan berbeda-beda. Penelitian ini menggunakan metode deskriptif kualitatif. Teori yang digunakan adalah teori psikologi sastra mengacu pada Sigmund Freud. Tujuan dari penelitian ini adalah untuk memaparkan karakter tokoh utama sesuai dengan teori psikologi sastra oleh Sigmund Freud. Hasil dari penelitian ini didapatkan bahwa kepribadian tokoh utama, yaitu Elly, Sepideh, dan Ahmad memiliki karakter id yang paling mendominasi dibandingkan dengan ego dan superego, serta tokoh yang paling menunjukkan perubahan karakternya adalah Sepideh, lalu Elly, dan yang tidak terlalu menunjukkan perubahan karakternya adalah Ahmad.

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Darbareye Elly is an Iranian psychological thriller film directed by Asghar Farhadi and produced in 2009. It tells the story of a group of friends who go to the edge of the city, the Caspian Coast, for a vacation. As the story progresses, lies are revealed from the characters to realize their respective desires. The motivations of the characters make changes to the characters portrayed differently. This research uses a qualitative descriptive method. The theory used is the theory of literary psychology referring to Sigmund Freud. The purpose of this research is to describe the main character in accordance with the theory of literary psychology by Sigmund Freud. The results of this study found that the personalities of the main characters, namely Elly, Sepideh, and Ahmad have id characters that dominate the most compared to ego and superego, and the character who shows the most character change is Sepideh, then Elly, and the one who doesn't show too much character change is Ahmad."

"Genshin Impact adalah permainan RPG (role-playing game) dengan aksi open-world yang diluncurkan pada tanggal 28 September 2020 oleh miHoYo (上海米哈游网络科技股份有限公司 Shànghǎi mǐ hā yóu wǎngluò kējì gǔfèn yǒuxiàn gōngsī) di Shanghai, Cina. Salah satu tokoh dalam permainan Genshin Impact yang bernama Chongyun memiliki kemampuan mengusir roh jahat seperti yang dilakukan oleh pendeta Tao di Cina. Penelitian ini membahas mengenai kemiripan antara tokoh Chongyun dalam permainan Genshin Impact dengan pendeta Tao dalam ritual pengusiran roh jahat yang ditinjau dari aspek kostum, gerakan tangan dan jari, serta jimat yang digunakan. Penulis mengumpulkan data penelitian dari permainan Genshin Impact versi 4.3, serta sejumlah referensi tertulis berupa buku dan artikel jurnal, maupun referensi tidak tertulis berupa video mengenai pendeta Tao dalam ritual pengusiran roh jahat yang diunduh dari YouTube. Hasil penelitian menemukan bahwa tokoh Chongyun tidak sepenuhnya mirip dengan pendeta Tao dalam aspek kostum, gerakan tangan dan jari, serta jimat. Desain tokoh Chongyun yang tidak sepenuhnya mirip dengan pendeta Tao tetap dipertahankan dengan mempertimbangkan aspek efisiensi dan estetika gameplay dalam permainan Genshin Impact.

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Genshin Impact is an action open world RPG (role-playing game) launched on September 28th, 2020 by miHoYo (上海米哈游网络科技股份有限公司 Shànghǎi mǐ hā yóu wǎngluò kējì gǔfèn yǒuxiàn gōngsī) in Shanghai, China. One of the characters in Genshin Impact, Chongyun, possesses the ability to exorcise evil spirits, similar to the practices of Taoist priests in China. This study examines the similarities between Chongyun in Genshin Impact and Taoist priest during exorcism rituals, focusing on aspects such as costume, hand and finger movements, and talismans used. The author collected research data from Genshin Impact version 4.3, as well as a number of written references including books and journal articles, and non-written references such as videos on Taoist exorcism rituals downloaded from YouTube. The research results indicates that Chongyun’s character does not fully resemble Taoist priests in terms of costume, hand and finger movements, and talismans. The differences in Chongyun's design are maintained to ensure efficiency and aesthetic appeal within the gameplay of Genshin Impact."

"ABSTRAKSkripsi ini membahas tentang penggambaran latar ruang yang meliputi tempat tinggal Remco dan stadion sepak bola dalam film dan novel In Oranje. Tujuan penelitian adalah memperlihatkan kaitan latar tersebut dengan penokohan tokoh Remco dalam film dan novel In Oranje. Kedua karya tersebut mengisahkan tentang perjuangan tokoh Remco menjadi pemain tim kesebelasan KNVB Belanda.Sumber data penelitian adalah film In Oranje (2004) karya sutradara Frank Katelaar dan novel In Oranje (2004) karya Raymond Krul. Dalam skripsi ini analisis latar ruang dikaji dengan pendekatan pustaka Nurgiyantoro (2009), Boggs (1985), dan juga Van Boven dan Dorlijn (2003) selain itu digunakan pendekatan dari Van Balen, Jousten, dan Peppelenbos (2010).

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ABSTRACTThis thesis discusses the descripction of setting?s of residential and soccer stadions in the film and novel In Oranje. The research objective is to see the relation of settings with Remco?s characterization of the story in film and novel In Oranje. Both works tell a story of Remco?s figure who struggled to be a KNVB Dutch football player. Source of research data is film In Oranje (2004) by director Frank Katelaar and novel In Oranje (2004) by Raymond Krul. In this thesis, used setting analysis approach by Nurgiyantoro (2009), Boggs (1985) and Van Boven and Dorlijn (2003). Furthermore used approach by Van Balen, Jousten and Peppelenbos (2010)."

"ABSTRAKFilm Fucking Berlin merupakan film yang menggambarkan potret kehidupan kota Berlin pada masa ini. Melalui film ini, peneliti akan menganalisis penokohan tokoh Sonia Rossi serta memaparkan perubahan karakter yang terlihat pada tokoh Sonia Rossi dalam film Fucking Berlin. Sonia Rossi merupakan tokoh utama dalam film ini dan berperan penting dalam membangun cerita pada film ini. Metode penelitian yang digunakan adalah analisis tekstual. Teks yang dianalisis adalah adegan dan narasi dalam film. Penelitian dilakukan dengan menggunakan unsur intrinsik yang merupakan landasan penulis untuk menganalisis penokohan tokoh Sonia Rossi.

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ABSTRACTFucking Berlin is a movie that portrays a portrait of Berlin s city life at this modern time. On this film, researcher will analyze the characterization of the character Sonia Rossi and explain the character changes seen in the character Sonia Rossi in the film Fucking Berlin.Sonia Rossi is the main character in this film and plays an important role in building the story of this film. A textual analysis method used is intellectual. The analyzed texts are scenes and narration of the film. The study was conducted using intrinsic elements which is the basis of the author to analyze the characterization of Sonia Rossi's character."

"Penelitian ini membahas mengenai fungsi karakter dan struktur narasi dalam film Sand Storm karya Elite Zexer yang berasal dari Israel. Dalam jurnal yang berjudul Review:Headline Acts dikatakan bahwa dalam film Sand Storm sebagian besar memuat mengenai narasi. Metode yang digunakan adalah metode kualitatif di mana penelitian ini bersifat menggambarkan, menguraikan suatu hal dengan apa adanya, data yang dikumpulkan adalah berupa kata-kata atau penalaran, gambar, dan bukan angka-angka. Naratif dalam penelitian kualitatif menyajikan informasi dalam bentuk naskah atau gambar. Teknik pengumpulan data yang digunakan dalam penelitian ini adalah studi pustaka dengan mengkaji sumber melalui buku-buku, berita, jurnal ilmiah yang berkaitan dengan topik tersebut. Analisis data yang digunakan adalah analisis deskriptif. Dari hasil penelitian ditemukan bahwa adanya kesesuaian antara film Sand Storm dengan teori yang digunakan oleh Todorov. peneliti menemukan 3 hal yang paling sesuai yaitu terdapat 6 bagian pada struktur narasi dalam film Sand Storm, 6 bagian tersebut adalah keseimbangan (ekuilibrium), gangguan (disruption), kesadaran terjadi gangguan, puncak gangguan, upaya memperbaiki gangguan, dan keseimbangan. Film Sand Storm menggunakan Plot Linear. Terdapat 5 fungsi karakter dalam Film Sand Storm yang didukung oleh teori Vladimir Propp, 5 fungsi tersebut adalah The Hero atau Pahlawan, Villain atau Penjahat, Helper atau Penolong, Panderma atau Donor, dan Dispatcher atau Pengirim.

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This research discusses the function of the characters and narrative structure in the film Sand Storm by Elite Zexer from Israel. In the journal entitled Review: Headline Acts it is said that in the film Sand Storm mostly contains the narrative of mother and daughter. The method used is a qualitative method where this research is described, deciphering a thing as it is, the data collected is in the form of words or reasoning, images, and not numbers. Narratives in research present information in the form of manuscripts or images. The data collection technique used in this writing is a literature study by reviewing sources through books, news, scientific journals related to the topic. The data analysis used is descriptive analysis. From the results of the study, it was found that there was a compatibility between the film Sand Storm and the theory used by Todorov. The first most suitable result is that there are 6 parts to the narrative structure in the film Sand Storm, the 6 parts are equilibrium, disruption, awareness of disturbances, peak disturbances, efforts to correct disturbances, and balance. The second most suitable result is the film Sand Storm using Linear Plot. The third most appropriate result is that there are 5 characters functions in Sand Storm that are supported by Vladimir Propp's theory, these 5 functions are The Hero or Hero, Villain or Villain, Helper or Helper, Panderma or Donor, and Dispatcher or Sender."

"Babad Praya merupakan naskah klasik Lombok yang menceritakan perjuangan suku Sasak Praya untuk lepas dari kekuasaan Karangasem Bali. Tokoh penting dalam cerita ini adalah Tuan Guru Bangkol. Penelitian ini membahas Tuan Guru Bangkol sebagai representasi tokoh pejuang suku Sasak dalam Babad Praya. Penelitian ini bertujuan untuk menggambarkan peran Tuan Guru dalam kehidupan sosial masyarakat suku Sasak, serta berfokus pada perlawanan Tuan Guru Bangkol sebagai panglima perang Praya II pada 1891—1894. Sumber data utama penelitian ini berupa transliterasi naskah Babad Praya oleh Lalu Gde Suparman. Selanjutnya dalam mengkaji teks digunakan metode penelitian kualitatif deskriptif dengan pendekatan teori representasi dari Jacob Sumardjo dan Stuart Hall. Hasil dari penelitian ini menunjukkan bahwa Tuan Guru Bangkol berperan penting dalam membebaskan masyarakat Sasak Lombok dari kekuasaan Karangasem. Tuan Guru Bangkol merupakan representasi pejuang yang mempunyai peran utama dalam perlawanan rakyat Sasak terhadap Karangasem. Beliau berperan sebagai panglima perang sekaligus pemimpin tarikat qadiriyah wa naqsabandiyah bagi kelompoknya.

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Babad Praya is a classic Lombok manuscript that tells the struggle of the Sasak Praya tribe to escape the rule of Karangasem Bali. An important character in this story is Tuan Guru Bangkol. This study discusses Tuan Guru Bangkol as a representation of Sasak tribal warrior figures in Babad Praya. This study aims to describe the role of Tuan Guru in the social life of the Sasak people and focuses on the resistance of Tuan Guru Bangkol as the warlord of Praya II in 1891-1894. The main source of data for this research is the transliteration of the Babad Praya manuscript by Lalu Gde Suparman. Furthermore, in reviewing the text, descriptive qualitative research methods are used with the representation theory approach of Jacob Sumardjo and Stuart Hall. The results of this study show that Tuan Guru Bangkol played an important role in liberating the Sasak community of Lombok from the rule of Karangasem. Tuan Guru Bangkol is a representative of fighters who have a major role in the resistance of the Sasak people against Karangasem. He acted as a warlord as well as the leader of the qadiriyah wa naqsabandiyah tarikat for his group."

"ABSTRAKDrama ?Orang-orang Terminal? (1979) adalah drama yang ditulis oleh Agnes Yani Sardjono. Drama ini menceritakan tiga tokoh gelandangan dan interaksinya dengan orang-orang yang bersinggahan di terminal. Penelitian ini bertujuan memaparkan karakter tokoh gelandangan (Botak, Peyang, dan Min) yang ditampilkan dari cara mereka membicarakan keadaan sekitar dan hubungan mereka dengan masyarakat. Kesimpulan penelitian ini adalah karakter gelandangan di dalam drama tidak sepenuhnya sama dengan gelandangan dalam anggapan masyarakat dan definisi para ahli.

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ABSTRACT"Orang-orang Terminal" (1979) is a drama written by Agnes Yani Sardjono. This drama tells the three bums and their interaction with people who visit the terminal. This thesis describes the character of bums (Botak, Peyang, and Min) that showed by the way they talk about the issues around their life and their correlation with the society. The thesis concludes that character of the bums in the drama is not entirely as same as the bums in public?s perception and definition of the experts."

"Karakter perempuan Manic Pixie Dream Girl (MPDG), seperti yang diartikan oleh kritikus film Nathan Rabin, adalah trope perempuan eksentrik dan aneh yang dibentuk untuk menyelamatkan laki-laki dari kehidupan membosankan, mencerminkan diskriminasi terhadap perempuan. Penulisan ini bertujuan memahami representasi MPDG dalam film Love for Sale sebagai bentuk seksisme. Melalui analisis wacana kritis feminis, penulisan ini mengungkap sistem patriarki dalam narasi dan visual film, berkorelasi dengan teori film feminis oleh Laura Mulvey, terutama konsep male gaze. Male gaze merujuk pada cara film dibuat dari sudut pandang laki-laki, di mana perempuan digambarkan sebagai objek fantasi memuaskan audiens laki-laki, memperkuat pandangan patriarkal. Temuan seksisme ini didukung oleh tiga pondasi utama. Pertama, konstruksi dan stereotip gender memperkuat norma patriarkal, khususnya maskulinitas dan femininitas tokoh. Kedua, stereotip gender mengobjektifikasi tubuh dan seksualitas perempuan, menjadikannya objek keinginan seksual daripada individu dengan ekspresi pribadi yang bebas. Ketiga, relasi kuasa yang timpang, dengan dominasi laki-laki yang besar, menegaskan hubungan hierarkis yang tidak seimbang. Ketiga pondasi ini menunjukkan bahwa film ini memperkuat narasi gender yang tidak setara. Akibatnya, perempuan mengalami kesadaran palsu akibat memproyeksikan karakter MPDG ke realita. Penulisan ini diharapkan dapat meningkatkan kesadaran masyarakat dan perempuan tentang pentingnya representasi perempuan yang lebih adil dan inklusif.

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The Manic Pixie Dream Girl (MPDG) character, as defined by film critic Nathan Rabin, is an eccentric and quirky female trope designed to save men from their boring lives, reflecting discrimination against women. This paper aims to understand the representation of the MPDG in the film Love for Sale as a form of sexism. Through a feminist critical discourse analysis, this paper reveals the patriarchal system in the film’s narrative and visuals, correlating with feminist film theory by Laura Mulvey, particularly the concept of the male gaze. The male gaze refers to the way films are made from a male perspective, where women are depicted as fantasy objects satisfying the male audience, reinforcing patriarchal views. These findings of sexism are supported by three main foundations. First, the construction and gender stereotypes reinforce patriarchal norms, especially the masculinity and femininity of the characters. Second, gender stereotypes objectify women's bodies and sexuality, making them objects of sexual desire rather than individuals with free personal expression. Third, the unequal power relations, with significant male dominance, affirm an imbalanced hierarchical relationship. These three foundations show that the film reinforces an unequal gender narrative. As a result, women experience false consciousness by projecting the MPDG character into reality. This paper hopes to raise awareness among society and women about the importance of more equitable and inclusive representation of women."

"[Manga sebagai salah satu produk kebudayaan populer Jepang tidak hanya bertujuan sebagai media hiburan tetapi juga dapat digunakan sebagai media pembelajaran. Penelitian ini mengkaji mengenai gambaran watak tokoh utama yang dianalisis melalui penokohannya. Tujuannya adalah untuk mengungkapkan perubahan-perubahan watak yang dialami oleh tokoh utamanya, Shouya. Melalui hubungan Shouya dengan tokoh-tokoh yang memiliki pengaruh penting tersebut,penulis juga akan mengungkapkan pesan-pesan moral yang ingin disampaikan oleh pengarangnya secara tersirat. Dalam meneliti Koe no Katachi, penulis menggunakan metode pengumpulan data berupa studi dokumen. Hasil analisismenunjukkan bahwa terdapat perubahan-perubahan watak tokoh Shouya dan pesan-pesan moral yang berfungsi sebagai media pembelajaran.

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Manga as one of the product of Japanese popular culture not only to purpose on entertainment but also for education. This thesis discusses about the image ofcharacterization of main character which analyzed through characterization. The purpose is to reveal transformation of characterization of main character, Shouya. Through interaction between Shouya with characters who have important impact to him, writer also reveal implicit moral value which convey by author. In research of Koe no Katachi, the method of collecting data which using by writer is study of document. The result of analysis shows that the characterization of Shouya was transformed and moral values which aim for education. Manga as one of the product of Japanese popular culture not only to purpose on entertainment but also for education. This thesis discusses about the image of characterization of main character which analyzed through characterization. Thepurpose is to reveal transformation of characterization of main character, Shouya. Through interaction between Shouya with characters who have important impact to him, writer also reveal implicit moral value which convey by author. In research of Koe no Katachi, the method of collecting data which using by writer is study of document. The result of analysis shows that the characterization of Shouya was transformed and moral values which aim for education;Manga as one of the product of Japanese popular culture not only to purpose on entertainment but also for education. This thesis discusses about the image of characterization of main character which analyzed through characterization. Thepurpose is to reveal transformation of characterization of main character, Shouya. Through interaction between Shouya with characters who have important impactto him, writer also reveal implicit moral value which convey by author. In research of Koe no Katachi, the method of collecting data which using by writeris study of document. The result of analysis shows that the characterization of Shouya was transformed and moral values which aim for education;Manga as one of the product of Japanese popular culture not only to purpose on entertainment but also for education. This thesis discusses about the image of characterization of main character which analyzed through characterization. Thepurpose is to reveal transformation of characterization of main character, Shouya. Through interaction between Shouya with characters who have important impactto him, writer also reveal implicit moral value which convey by author. In research of Koe no Katachi, the method of collecting data which using by writeris study of document. The result of analysis shows that the characterization of Shouya was transformed and moral values which aim for education.;Manga as one of the product of Japanese popular culture not only to purpose onentertainment but also for education. This thesis discusses about the image ofcharacterization of main character which analyzed through characterization. Thepurpose is to reveal transformation of characterization of main character, Shouya.Through interaction between Shouya with characters who have important impactto him, writer also reveal implicit moral value which convey by author. Inresearch of Koe no Katachi, the method of collecting data which using by writeris study of document. The result of analysis shows that the characterization ofShouya was transformed and moral values which aim for education, Manga as one of the product of Japanese popular culture not only to purpose onentertainment but also for education. This thesis discusses about the image ofcharacterization of main character which analyzed through characterization. Thepurpose is to reveal transformation of characterization of main character, Shouya.Through interaction between Shouya with characters who have important impactto him, writer also reveal implicit moral value which convey by author. Inresearch of Koe no Katachi, the method of collecting data which using by writeris study of document. The result of analysis shows that the characterization ofShouya was transformed and moral values which aim for education]"