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"Tesis ini mengungkap salah satu aspek penyusun atmosfer dalam arsitektur, yaitu quasi. Ide ini berawal dari problematika diskursus materialitas yang selalu berkutat pada form dan hardware dari arsitektur, namun masih sedikit yang berbicara mengenai aspek materialtas dan karakteristik ruang yang menghubungkan antara manusia dengan arsitektur. Quasi dalam atmosfer kemudian menjadi penting, sebab kehadiran quasi mampu menghadirkan arsitektur yang bersifat immaterial, amorphic, dan transcendental, yang mengubah material dan things dalam atmosfer menjadi Quasi-Material dan Quasi-Things. Kemampuan yang dimiliki oleh Quasi-Material dan Quasi-Things dapat dikembangkan menjadi sebuah Metode Desain Arsitektur yang menghubungkan arsitektur dengan manusia. Metode desain arsitektur dengan menggunakan Quasi-Material dan Quasi-Things dapat memindahkan fokus desain, dari atmosfer yang terbentuk secara accidental, menjadi intentional. Metode ini memberikan kebebasan pada arsitek untuk bereksplorasi dalam merancang atmosfer yang dituju tanpa harus memikirkan bentuk. Posisi form dalam metode ini adalah hasil dari rancangan atmosfer yang terbentuk dalam arsitektur. Melalui rangkaian eksperimen dan skenario alur lintasan matahari sebagai batasan desain, arsitektur yang dirancang dengan menggunakan metode Quasi-Material dan Quasi-Things mampu menghadirkan atmosfer yang terdesain untuk mempertahankan kualitas atmosfer ruangnya sehingga dapat memaksimalkan pengalaman sensori manusia.

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This thesis unveils quasi as one of the components of atmospheres inside architecture. This idea emerges from problematical discourse in materiality, which likely talks about form and the hardware of architecture. However, the literature on aspects of materiality and spatial characteristics that connect humans with architecture is still less adequate. Quasi as the component of the atmosphere became important because the presence of quasi could project an immaterial, amorphic, and transcendental architecture that could turn material and things (in the atmosphere) into quasi-material and quasi-things. The capability of those quasi-material and quasi-things can be developed into architecture design methods that could connect the relationship between humans and architecture. Quasi-material and quasi-things as architecture design methods could shift the design focus from an accidental-formed atmosphere into an intentional-formed atmosphere. This method removes the architect’s circumscription to explore and design their own desired atmosphere without concern about form. This method makes form as a result of the atmospheric design that is formed in the architecture. Through several experiments and scenarios of the sun’s path as a design limitation, architecture designed using the quasi-material and quasi-things method is able to present a design atmosphere to maintain the quality of the spatial atmosphere and maximize the human sensory experience."

"Disertasi ini bertujuan untuk mengeksplorasi ide arsitektur berbasis alam yang beranimasi (animated nature) sebagai suatu bentuk pemrograman arsitektur yang ekologis. Alam yang beranimasi yang digagas oleh Sadler (1830) menjadi landasan untuk mengungkap kehadiran arsitektur domestik, khususnya dalam keseharian masyarakat tradisional. Penelitian dalam disertasi ini mencoba mengkonstruksi pengetahuan pemrograman arsitektur berbasis alam yang beranimasi, dalam rangka mencari bentuk keterhubungan yang lebih baik antara arsitektur dan alam.Penelitian dalam disertasi ini dilakukan secara kualitatif dengan pendekatan studi kasus melalui penelusuran praktik spasial domestik terkait pangan pada keseharian Orang Suku Laut (OSL) di Air Bingkai, Kepulauan Riau. Penelitian ini mengeksplorasi praktik keseharian secara makro melalui penelusuran rangkaian operasi spasial dan secara mikro melalui penelusuran pengaturan spasial dalam setiap operasi tersebut.Temuan penelitian ini mengungkap tiga aspek penting yang mengkonstruksi pengetahuan alam yang beranimasi, meliputi hubungan arsitektur dan alam yang dibangun berdasarkan animasi alam, ide domestisitas yang memiliki keterhubungan yang menerus dengan alam, dan pemrograman yang berbasis siklus alam. Melalui operasi bergerak dan bersinggah, ide domestik dalam alam yang beranimasi hadir melalui arsitektur yang berkelana dan terdistribusi, serta membentuk sebuah bentang domestik. Pemrograman arsitektur berbasis alam yang beranimasi tersusun dari variasi bentuk yang hadir secara silih berganti sebagai sebuah rangkaian adaptasi bertinggal. Pemrograman ini terwujud melalui mekanisme pengaturan berbagai obyek domestik dan elemen arsitektur secara adaptif dan fleksibel serta logika “shared resources” dalam penggunaan material. Dengan demikian, pemrograman arsitektur berbasis alam yang beranimasi menunjukkan potensinya sebagai bentuk arsitektur yang ekologis.

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This dissertation explores the idea of architectural programming based on animated nature, as an attempt to search for ecological architecture. The idea of animated nature by Sadler (1830) becomes arguably the basis of domestic architecture, especially in everyday life of traditional people. The research in this dissertation attempts to construct knowledge of architectural programming based on animated nature to find a better connection between architecture and nature.

The research in this dissertation was carried out qualitatively through a case study approach. It was conducted by exploring the domestic spatial practices related to food in the everyday of Orang Suku Laut in Air Bingkai, Riau Archipelago, at macro and micro levels. This research conducted the macro inquiry of spatial practice by tracing a series of spatial operations and the micro inquiry by scrutinising the spatial arrangements in each of these operations.

The findings of this study reveal three important aspects that construct the knowledge of architecture based on animated nature. It comprises the relationship between architecture and nature, which is constructed based on the animation of nature. This architecture suggests the idea of domestics as a continuous connectedness with nature and programming based on natural cycles. Through the operation of moving and mooring, the domestic architecture within the animated nature is demonstrated through architecture that wanders and is distributed, constructing a dynamic domestic scape. The architectural programming based on animated nature incorporates various forms that appear alternately and constitute a series of living adaptations. This programming is demonstrated through the mechanism of ordering domestic objects and architectural elements in an adaptive and flexible manner and the logic of "shared resources" in using the materials. The architectural programming based on animated nature reveals its potential as an ecological form of architecture."

"Effective design management presents a challenge and an opportunity for architects. How are they to manage increasingly-complex teams of consultants as well as increasingly-iterative design processes, while still maximising creativity? This clear guide sets out simple, practical processes which do exactly that. Introducing the ?Eight Essential Design Management Tools?, it is packed with simple, practical ways that the design process can be planned, organised, and managed, including tactics and ?soft skills? for team-leaders, advice on cost, risk, and procurement, as well as the key considerations for reconciling a complexiterative design programme against the RIBA Plan of Work. This short book will help students to senior architects looking to improve how their design teams harness efficient, switched on management skills to design high-quality buildings on time and on budget."

"Skripsi ini membahas hubungan antara teori ruang personal dan teritori dengan kepadatan yang bekerja pada tribun gedung olahraga. Dalam kenyataannya, invasi terhadap keduanya dapat berakibat negatif baik bagi penonton maupun atlet. Pembahasan dilihat dari aspek teknis (dimensi, elemen-elemen arsitektur) dan aspek non teknis (perilaku). Hasilnya menyatakan bahwa ukuran ruang personal pada tribun dapat mengerucut akibat minimnya dimensi gerak yang tersedia. Teritori dapat bertahan pada area padat jika penanda teritori dirasa kuat. Dalam mendesain tribun, sebaiknya mengacu pada garis pandang (sight line) dimana setiap titik tribun harus dapat melihat objek secara keseluruhan, sehingga menghindari terjadinya invasi berlebihan pada ruang personal dan teritori.

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The focus of this study is discusses about the relationship between personal space and territory theory and the density that happen in sport facility?s tribune. In fact, the invasion of both, personal space and theritory, are able to bring negative influence not only to the spectators but also the athlete. This discussion analyzed based on the technical aspects (dimension and architectural elements) and the non technical aspect (the behaviour). The result shows that personal space for the spectators in the tribune shrinks as the effect from the lack of movement dimension available. The territory will remain in a high density area if the sign of the theritory is strong enough. In designing tribune, we should refer to sight line where in every spot in the tribune must be able to see objects in the court as a whole, so that the excessive invasion to the personal space and territory can be avoided."