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Armiwati
Depok: Fakultas Ilmu Pengetahuan dan Budaya Universitas Indonesia, 2002
T203
UI - Tesis Membership  Universitas Indonesia Library
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Nandika Mandiri
"Tesis ini membahas permasalahan representasi budaya Timur dan Barat. Dengan menggunakan konsep Orientalisme Edward W. Said, analisis menunjukkan bahwa melalui narasi yang disampaikan oleh tokoh Timur, Timur dan Barat direpresentasikan secara kompleks dalam oposisi biner positif/negatif. Tokoh-tokoh Timur memaknai Barat sebagai subjek ideal. Barat merepresentasikan Timur dengan sangat stereotipik. Tokoh-tokoh Timur direpresentasikan sebagai pihak yang berusaha mengingkari identitasnya sebagai Timur dan memiliki pola pikir Barat. Akan tetapi akar budaya Timur yang kokohlah yang menjadi solusi self-denial itu. Hasil analisis menunjukkan bahwa Shanghai Baby menawarkan suatu kritik yang berkaitan dengan pemaknaan dan representasi budaya Timur dan Barat yang stereotipik.

The thesis discusses the problems related to Eastern and Western culture representation. The analysis which is based on Orientalism concept of Edward W. Said, shows that the narration given by a character from Eastern world represents the Eastern and Western world in a positive/negative binary opposition. Characters from the Eastern World see the Western world as an ideal subject; whereas the Western counterparts represent the Eastern world in a very stereotypical manner. Characters from Eastern world are represented people who try to deny their identity as being from the Eastern world, however the robust root of Eastern culture has become solution for the self-denial problems. The result of the analysis shows that Shanghai Baby offers a critic pertaining to stereotypical understanding and representation of Eastern and Western world."
Depok: Fakultas Ilmu Pengetahuan dan Budaya Universitas Indonesia, 2009
T26176
UI - Tesis Open  Universitas Indonesia Library
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Sistha Widyaresmi
"Kolonialisme pada mulanya adalah penguasaan rempah rempah dan hasil bumi untuk memperkaya negeri penjajah dalam meluaskan kekuasaannya. Pada fase selanjutnya, kolonialisme tidak hanya berpusat pada rempah, beras, dan sagu, melainkan juga penguasaan masyarakat atau hegemoni. Kaum penjajah tidak hanya mengambil sumber daya alam yang ada, tetapi juga membentuk pola pikir sumber daya manusianya sehingga mereka dapat menerima diri sebagai kaum inferior. Penjajah membalikkan masa lalu bangsa terjajah, dan mendistorsi, menodai, dan menulis ulang masa lalu bangsa tersebut. Skripsi ini membahas orientalisme dan pengaruh poskolonialisme pada masyarakat bekas jajahan, khususnya Indonesia. Penelitian ini menggunakan metode penelusuran literatur kepustakaan dari tema tersebut. Hasil penelitian memperlihatkan pengetahuan dan kekuasaan tidaklah terpisahkan. Siapa yang berpengetahuan dialah yang berkuasa, dan penguasa menciptakan kebenaran atas sebuah pengetahuan. Kami dan mereka adalah sebuah kata yang diwacanakan sang penguasa. Bahasa tidak lagi sebagai alat berkomunikasi tetapi sebagai alat menghegemoni.

At the beginning colonialism was the mastery of spices and agricultural products to enrich the invading country in expanding his power. In the next phase, colonialism is not only centered on the spices, rice, and sago, but also the mastery of society, or hegemony. The invaders did not just take the existing natural resources, but also establish the mindset of its human resources so that they can accept themselves as the inferior. Reversing past invaders colonized people, and distort, stain, and rewriting the history of the nation. This thesis discusses orientalism and post colonialism influence on the former colonies, especially Indonesia. This study uses literature source of the theme. The results show that knowledge and power are not separated. Those who have knowledge, they have power to lead. The sovereign has power to create the truth of knowledge. 'Us' and 'them' are words that discourse of the sovereign. Language is no longer as a means of communication but as hegemony."
Depok: Fakultas Ilmu Pengetahuan dan Budaya Universitas Indonesia, 2012
S42023
UI - Skripsi Open  Universitas Indonesia Library
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Goldy Leonard
"[ ABSTRAK
Fokus utama dari studi ini adalah pemaparan konsep Orientalisme Edward Said yang bertentangan dengan depiksi Timur dan Barat dalam film karya Edward Zwick, The Last Samurai (2003). Stereotipe ketimuran dan mistis samurai pada jaman Edo di Jepang bertemu dengan stereotipe bangsa Barat pada film ini. Potret Timur (samurai) dan Barat (pasukan imperial) dalam film in kontradiktif dengan Orientalisme Said yang mengemukakan bahwa bangsa Barat cenderung menggambarkan potret yang salah terhadap bangsa Timur untuk menopang superiotas Barat terhadap Timur. Studi ini mencoba untuk mengurangi skeptisme terhadap film-film produksi Barat yang kerap memprojeksikan budaya lain sebagai tema film
ABSTRACT The main focus of this study is how Edward Said?s concept of Orientalism contradicts the depiction of the East and the West in Edward Zwick?s The Last Samurai (2003). The stereotypes of Japan in the late
Edo Period (17th - 19th century) that are portrayed with mysticism of the samurai encounter the depiction of the West. The portrayals of the East (samurai) and the West (imperial forces) are in contrary with Said?s Orientalism in which the West tends to false-portray the East to maintain superiority over the East. This study tries to reduce the skepticism towards Western movies that project other cultures., The main focus of this study is how Edward Said’s concept of Orientalism contradicts the depiction of the East and the West in Edward Zwick’s The Last Samurai (2003). The stereotypes of Japan in the late
Edo Period (17th - 19th century) that are portrayed with mysticism of the samurai encounter the depiction of the West. The portrayals of the East (samurai) and the West (imperial forces) are in contrary with Said’s Orientalism in which the West tends to false-portray the East to maintain superiority over the East. This study tries to reduce the skepticism towards Western movies that project other cultures.]"
Fakultas Ilmu Pengetahuan dan Budaya Universitas Indonesia, 2015
MK-PDF
UI - Makalah dan Kertas Kerja  Universitas Indonesia Library
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Gita Frasiska
"Tesis ini membahas tentang Orientalisme yang muncul pada wacana Novel Shi no Hana. Berisi interaksi tokoh utama Hinobe sebagai orang Jepang berinteraksi dengan tokoh lainnya yang berbeda bangsa yaitu bangsa Eropa khususnya Belanda. Saat itu Jepang menginvasi Indonesia. Di satu sisi, negara Jepang adalah termasuk bangsa Timur, tetapi di sisi lain, Jepang telah berideologi Barat.
Tesis ini memakai penelitian kuantitatif dengan metode deskriptif, teori Orientalisme Edward Said dan teori Orientalisme Jepang. Hasil penelitian ini adalah ternyata wacana Orientalisme terbukti dalam konteks Asia Timur yaitu dalam novel Shi no Hanakarya Abe Tomoji.

This thesis discusses the discourse of Orientalism that appear on the Novel Shi no Hana. Contains lead character interaction as the Japanese Hinobe interact with other characters of different nations, namely the Europeans, especially the Dutch, while the Japanese invaded Indonesia. On the one hand, Japan is the country including East nation, but on the other hand, Japan has the ideology of the West.
This thesis wearing descriptive quantitative research methods, theory and the theory of Orientalism Edward Said's and Japan Orientalism. The results of this study turns the discourse of Orientalism is proven in the context of East Asia, namely in the novel Shi no Hana Abe Tomoji work.
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Jakarta: Program Pascasarjana Universitas Indonesia, 2014
T-Pdf
UI - Tesis Membership  Universitas Indonesia Library
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Mila Zuliana Shabrin
"Konsep Orientalisme sering ditemukan dalam cerita bergenre fantasi, di mana selalu terdapat dua sisi yang berlawanan: baik dan jahat, atau diri sendiri dan orang lain. A Song of Ice and Fire, sebuah novel seri fantasi kontemporer karya George R. R. Martin, terlihat menimbulkan kesan Orientalisme, khususnya dilihat dari pembagian dan penggambaran setting-nya, benua Westeros dan Essos, yang dilukiskan masing-masing sebagai kerajaan yang beradab dan benua yang barbar. Penamaan benua-benua tersebut sendiri nampak menyinggung Barat (West) dan Timur (East), pembagian yang membentuk ide Orientalisme itu sendiri.
Artikel ini bertujuan untuk mengamati lebih jauh setting dari novel seri ini, pertama dari deskripsi-deskripsi setiap setting, termasuk geografi, orang-orang, dan budayanya, dan kemudian menggunakan empat dogma dasar Orientalisme rumusan Edward Said untuk mengamati bagaimana gambaran-gambaran tersebut sebenarnya terlihat.
Penelitian ini menemukan bahwa Westeros dan Essos sama-sama beragam dan berbeda dengan caranya masing-masing. Kemudian, pembagian antara keduanya merupakan murni pembagian atas dasar geografi, bukan atas konsep yang bertolak belakang seperti baik dan jahat atau diri sendiri dan orang lain. Dapat disimpulkan bahwa A Song of Ice and Fire tidak menampilkan ide Orientalisme.

The concept of Orientalism can often be found in fantasy stories, where there are two sides of things: good and evil, or self and other. A Song of Ice and Fire, a contemporary fantasy novel series by George R. R. Martin, has made a seemingly Orientalist impression, especially with the clear division and depictions of its settings, the continent Westeros and Essos, which are portrayed as a civilized kingdom and a barbaric continent respectively. The naming of the continents itself seems to hint on the West and the East, a division upon which Orientalism idea is built.
This paper is aimed to further observe the series’ settings, first from the descriptions of each setting, including the geography, people, and culture, and then using Edward Said’s four principal dogmas of Orientalism to see how these settings are actually seen.
This research discovers that Westeros and Essos are equally diverse and different in their own way. Moreover, the division between the two is purely on geographical base, not opposite concepts like good and evil or self and other. It is concluded that A Song of Ice and Fire series does not portray the idea of Orientalism.
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Depok: Fakultas Ilmu Pengetahuan dan Budaya Universitas Indonesia, 2014
MK-Pdf
UI - Makalah dan Kertas Kerja  Universitas Indonesia Library
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Joesoef Sou`yb, translator
Jakarta: Bulan Bintang, 1985
297 JOE o
Buku Teks  Universitas Indonesia Library
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Hanifah Widya Rafi
"[ABSTRAK
Makalah ini meneliti representasi poskolonial India dalam film the Best Exotic Marigold Hotel. Representasi orientalis India dalam makalah ini dilihat melalui latar tempat, kekacauan (situasi) dan iklim India, transportasi umum, dan kemiskinan dari negara tersebut. Perspektif bias dari 7 karakter turis asal Inggris terhadap India dan proses adaptasi antar kebudayaan juga dibahas dalam makalah ini. Teori Orientalisme Edward Said dan teori Ambivalensi Homi K. Bhabha digunakan untuk menganalisis hubungan poskolonial Inggris-India dalam film, sedangkan konsep dinamis dari teori culture confusion digunakan untuk menjelaskan bagaimana masing-masing karakter menghadapi perbedaan kebudayaan. Hasil penelitian menunjukkan bahwa film the Best Exotic Marigold Hotel mengingatkan kembali masa kolonial Inggris di India dan memperlihatkan sebuah representasi orientalis. ABSTRACT This paper examines the postcolonial representation of India in the Best Exotic Marigold Hotel film. This paper analyzes the orientalist representation of India through settings, the chaos and climate of India, public transportation, and the poverty of the country. It discusses the biased perspectives of the British characters toward India and the process of intercultural adaptation. Edward Said?s orientalism and Homi K. Bhabha?s ambivalence theory are used to examine British-India postcolonial relation in the film. The dynamic concept of culture confusion is used to describe how each character deals with this intercultural experience. Based on the obtained data, this film clearly renders a reminder of British-India colonial past and an orientalist representation.;This paper examines the postcolonial representation of India in the Best Exotic Marigold Hotel film. This paper analyzes the orientalist representation of India through settings, the chaos and climate of India, public transportation, and the poverty of the country. It discusses the biased perspectives of the British characters toward India and the process of intercultural adaptation. Edward Said?s orientalism and Homi K. Bhabha?s ambivalence theory are used to examine British-India postcolonial relation in the film. The dynamic concept of culture confusion is used to describe how each character deals with this intercultural experience. Based on the obtained data, this film clearly renders a reminder of British-India colonial past and an orientalist representation.;This paper examines the postcolonial representation of India in the Best Exotic Marigold Hotel film. This paper analyzes the orientalist representation of India through settings, the chaos and climate of India, public transportation, and the poverty of the country. It discusses the biased perspectives of the British characters toward India and the process of intercultural adaptation. Edward Said?s orientalism and Homi K. Bhabha?s ambivalence theory are used to examine British-India postcolonial relation in the film. The dynamic concept of culture confusion is used to describe how each character deals with this intercultural experience. Based on the obtained data, this film clearly renders a reminder of British-India colonial past and an orientalist representation.;This paper examines the postcolonial representation of India in the Best Exotic Marigold Hotel film. This paper analyzes the orientalist representation of India through settings, the chaos and climate of India, public transportation, and the poverty of the country. It discusses the biased perspectives of the British characters toward India and the process of intercultural adaptation. Edward Said?s orientalism and Homi K. Bhabha?s ambivalence theory are used to examine British-India postcolonial relation in the film. The dynamic concept of culture confusion is used to describe how each character deals with this intercultural experience. Based on the obtained data, this film clearly renders a reminder of British-India colonial past and an orientalist representation., This paper examines the postcolonial representation of India in the Best Exotic Marigold Hotel film. This paper analyzes the orientalist representation of India through settings, the chaos and climate of India, public transportation, and the poverty of the country. It discusses the biased perspectives of the British characters toward India and the process of intercultural adaptation. Edward Said’s orientalism and Homi K. Bhabha’s ambivalence theory are used to examine British-India postcolonial relation in the film. The dynamic concept of culture confusion is used to describe how each character deals with this intercultural experience. Based on the obtained data, this film clearly renders a reminder of British-India colonial past and an orientalist representation.]"
Fakultas Ilmu Pengetahuan dan Budaya Universitas Indonesia, 2015
MK-PDF
UI - Makalah dan Kertas Kerja  Universitas Indonesia Library
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Clarissa Paramitha Utami Widhiana
"[ABSTRAK
Penelitian ini untuk menganalisa tentang Orientalisme, pertukaran budaya, dan isu feminisme di dalam pencarian identitas seseorang. Diangkat dari sebuah novel berjudul The Woman Warrior yang ditulis oleh Maxine Hong Kingston. Novel ini bercerita tentang seorang gadis Tionghoa yang hidup di Amerika dan mengalami kebingungan akan identitas dirinya. Teori yang digunakan meliputi sejarah, sosiologi, dan feminisme. Teori-teori tersebut berkaitan dengan topik yang diangkat dalam penulisan ini, yaitu menganalisa kehidupan seorang gadis dalam konteks sejarah dan budaya Cina dan Amerika. Hasil dari penelitian ini menunjukkan bahwa Kingston terus menerus dilanda kebingungan akan identitasnya, Tionghoa atau Amerika. Ibunya meminta Kingston untuk menjaga tradisi Tionghoa yang sudah diwariskan kepadanya, tetapi lingkungan sosialnya memaksa Kingston untuk beradaptasi. Ilustrasi ini menggambarkan kesulitan mencari jalan tengah untuk kedua budaya yang jauh berbeda dan pengaruh masa lalu ke perkembangan gender dan identitas etnis.

ABSTRACT
This study is to analyze the Orientalism, cross cultural and feminine issues in order to find someone?s identity in The Woman Warrior, a novel written by Maxine Hong Kingston, since this novel talks about a Chinese girl who lives in America and is confused about her identity. The theoretical approach will be historical, sociological and feminist theories because they are related to the study which is to analyze a woman's life in the historical and cultural context of Chinese - American society. The result shows that Kingston is still confused to which identity she belongs to, Chinese or American. Her mother asks her to keep her Chinese tradition culture. On the other hand, her society pushes her to adapt the American culture. The narratives illustrate the impossible task of negotiating two different cultures and finding a balance to construct gender and ethnic identity. Finally, in all of narratives a similar thread reappears in the form of the past and its influence on the progression of their gender and ethnic identities.;This study is to analyze the Orientalism, cross cultural and feminine issues in order to find someone?s identity in The Woman Warrior, a novel written by Maxine Hong Kingston, since this novel talks about a Chinese girl who lives in America and is confused about her identity. The theoretical approach will be historical, sociological and feminist theories because they are related to the study which is to analyze a woman's life in the historical and cultural context of Chinese - American society. The result shows that Kingston is still confused to which identity she belongs to, Chinese or American. Her mother asks her to keep her Chinese tradition culture. On the other hand, her society pushes her to adapt the American culture. The narratives illustrate the impossible task of negotiating two different cultures and finding a balance to construct gender and ethnic identity. Finally, in all of narratives a similar thread reappears in the form of the past and its influence on the progression of their gender and ethnic identities., This study is to analyze the Orientalism, cross cultural and feminine issues in order to find someone’s identity in The Woman Warrior, a novel written by Maxine Hong Kingston, since this novel talks about a Chinese girl who lives in America and is confused about her identity. The theoretical approach will be historical, sociological and feminist theories because they are related to the study which is to analyze a woman's life in the historical and cultural context of Chinese - American society. The result shows that Kingston is still confused to which identity she belongs to, Chinese or American. Her mother asks her to keep her Chinese tradition culture. On the other hand, her society pushes her to adapt the American culture. The narratives illustrate the impossible task of negotiating two different cultures and finding a balance to construct gender and ethnic identity. Finally, in all of narratives a similar thread reappears in the form of the past and its influence on the progression of their gender and ethnic identities.]"
2015
MK-Pdf
UI - Makalah dan Kertas Kerja  Universitas Indonesia Library
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Elaine Mischa Amadeus
"Although frequently dismissed as mere entertainment, popular music can be utilized as a site for constructing and representing identities. This is exemplified by Indonesian R&B/hip-hop singer Agnez Mo who aspires to, among others, represent Indonesia through her English works. This study explores the Indonesian identity Mo portrays in the lyrics and images of her music video Long As I Get Paid (2017). Carlsson’s (1999) theory on music video textual analysis is utilized in this study. Results are then understood in relation to Orientalism and self-Orientalism. This study finds that Mo constructs the identity of a feminine, strange, exotic, and sexually assertive Eastern woman who willingly sells herself to a Western man for money. Moreover, she is depicted ignoring the criticisms she receives for it. Such portrayal is a reiteration of classic Orientalist stereotypes. Furthermore, Mo being the one to Orientalize herself ultimately makes her actions fall under self-Orientalism. This study’s findings indicate that the concept of self-Orientalism is relevant not only to the realms of advertising and tourism– which are what a large number of previous studies on self-Orientalism focus on – but also popular culture."
Depok: Fakultas Ilmu Pengetahuan Budaya Universitas Indonesia, 2024
TA-pdf
UI - Tugas Akhir  Universitas Indonesia Library
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