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"The author's investigation of early-modern Javanese law reveals that judicial authority does not come from the contents of legal titles or juridical texts, but from legal maxims and variations thereof. A century and a half ago Simon Keyzer, a recognized scholar of Javanese law, noted that understanding of that law is dependent upon a grasp of such pithy expressions, which provide the key to the whole body of suits. (*Preface*, C.F. Winter, *Javaansche Zamenspraken*, 1858, which examines hundreds of *sloka*, the majority of which are directed to prevailing legal practice).Drawing upon the contents of 18th century Javanese legal texts, the present work builds upon Keyzer's and Winter's references to '*sloka*-phenomena', namely *sloka* proper (maxims) and its derivatives *sinalokan* (that made of *sloka*), *aksara* here meaning legal principles, and *prakara* (matter, case). These are usually conveyed in vignettes illustrating their function and as a group, constitute the essence of traditional Javanese written law."

"ABSTRAKOne of the Javanese's highest cultures is the creation of cultural wisdom that conveys the concept of fairness as expressed in propositions as well as cultural expressions. This research aims to revive the memories of Javanese cultural wisdom especially those related to fairness. Based on the propositions, the objective of this research is to identify theconcept of fairness behavior in Javanese culture. This research is qualitative. The data were collected from text booksand literary texts validated by in-depth interviews as well asforum group discussions. The data corpuses were analyzedby using componential and taxonomic analysis. Through semantic and pragmatic analysis, the fairness concept inJavanese culture can be identified.Bisa ngrumangsani is the main principle of fairness in Javanese propositions and covers two sub-ordinates propositions, i.e. self-restraint and appreciation for others. Each of these two sub-ordinate propositions covers four sub-ordinate propositions referring to action, character, desire, and competence. All of these propositions are sustained by the other proposition creating a whole concept of fairness. The results of this research are expected to serve as groundwork on how the education of national character building relating to fairness behavior can be realized. "

"Skripsi ini membahas tentang perempuan Jawa dalam novel Purnama Kingkin. Tujuan penelitian ini untuk menemukan gambaran sikap tokoh utama sebagai perempuan Jawa. Penelitian ini menggunakan metode penelitian analisis deskriptif dengan kajian pustaka dan analisis struktur. Teori yang digunakan dalam penelitian ini adalah teori struktur cerita yang diadaptasi dari tulisan Burhan Nurgiyantoro. Hasil penelitian ini menemukan tiga sikap tokoh utama sebagai perempuan Jawa yang sesuai dengan ungkapan budaya Jawa, yaitu aja rumangsa bisa, nanging bisaa rumangsa 'jangan merasa bisa, tetapi bisalah merasa', sareh pakoleh 'sabar (akan) berhasil', dan wani ngalah luhur pungkasane 'berani mengalah (akan) 'tinggi' pada akhirnya'.

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This thesis discusses the Javanese women in the novel Purnama Kingkin. The purpose of this study is to find a picture of the main character's attitude as a Javanese woman. This study uses descriptive analysis research method with a literature review and analysis of structure, using the theory of the story's structure that adopted from Burhan Nurgiyantoro's writings. The three main attitude of the main character as a Javanese woman matches the expression of Javanese culture, which are aja rumangsa bisa, nanging bisaa rumangsa 'Do not feel that you can, but be the one that can feel', sareh pakoleh 'patience (will) succeed', and wani ngalah luhur pungkasane 'dare giving in (to be) 'high' in the end'."

"Laku manusia Jawa dalam aspek spiritualitasnya menunjukkan upaya untuk mencapai kedamaian dan ketenteraman jiwa. Sedangkan ketenteraman jiwa hanya mampu didapatkan ketika manusia telah menyatu dengan realitas tertinggi. Rumusan masalah yang akan dijawab dalam penelitian ini adalah bagaimana laku spiritual tokoh dalam mencapai ketenteraman jiwa. Penelitian ini bertujuan untuk mengetahui proses psikologis dan motivasi tokoh berdasarkan pengalaman hidupnya setelah melakukan laku spiritual. Selain itu, penelitian ini juga dapat memperkaya perspektif baru dalam khazanah spiritualisme lokal. Data yang dijadikan bahan analisis pada penelitian ini adalah kutipan bait Kidung Surajaya yang mewakili nilai-nilai yang hendak diangkat. Penelitian ini memadukan metode analisis konten dengan teori psikologi. Teori yang dijadikan landasan adalah tahapan spiritual manusia dalam Schreurs (2002) dan enam tahapan yoga berdasarkan kitab Wrhaspati Tattwa. Setelah dilakukan analisis, ditemukan bahwa tokoh menjalani keenam tahapan dalam Sad Angga yoga untuk mencapai ketenangan hidup yang ia peroleh.

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The behavior of Javanese people in their spiritual aspect shows an effort to achieve peace and tranquility of the soul. Meanwhile, humans can feel tranquility when they unite with the highest reality. This study's research question concerns how the character achieves peace of mind through spiritual practice. This study aims to determine the psychological processes and motivations of the characters based on their life experiences after performing spiritual practice. In addition, this research can also enrich new perspectives on the treasures of local spiritualism. Primary data in this study are quotations from the verses of the Kidung Surajaya, which represent Javanese values to be raised. This study combines content analysis methods with psychological theory. The theory used as the basis is the spiritual stages of humans in Schreurs (2002) and the six stages of yoga based on the Wrhaspati Tattwa book. Then the study found that the character went through the six stages of Sad Angga yoga to achieve the peace of life he obtained."