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Skripsi ini bertujuan untuk menelusuri ruang sensori pada praktik memasak melalui serangkaian operasi yang berhubungan dengan strategi dan taktik dalam mengubah bahan mentah menjadi bahan matang. Sebagai bagian dari keseharian, praktik memasak merupakan praktik yang penting dalam memproduksi makanan yang merupakan kebutuhan dasar manusia. Memasak umumnya bertempat di dapur, begitu pula dapur biasa disebut juga sebagai ruang memasak. Melalui skripsi ini, ruang memasak akan ditelusuri melalui perspektif keseharian sehingga dapat memunculkan layer-layer ruang baru yang berhubungan dengan proses terjadinya transformasi bahan di dalam dapur beserta sensori yang terlibat. Dengan melihat menelusuri ruang sensori pada praktik memasak, maka keterlibatan sensori akan dapat terlihat dalam menghadirkan ruang-ruang baru di dalam ruang memasak dengan strategi dan taktik tertentu yang mempengaruhi.

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This thesis aims to explore the space of sensory in a cooking practice utilising a series of operations represented by strategy and tactic in transforming raw ingredients into cooked ingredients. As part of everyday life, cooking practice is an important practice in producing food, which is human’s basic need. Cooking generally takes place in the kitchen, as kitchen can be defined as cooking space. From this thesis, the cooking space will be explored from the perspective of everyday life in defining new layers of new spaces that are related to the process of transforming the ingredients in the kitchen with sensories experienced. In exploring the sensory space of cooking practice, the engagement between sensory in cooking will be seen in defining new spaces in cooking space that are affected by strategy and tactic.

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"Tulisan ini bertujuan untuk menjelaskan tentang kegiatan menyimpan dan ruang penyimpanan dalam ruang hidup Orang Laut dari perspektif keseharian, sebagai taktik yang dilakukan dalam ruang yang terbatas. Dalam ruang hidupnya yang terbatas di dalam sampan, Orang Laut menggunakan ruang sampannya dengan membawa peralatan untuk kebutuhan sehari-hari. Penulisan skripsi ini mempelajari kegiatan menyimpan dan ruang penyimpanan yang terjadi sebagai bagian dari interioritas, dalam konteks vernakular Orang Laut. Penelusuran dilakukan melalui studi literatur dan observasi langsung pada bulan Juni - Juli 2019 dalam kegiatan Ekskursi Orang Laut UI 2019 terhadap Orang Laut di daerah Tajur Biru, Lingga, Kepulauan Riau. Dengan cara hidup yang berpindah di alam, mereka menyusun peralatan tersebut dengan taktis sehingga terdapat suatu pola yang muncul berdasarkan kebutuhan dari setiap kegiatan, intensitas penggunaan, ukuran, serta zonasi basah dan kering, baik secara vertikal maupun horizontal dengan bergantian dalam waktu. 

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This article aims to explore the activities of storing and storage in the living space of the Orang Laut from the perspective of everyday life, as the tactics carried out in such a limited space. In such a limited space, Orang Laut uses its sampan to carry equipment for their daily needs away from the land. The writing of this article studies the activities of storing and storage that occur as part of interiority within the vernacular context of Orang Laut. The observation was carried out through literature studies and field study in June - July 2019 in the “Ekskursi Arsitektur UI 2019: Orang Laut” in the Tajur Biru, Lingga, Riau Islands. The fingdings of this study suggest that they store their everyday stuff and the equipment tactically based on the needs of each activity, constituting a storage pattern based on the intensity of use, size, and zoning of wet and dry area, both vertically and horizontally with turns in time."

"Fenomena pelanggaran lalu lintas yang dilakukan para pengendara sepeda motor di jalan raya Jakarta merupakan suatu pola perilaku kebiasaan yang dibiasakan, dilakukan secara berulang-ulang dan terjadi setiap hari, sehingga membentuk sebuah budaya menyimpang. Kemudian, di lain hal fenomena pelanggaran lalu lintas juga dilihat sebagai kondisi demoralisasi, yang di artikan sebagai bentuk terjadinya penurunan terhadap nilai-nilai, moralitas dan norma di masyarakat. Dimana, masyarakat dalam hal ini paham dengan aturan dan hukum yang berlaku, namun, peraturan tersebut tidak diamalkan dengan baik dalam kehidupan seharihari. Tesis ini mencoba menjelaskan bagaimana cultural criminology melihat fenomena perilaku pengendara sepeda motor dalam dimensi crime in everyday life dan crime as culture. Metode yang digunakan dalam penelitian ini adalah analis visual kriminologi yang dikembangkan oleh Cecil E. Greek dengan menampilkan gambar/foto terkait pelanggaran lalu lintas yang dilakukan pengendara sepeda motor. Kesimpulan dari tesis ini adalah perilaku pengendara sepeda motor dalam hal ini hadir sebagai bentuk fenomena kejahatan dalam kehidupan sehari-hari (crime in everyday life), dan fenomena kejahatan dan budaya (crime as culture).

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The phenomenon of traffic violations made by motorcyclists on the road Jakarta is a pattern of behavior that is accustomed habit, done repeatedly and happen every day, so as to form an aberrant culture. Then, in another case of traffic violation phenomenon is also seen as a condition of demoralization, which is interpreted as a form of the decrease to values, morality and norms in society. Where, in this case the people familiar with the rules and laws that apply, however, the rules are not well practiced in everyday life.

This thesis tries to explain how cultural criminology see motorcyclists behavioral phenomena in everyday life dimension in crime and crime as culture. The method used in this research is a visual analyst criminology developed by Cecil E. Greek to display an image / photo related traffic offenses committed motorcyclists. The conclusion of this thesis is the behavior of motorcyclists present in this case as a form of crime phenomena in everyday life (crime in everyday life), and the phenomenon of crime and culture (culture as crime)."

"Skripsi ini membahas tentang bagaimana leisure terjadi dalam keseharian ibu rumah tangga dalam ruang domestik, yaitu rumah. Leisure adalah sebuah momen di mana terjadi perubahan. Di dalamnya terdapat dimensi-dimensi, seperti kebebasan memilih, motivasi intrinsik, kesenangan, relaksasi, interaksi dan ekspresi diri, yang membuat seseorang menerima suatu momen sebagai leisure. Leisure tidak dapat disamakan dengan rekreasi atau waktu luang karena leisure adalah pengalaman. Ruang domestik yang berkaitan dengan waktu, ruang dan aktivitas menjadi salah satu container dari leisure bagi ibu rumah tangga. Selain itu, ruang domestik  juga menjadi salah satu container domain, yaitu segala hal yang bersifat obligatory dan terjadi secara rutin, bagi ibu rumah tangga. Momen leisure terjadi di antara domain dan dapat terlihat setelah domain teridentifikasi. Pembentukan momen leisure didorong oleh faktor preferensi pribadi, kehadiran orang lain dan perubahan yang mencakup perubahan ruang dan aktivitas. Hasil studi menemukan bahwa preferensi pribadi merupakan faktor pembentuk momen leisure yang paling mendasar. Sedangkan faktor lain, yaitu kehadiran orang lain dan perubahan menjadi faktor tambahan pembentuk momen leisure yang dialami. Selain itu, studi ini juga menemukan bahwa tidak seluruh bagian dari rumah adalah domain ibu rumah tangga dan terjadi overlapping domain dan leisure di beberapa bagian rumah. Temuan skripsi ini menunjukkan pentingnya ruang domestik untuk dapat mewadahi domain sekaligus leisure dalam keseharian ibu rumah tangga.

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This study discusses how leisure occurs in the everyday life of housewives at home as a domestic space. Leisure is a moment in which changes occur. It contains dimensions, such as freedom of choice, intrinsic motivation, pleasure, relaxation, interaction and self-expression, that make a person perceive a moment as leisure. Leisure is different with recreation or leisure time as leisure is an experience. Domestic space, which relate with space, time, and activity is one of the containers of leisure for housewives. Besides, it is also a container of domain, which is everything that is obligatory that occurs as a routine for housewives. The moment of leisure occurs in between domain and can be recognized after the domain is identified. The occurrence of moment of leisure is affected by some factors such as personal preference, the presence of others and changes that include changes in space and activity. The study discovers that personal preference is the basic forming factor of the moment of leisure. Whereas the other factors, namely the presence of others and change, become additional forming factors of moments of leisure. In addition, this study identifies that not all parts of the house are domain for housewives and there are overlapped spaces of domain and leisure in some parts of the house. The findings of this thesis show the importance of domestic to accommodate domain as well as leisure in the everyday life of housewives."

"Skripsi ini mencoba melihat proses memasak sebagai social performance, yang memaknai memasak sebagai aktivitas bersama. Memahami proses memasak sebagai social performance membentuk negosiasi skenario ‘Our Kitchen’ dimana ruang memasak dapat tersebar dan terintegrasi pada keseluruhan ruang bertinggal. Perkembangan teknologi telah memberi dampak pada pandangan terkait proses memasak, dan terus menerus meredefinisikan bagaimana proses dan ruang memasak dipahami dalam suatu ruang domestik. Proses memasak di ruang domestik awalnya didefinisikan sebagai kegiatan yang hanya dilakukan oleh seorang aktor primer, sehingga menciptakan segregasi antara ruang memasak dan ruang bertinggal lainnya. Memahami memasak sebagai social performance mengangkat berbagai jenis peran, ruang dan objek yang kemudian dapat saling beririsan dalam ruang domestik dan akhirnya berpotensi menghapuskan segregasi ruang yang bersifat patriarkis. Hubungan peran, ruang, dan objek pada skripsi ini dipelajari lebih lanjut melalui studi kasus berbagai skenario ‘Our Kitchen’. Skripsi ini memahami bagaimana ruang memasak digunakan bersama oleh hadirnya berbagai peran memasak, serta menyimpulkan keterkaitan antara hubungan peran, objek, dan ruang memasak terhadap organisasi spasial suatu ruang domestik.

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This thesis aims to explore the process of cooking as a social performance, defining daily cooking as a shared activity in the domestic space The thesis argues that understanding cooking as a social performance forms the negotiated scenario of 'Our Kitchen' where the cooking space can be distributed beyond the kitchen and integrated with the living space as a whole. Technological development redefines how cooking process and space are perceived in the domestic space. The process of cooking in the domestic space was originally defined as an activity carried out by a primary actor, thus creating segregation between the cooking space and other living spaces. Understanding cooking as a social performance raises various types of roles, spaces and objects which can then intersect in the domestic space and potentially eliminate the patriarchal spatial segregation tendencies. Relations of roles, spaces, and objects are studied further in this thesis through the case studies of various scenarios of 'Our Kitchen'. This thesis understands how the cooking space is used together by multiple roles, concluding on the relationship of roles, objects, and spaces of cooking in accordance with the spatial organization of the domestic space."

"Tujuan dari penelitian ini adalah untuk menganalisa pada konsumen online di Indonesia apakah motivasi hedonik yang terdiri dari adventure, idea, value, social dan relaxation memiliki signifikansi terhadap kecendrungan pembelian impulsif pada konsumen yang melakukan pembelian online, dan juga menemukan dimensi apa dari motivasi hedonik tersebut yang memiliki signifikansi paling besar terhadap kecendrungan pembelian impulsif online. Yang dalam pengumpulan datanya dilakukan penyebaran kuesioner dan dari total 169 sampel kemudian diuji lewat regresi berganda untuk ditemukan signifikansinya. Dan hasil yang didapat adalah bahwa motivasi adventure, idea, value dan relaxation mempunyai nilai signifikansi positif terhadap online impulse buying tendency, dan ditemukan juga bahwa motivasi social tidak memiliki pengaruh signifikansi apapun terhadap online impulse buying tendency.

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The purpose of this research is to explore whether hedonic motivations which consist of adventure, idea, value, social and relaxation of Indonesia consumers have any significant impact on their online impulse buying tendency. And also to find which dimentions of those hedonic motivations that have strongest effect on online impulse buying tendency. An online survey was conducted and from the 169 sampe received, multiple regression method was conducted to test the data sample. And the finding confirm that adventure, idea, value, and relaxation motivation has positive impact on online impulse buying tendency. While social motivation has no significance on online impulse buying tendency."

"This book presents a snapshot of daily life for exiles and their dependants in eastern Siberia from the 1905 revolution up until the collapse of the Tsarist regime in 1917. This was an extraordinary period in Siberias history as a place of punishment. There was an unprecedented rise of Siberias penal use in this twelve-year window, and a dramatic increase in the number of exiles punished for political offences. This work focuses on the region of eastern Siberia, taking the regions of Irkutsk and Yakutsk in north-eastern Siberia as its focal points. Siberian exile was the antithesis of Foucaults modern prison. The state did not observe, monitor, and control its exiles closely, and indeed often did not even know where exiles were. Exiles were free to govern their daily lives. They were free of fences, and free from close observation and supervision. Despite these freedoms, Siberian exile represented one of Russias most feared punishments. This book seeks to explore what the punishment of Siberian exile entailed, and to humanize the individuals who made up the mass of exiles and the men, women, and children who followed them voluntarily into exile. This book is structured in a broad narrative arc that moves from travel to exile; life and communities in exile, work, and escape; and finally illness in exile. This book gives a personal, human, empathetic insight into what exilic experience entailed, and allows us to comprehend why eastern Siberia was regarded as a terrible punishment, despite its apparent freedoms."

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Tesis ini membahas proses pembentukan ruang dalam keseharian dengan menggunakan kacamata narasi dalam arsitektur. Narasi dalam keseharian disebut sebagai spatial trajectories. Hasil penelusuran menyarankan bahwa yang perlu dilihat dalam proses pembentukan ruang adalah bridge yang terbentuk oleh spatial trajectories. Semakin banyak bridge yang hadir berarti spatial trajectories yang terlibat semakin banyak. Sehingga yang perlu diperhatikan adalah persinggungan antar spatial trajectories yang terjadi dalam ruang tersebut karena hal tersebut mengindikasikan berbagai macam narasi yang terlibat.

Tesis ini juga menelusuri berbagai macam bentuk narasi dan bagaimana cara membongkar narasi tersebut, seperti narasi tertulis dan narasi film. Teknik-teknik seperti diagram, collage, kamera, dan separatrix banyak dibahas sebagai intrumen penelusuran dalam tesis ini.

Tesis ini mendemonstrasikan strategi perancangan berbasis spatial trajectories. Untuk dapat merepresentasikan spatial trajectories diperlukan sebuah teknik representasi yang dapat mewakili ketepatan data empiris sebuah narasi yang dalam hal ini bisa dengan menggunakan teknik proyeksi, namun tetap dapat memunculkan imajinasi keseharian yang lebih abstrak dengan menggunakan teknik scenography yang dapat merepresentasikan sebuah performance.

Melalui penggunaan spatial trajectories sebagai pendekatan dalam perancangan, arsitektur yang hadir merupakan arsitektur yang ingin menyampaikan cerita mengenai ruang-ruang keseharian dalam sebuah konteks. Tesis ini berusaha untuk membuka peluang-peluang spasial dengan memanfaatkan teknik-teknik representasi untuk dapat memunculkan makna-makna dalam ruang-ruang keseharian kita.

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This thesis discusses the production of space inside everyday using the narrative lens in architecture. The narrative in everyday is referred to as spatial trajectories. The inquiry results suggest that what is important in the production of space process is the bridge formed by the spatial trajectories. The more bridges that are present means, the more spatial trajectories are involved. It becomes important to consider the overlapping between spatial trajectories that occur in that space because it indicates various kinds of narratives involved.

This thesis also explores various forms of narrative and how to dismantle these narratives. Techniques such as a diagram, collage, camera, and separatrix are widely discussed as instruments of inquiry in this thesis.

This thesis demonstrates a spatial trajectories-based design strategy. To be able to represent spatial trajectories, a representation technique should represent the accuracy of empirical data in a narrative in the way of projection technique, but the representation should also bring up more abstract of everyday imagination in a way scenography technique to represent the performance

Through the use of spatial trajectories as an approach in design, the architecture that is present is an architecture that wants to convey stories about everyday spaces in a context. This thesis seeks to open up spatial opportunities by utilizing representational techniques to be able to give meaning in our everyday spaces.

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"Tesis ini mempelajari bagaimana sinema merepresentasikan ruang-ruang sejarah beserta keseharian, isu gender, kelas sosial, kolonialisme, dan nilai-nilai tradisi melalui pengamatan terhadap tiga sinema historis bertema kehidupan R.A. Kartini keluaran tahun 1980-an dan 2010-an. Tesis ini menganalisis representasi konsep-konsep di atas dari cara aktor berinteraksi satu sama lain dan beraktivitas dalam batasan-batasan ruang domestik dan hubungannya dengan ruang publik. Analisis pada tesis ini merekonstruksi fragmen-fragmen representasi lingkungan dalem Kabupaten Jepara – tempat tinggal R.A. Kartini sejak masa kecil hingga menikah – sebagai latar yang dominan pada ketiga sinema tersebut. Rekonstruksi ini kemudian menunjukkan jika otentisitas latar tersebut berhubungan dengan narasi masing-masing sinema – yang juga dipengaruhi oleh narasi politik dan sejarah yang populer ketika sinema diproduksi. Mengingat bentuknya sebagai salah satu produk kreatif dari historiografi, sering terdapat perdebatan antara sisi kreatif dari sinema dan tanggung jawabnya untuk menjaga akurasi fakta sejarah. Tesis ini menemukan bahwa otentisitas ruang dalam sinema sejarah adalah sebuah spektrum dan dapat berkompromi dengan pertimbangan kreatif untuk mencapai narasi yang diinginkan. Berdasarkan observasi terhadap tiga sinema dengan tema yang sama, tesis ini menemukan bahwa seorang tokoh bersejarah dapat direpresentasikan melalui kombinasi ruang yang berbeda, hubungan yang berbeda dengan tokoh-tokoh di sekitarnya, serta teknik visual yang berbeda, dengan beragam cara memanipulasi fakta sejarah.

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This thesis explores the recreation of spaces in history, along with representations of everyday life, gender and class issues, colonialism, and traditional values in spaces within 1980s and 2010s Indonesian movies that depict the life of R.A. Kartini. The analysis of such concepts surrounds the way characters interact with each other, inhabit, and exist within the boundaries of domestic spaces, which can relate to their existence in public settings. In this thesis, the author reconstructed fragments of the dalem (palace) of Jepara Regency – where Kartini lived from childhood until the beginning of her marriage – as the most significant set of all three movies. This reconstruction then shows the relations between the authenticity of these recreated spaces with each movie’s narratives – which were also a product of political and historical narratives that were popular during the movies’ production. Given its essence as a creative form of historiography, historical cinema is often torn between staying true to historical facts and allowing its creators some levels of creative liberty. This thesis found that authenticity in historical cinema is a spectrum, and it often compromises with creative liberty in order to achieve its creators’ intended narrative. Based on observing three movies of the same theme, this thesis found that the exact historical figure can be represented within different combinations of spaces, relationships with their surrounding figures, and different visual techniques, all while manipulating authentic historical facts in different manners."

"[ABSTRAKKemayoran telah mengalami transformasi fungsi kota. Bermula sebagai lahan berawa yang dijadikan kawasan bandara udara kemudian diubah menjadi kawasan perdagangan internasional yang dilengkapi area hunian didalamnya. Kebon Kosong menjadi kawasan hunian yang dilengkapi fasilitas publik di dalamnya. Dalam kehidupan, manusia senantiasa mencariketenangan dan kenyamanan jiwa melalui beragam aktivitas yang terwujud dalam kegiatan ritual. Sadar ataupun tidak warga kota menandai tempat tertentu berdasarkan interiority yang mereka rasakan untuk melakukan kegiatan ritual. Pembahasan aktivitas ritual dalam tesis ini terfokus pada kegiatan yang terjadi di ruang publik berdasarkan life cycle space. Life cycle space merupakan ruang gerak yang terbentuk dari aktivitas manusia berdasarkan kelompok usia tertentu. Setiap fase tumbuh kembang manusia memiliki radius gerak manusia yang terpaut dengan rumah tinggal. Area radius gerak manusia yang terjadi di ruang publik selanjutnya disebut sebagai ruang ritus kota. Berdasarkan analisis, ruang teduh menjadi tujuan warga kota untuk beraktivitas. Temuan ini mengantarkan pada metode merancang kota dengan permukaan bayangan.

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ABSTRACTKemayoran has been a transformation in the city functions. Previously, this area was marshy land that once used the area airports and then transformed into an international trade, with a residential area. Kebon Kosong area has now become a residential area and has been equipped with public facilities. In life, people always seek tranquility and comfort the soul through a variety of activities embodied in ritual activities. Consciously or not, people mark certain places based interiority they feel to perform the ritual activities. Discussion of ritual activity in this thesis is focused on the activities that take place in public spaces based on life cycle space. Life cycle space is the space that is formed from human activities and based on a particular age group. Each phase of human growth and development has a radius of human motion adrift with their living places. Radius area of human motion that occurs in the public space will be referred to as a rite of urban space. Based on the analysis, a shady area becomes people?s aim for daily activities. The result of this thesis leads to a method of designing the city with a shadow surface.;Kemayoran has been a transformation in the city functions. Previously, this area was marshy land that once used the area airports and then transformed into an international trade, with a residential area. Kebon Kosong area has now become a residential area and has been equipped with public facilities. In life, people always seek tranquility and comfort the soul through a variety of activities embodied in ritual activities. Consciously or not, people mark certain places based interiority they feel to perform the ritual activities. Discussion of ritual activity in this thesis is focused on the activities that take place in public spaces based on life cycle space. Life cycle space is the space that is formed from human activities and based on a particular age group. Each phase of human growth and development has a radius of human motion adrift with their living places. Radius area of human motion that occurs in the public space will be referred to as a rite of urban space. Based on the analysis, a shady area becomes people?s aim for daily activities. The result of this thesis leads to a method of designing the city with a shadow surface., Kemayoran has been a transformation in the city functions. Previously, this area was marshy land that once used the area airports and then transformed into an international trade, with a residential area. Kebon Kosong area has now become a residential area and has been equipped with public facilities. In life, people always seek tranquility and comfort the soul through a variety of activities embodied in ritual activities. Consciously or not, people mark certain places based interiority they feel to perform the ritual activities. Discussion of ritual activity in this thesis is focused on the activities that take place in public spaces based on life cycle space. Life cycle space is the space that is formed from human activities and based on a particular age group. Each phase of human growth and development has a radius of human motion adrift with their living places. Radius area of human motion that occurs in the public space will be referred to as a rite of urban space. Based on the analysis, a shady area becomes people’s aim for daily activities. The result of this thesis leads to a method of designing the city with a shadow surface.]"