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"The absence of equivalents is an issue that has always been faced by translators in translating the source text. When translating proverbs, which are loaded with moral and cultural messages, translators are required to be able to transfer the messages appropriately. The different types of proverbs between French and Indonesian are a major cause of translators' difficulty in finding the equivalents in the form of proverbs. This issue was raised from the author's own experience in translating French fable by Jean de La Fontaine into Indonesian. By using the theory of Paremi and proverbs types of Bhuvaneswar (2000), French and Indonesian proverbs are analyzed in order to find the kinds of proverbs of the source language and the target language. It was found that the absence of equivalents in the form of Indonesian proverbs caused by the opposite of types of French proverbs and Indonesian proverbs. The majority of French proverbs are literal, whereas Indonesian proverbs are mostly metaphors. Data were taken from the fables of Jean de La Fontaine and its translation into Indonesian."

"Banten is one of the 34 provinces which helped to establish the Republic of Indonesia. Although it was just acknowledged as a province of Indonesia in 2000, as a pepper producer Banten had been known around the world long before its sultanate even existed. The various written sources consist of scripts, archives, and inscriptions from various backgrounds, such as history, literature, and religion. This research found that there are several scripts used as a written medium in Banten, such as Arabic, Jawi (Malay-Arabic), Pegon (Arabic-Javanese), Hanacaraka, and Latin. From the text content point of view, it has been found that these scripts also function as an information depositor of Banten."

"This article discusses the typology of a hand stencil pattern cave painting located in Leang Uhallie, Bone district, South Sulawesi. Irving Rouse's taxonomy classification methods were used to find typology of the hand stencil pattern. This study show that ther are three form of hand stencil with 21 variants. This typologycal study of the hand stencil also shows the dominant and the unique pattern form of Leang Uhallie."