Hasil Pencarian  ::  Simpan CSV :: Kembali

"Penelitian tinggalan arkeologi melalui memori kolektif dapat digunakan untuk melihat identitas dari suatu individu hingga kelompok baik itu berupa gender, seksualitas, sanak keluarga, politik, religi dan sistem sosial. Penelitian ini bertujuan untuk merekonstruksi identitas Kecinaan di Batavia abad ke ndash; 20 melalui data inskripsi pada nisan, patung hingga bangunan yang ada di Mausoleum Oen Giok Khouw. Atribut hingga ragam hias yang ada di Mausoleum Oen Giok Khouw memiliki simbol memori pengingat tentang kehidupan Oen Giok Khouw sebagai orang Cina yang dinaturalisasi oleh orang Belanda dan harapan serta doa untuk Oen Giok Khouw atas kehidupan yang sudah dilaluinya.

---

Study of archaeological remains by means of reconstructing collective memory can be used to identify of the past social structure such as gender, sexuality, inter familial roles, politics, religions and social systems. This research aims to reconstruct the identity of Chinese people in Batavia at 20th Century based on the inscription data on the Mausoleum Oen Giok Khouw. Data of this research are inscriptions, gravestone, and statues. The results of this research show the decorations and the shape of the building of Mausoleum Oen Giok Khouw indicate that its have a memorial symbolic about the social status of Oen Giok Khouw during his life. Most of the Mausoleum attributes were using western style that pointed out he wanted to be remembered as a Dutch people rather than a Chinese people because he was naturalized as a Dutch citizen."

"Mausoleum Oen Giok Khouw merupakan sebuah bangunan arsitektur makam yang terletak di TPU Petamburan, Jakarta Pusat. Tujuan dari dilakukannya penelitian ini adalah untuk mengetahui bentuk dan gaya bangunan dari mausoleum ini serta untuk mengetahui nilai-nilai penting yang dimiliki oleh Mausoleum Oen Giok Khouw. Kajian ini menggunakan delapan tahapan metode penilaian yang dikemukakan oleh Pearson dan Sullivan. Hasil dari penelitian ini menunjukkan bahwa Mausoleum Oen Giok Khouw memiliki kombinasi bentuk dengan percampuran gaya barat sebagai karakteristik utama. Pada bangunan ini juga terdapat beberapa aspek kebudayaan Tionghoa. Dari hasil penelitian juga dapat diketahui nilai-nilai penting pada bangunan Mausoleum Oen Giok Khouw seperti yang tertera dalam UU Cagar Budaya, yaitu nilai sejarah, nilai ilmu pengetahuan, nilai pendidikan, nilai agama, dan nilai kebudayaan. Hasil dari penelitian ini dapat dijadikan sebagai pertimbangan untuk mengajukan bangunan Mausoleum Oen Giok Khouw untuk ditetapkan sebagai cagar budaya.

---

The Mausoleum of Oen Giok Khouw is an architectural tomb building located at TPU Petamburan, Central Jakarta. The purpose of this study was to determine the shape and style of the building of this tomb and to find out the important values ​​possessed by the Oen Giok Khouw Mausoleum. This study is uses the eight assessments method proposed by Pearson and Sullivan. The results of this study indicate that the Oen Giok Khouw Mausoleum has a combination of shapes with a mixture Western styles as the main characteristics. In this building there are also several aspects of Chinese culture. From the research results, it can also be seen that the important values ​​in the Mausoleum of Oen Giok Khouw building as stated in the Cultural Heritage Law, namely historical values, scientific values, educational values, religious values, and cultural values. The results of this study can be used as a consideration for proposing the Oen Giok Khouw Mausoleum building to be designated as a cultural heritage."

"Dalam menanggapi fase kematiannya, manusia cenderung mempersiapkan makam sebagai tempat peristirahatan terakhirnya. Sebagai salah satu objek arsitektur makam, Mausoleum O. G. Khouw termasuk sebagai makam yang sangat megah pada masanya. Di dalam skripsi ini, Kami bertujuan untuk mengkaji lebih jauh faktor yang mempengaruhi karakteristik Mausoleum O. G. Khouw dari sudut pandang arsitektur makam. Mausoleum O. G. Khouw tentu telah melalui banyak perkembangan dari aspek-aspek kompleks proses perancangan, mulai dari pemilihan lokasi, konsep yang ingin dihadirkan dalam rancangan, bagaimana ruang arsitektur di dalam makam nantinya dapat berfungsi dengan baik, hingga bagaimana aliran romantisisme lebih dipilih sebagai gaya arsitektur bangunan pada masa aliran rasionalisme sedang berkembang di Batavia.Untuk mencapai tujuan dan menjawab pertanyaan-pertanyaan pendukung tersebut, Kami melakukan observasi langsung ke Mausoleum O. G. Khouw di TPU Petamburan. Sebagian besar data terkait studi kasus didapat melalui literatur koran dan arsip masa Hindia-Belanda, serta wawancara dengan perwakilan komunitas Love Our Heritage.Hasil temuan yang didapat dalam studi kasus ialah, Mausoleum O. G. Khouw menggunakan gaya arsitektur beraliran romantisisme, dengan pengaruh neoklasik, art deco, serta renaissance. Kami menduga kebudayaan etnis Tionghoa masih terdapat dalam rancangan Mausoleum Khouw lewat penerapan teori Fengshui makam, dan elemen pembentuk ruang di lantai I mausoleum. Dugaan lain Kami terkait gaya arsitektur makam ialah preferensi klien yang lebih mendominasi, kurangnya arsitek makam di Batavia, sifat marmer sebagai material utama, dan perancang yang menggunakan pendekatan tipologis dalam merancang Mausoleum O. G. Khouw.

---

In response to face the phase of death, people tends to prepare a tomb as their final resting place. As one of the objects of funerary architecture, Mausoleum O. G. Khouw was considered as a very magnificent tomb of its time. In this thesis, the author aims to examine furtherly, factors that affect the characteristics of Mausoleum O. G. Khouw from the point of view of funerary architecture. Mausoleum O. G. Khouw certainly has gone through many developments from the complex aspects of the design process, ranging from location selection, the concept of design, and how the architectural space functioned well.

Furthermore, this paper will also explain how romanticism was preferred as the architectural style of the building, instead of rationalism style that was growing more in Batavia. To achieve the purpose and answer the supporting questions, We did a field observation to the Mausoleum O. G. Khouw at TPU Petamburan. Most of the data were obtained through the Dutch Indies newspapers and archives, as well as interviews with representatives of the Love Our Heritage community.

The findings are, Mausoleum Khouw uses a romantic style of architecture, with neoclassical, art deco, and renaissance influences. The author suspects that Chinese culture still exists in the design of the Mausoleum Khouw through the application of the grave Fengshui theory and the element on the first floor of mausoleum. Other allegations related to the architectural style of the tomb is a more dominant client preference, lack of funerary architect in Batavia, marble nature as the main material, and typological approach which used by the architect in designing Mausoleum O. G. Khouw."

"Penelitian ini merupakan upaya dalam melihat memori kolektif yang terdapat pada Kelenteng Tek Hay Bio di Semarang. Pada Kelenteng Tek Hay Bio terdapat sebuah tokoh manusia yang dianggap berjasa dan mengingat tokoh tersebut memiliki peranan besar bagi masyarakat sekitar dan dijadikan sebagai dewa utama serta letaknya pada bagian bangunan utama Kelenteng. Memori kolektif ini diwujudkan dalam bentuk sebuah ritual atau peringatan kebesaran bagi tokoh tersebut serta dilengkapi sesajian pada ritualnya. Juga melalui sebuah representasi yang muncul. Metode penelitian yang digunakan adalah pengumpulan data (observasi langsung dan studi literatur), pengolahan data dan interpretasi. Hasil penelitian menunjukkan bahwa pada Kelenteng Tek Hay Bio terdapat memori kolektif oleh sebagian kelompok masyarakat etnis Tionghoa di Kota Semarang yang layak untuk diingat dan dikenang serta perwujudan memori kolektif tersebut melalui sebuah representasi sehingga terjadi keterkaitan satu sama lain.

---

This research is an attempt to see the collective memory found in the Tek Hay Bio Temple in Semarang. At Tek Hay Bio temple can be found a human figure that is considered meritorious and remembers that the figure has a large role for the surrounding community and for the community and is used as the main deity and is located in the main building part of the temple. This collective memory is manifested in the form of a ritual or commemoration of greatness for the figure and is equipped with offerings on the ritual. Also through a representation that appears. The research method used is data collection (direct observation and study of literature), data processing and interpretation. The results showed that in Tek Bio Bio Temple there is a collective memory by some ethnic Chinese communities in the city of Semarang that deserves to be remembered and remembered and the embodiment of the collective memory through a representation so that there is a connection to one another."

"Penelitian ini mengungkap secara mendalam tentang perubahan fungsi Candi Siwa , makna arca chitra Candi Siwa serta makna Relief Ramayana Prambanan dalam empat periode pengaruh kuasa: Hindu, Islam, Kolonial dan Kemerdekaan. Pengungkapan fungsi serta makna dilakukan dengan metode postprosesual dengan pendekatan kontekstual. Objek material candi, arca dan relief diungkap makna primer serta makna sekunder melalui analisis semiotika Roland Barthes, wacana yang muncul dibalik pemaknaan atas pengaruh kuasa dianalisis melalui analisa wacana/kuasa Michel Foucault. Hasil penelitian: (1) Fungsi Candi Siwa Prambanan: pada masa pengaruh kuasa Hindu, candi sebagai Siwagrha, tempat pemujaan kepada Siwa Mahadewa, tempat masyarakatnya memperoleh berkah kesejahteraan; pada masa pengaruh kuasa Islam, candi sebagai makam, cungkup, tempat angker bangunan karya Bandung Bondowoso; pada masa pengaruh kuasa Kolonial candi sebagai temuan arkeologis, tempat penerapan ilmu arkeologi, objek penelitian dan tempat wisata Jawa; masa Kemerdekaan, candi sebagai monument karya besar Bangsa Indonesia, cagar budaya, benda budaya dunia, destinasi wisata, tempat pertunjukan seni dan tempat ibadah hari raya Nyepi bagi umat Hindu. ( 2) Makna Arca Chitra di Bilik Candi Siwa Prambanan: masa kuasa Hindu, arca sebagai ikonik perwujudan dewa/i serta serta dewa/i pemberi kesejahteraan; masa kuasa Islam, arca merupakan berhala, arca buah karya Bandung Bondowoso; masa kuasa Kolonial, arca merupakan temuan eksotis, benda kenang-kenangan dan objek penelitian; masa kemerdekaan, monumen karya besar bangsa, benda gift, perwujudan ikonik dewa-dewi Hindu. (3) Relief Ramayana Candi Prambanan: masa pengaruh kuasa Hindu, ajaran melakukan dharma; masa pengaruh kuasa Islam, tokoh Rama sebagai keturunan nabi Adam; masa pengaruh kuasa Kolonial, alat diplomasi antar negara, objek penelitian; masa kemerdekaan, mewujud pementasan sendratari Ramayana, sebagai gift, kitab ajaran agama Hindu. Implikasi Penelitian: Dalam penelitian ini didapatkan arkeologi pemikiran dibalik masing-masing pengaruh wacana/ kuasa. Pemahaman manusia terhadap arkeologi pemikiran membuat manusia bercakrawala luas dalam menanggapi objek yang sama dengan paradigma yang berbeda. Objek, kebudayaan material berupa candi, arca dan relief merupakan wadah mitos yang dapat mempengaruhi perilaku dalam kehidupan sosialkemasyarakatan manusia.

---

The research reveals deeply about changing the function of Shiva temple, statues chitra meaning and significance of Shiva temple Prambanan Ramayana Relief in four periods of the influence of power: Hindu, Islamic, colonial and independence. Disclosure functions and meanings carried by the method of post-processual with contextual approach. Material object temples, statues and reliefs revealed primary meaning and secondary meaning through semiotic analysis Roland Barthes, discourse that appears behind the meaning of the influence of power is analyzed through discourse analysis Michel Foucaul). Results of the study: (1) Function Prambanan Shiva Temple: During the influence of Hindu power, as Siwagrha temple, shrine to Shiva Mahadeva, where people obtain a blessing welfare; during the influence of Islamic power, the temple as a tomb, cupola, haunted places, building work of Bondowoso; during the colonial power of the influence of the temple as archaeological finds, where the application of the science of archeology, research objects and sights Java; Independence period, the temple as a major work of the Indonesian Nation monument, heritage, world cultural objects, tourist destination, performing arts venues and places of worship Nyepi day for Hindus. (2) The meaning Arca Chitra Room Shiva temple Prambanan: the power of the Hindu, statues as iconic embodiment of the gods and deities giver and welfare; period of Islamic power, the statues are idols, statues the work of Bondowoso; period colonial power, the statue of the exotic findings, keepsake objects and objects of research; independence, the monument's major work, gift items, iconic embodiment of Hindu deities. (3) Relief Ramayana Prambanan: the influence of Hindu power, do dharma teachings; term influence of Islamic power, Rama figures as descendants of the prophet Adam; Colonial influence future power, diplomacy tool between countries, the object of study; independence, embodied Ramayana ballet performances, as a gift, the book of Hindu religion. Research Implications: In this study, archeology rationale behind each influence discourse / power. Human understanding of the rationale behind the archaeological material culture make people wider in mind so they are able to empathy and tolerance in response to the same object with different paradigms, to realizing the sense of Bhineka Tunggal Ika. Object, material culture in the form of temples, statues and reliefs is a container of stories, myths, which in turn can influence human action."

"Skripsi ini membahas bagaimana persebaran dan hubungan pemukiman etnis Cina di Kawasan Medan pada akhir abad ke-19 sampai awal abad ke-20. Pada pemukiman dilihat bagaimana persamaan dan perbedaan karakteristik setiap situs pemukiman etnis Cina. Tujuan umum penelitian ini adalah merekonstruksi kebudayaan masa lalu etnis Cina di Medan. Selain itu, penelitian ini bertujuan khusus untuk mengetahui karakteristik setiap situs pemukiman etnis Cina.Penelitian ini menggunakan metode arkeologi pemukiman tingkat makro. Hasil penelitian menunjukkan bahwa persebaran situs-situs pemukiman etnis Cina menunjukkan pola linier di mana berkembang dari utara menuju pusat Kota Medan. Sementara itu, hubungan antarsitus berkaitan dengan faktor migrasi dan ekonomi.

---

This undergraduate thesis is talk about distribution and relationship chinese settlement in Medan from the end of 19th century until early 20th century. This research is look at the similarities and differences between each site. General purpose is to reconstruction the culture of chinese in the past. Besides, the special purpose is to understand the characteristics of each site. Method that had been used is the archaeology of settlement in macro scale. The result is the distribution of chinese settlement in Medan shows that the pattern is linear. Meanwhile, the relationships between each site cause of migration and economy."

"ABSTRAKStreet art sudah menjadi bagian dari ruang publik Yogyakarta dan Jakarta. Hal initidak lepas dari street artist yang mencoba berdialog dengan masyarakat danpemerintah melalui karya-karyanya di ruang publik. Memori kolektif akan streetart di ruang publik pun terbentuk di dalam masyaraat Yogyakarta dan Jakarta.Studi ini secara umum membahas mengenai dialog yang dilakukan oleh streetartist dengan masyarakat dan pemerintah dalam membentuk memori kolektif akanstreet art di ruang publik dan bagaimana strategi street artist untukmempertahankan street art di ruang publik Yogyakarta dan Jakarta. Penelitiandengan metode kualitatif ini menunjukkan usaha street artist dalam membentukwacana pelupaan dan pengingatan memori kolektif masyarakat akan ruang publikdengan membawa perubahan, penambahan dan pergeseran memori kolektif akanstreet art di ruang publik Yogyakarta dan Jakarta. Karakterisitik masyarakat danpemerintah Yogyakarta dan Jakarta yang berbeda juga meyebabkan perbedaanstrategi yang dipakai street artist Yogyakarta dan Jakarta dalam usahamempertahankan street art di ruang publik Yogyakarta dan Jakarta.

---

ABSTRACTStreet art has become the part of the public space of Yogyakarta and Jakarta. It isbecause of the street artist who tried to dialogue with the community andgovernment through his works in public spaces. Collective memory of street art inpublic space was formed in Yogyakarta and Jakarta. These studies generallydiscuss about the dialogue conducted by the street artist with communities andgovernments in shaping collective memory of street art in public space and whatis the strategy that street artist use to maintain street art in public space ofYogyakarta and Jakarta.. This qualitative research shows the effort of street artistsin shaping the discourse of forgetting and remembering people's collectivememory of public space with changing, adding and shifting the collective memoryof street art in public spaces of Yogyakarta and Jakarta. The differencescharacteristics of society and the government of Yogyakarta and Jakarta also ledto differences in the strategies employed by street artist of Yogyakarta and Jakartain the retention of street art in public spaces of Yogyakarta and Jakarta."

"Small Taxpayers Office represents one roof tax service which serves all kind of taxes. Taxpayers expect accurate services which are provided by tax officer. They expect immediate services as well. On the other side, due to maturity date of Tax Return, both of Monthly Tax Return and Annual Tax Return, usually, the taxpayers are getting increase.

This research describes about the service regarding the reporting of Monthly Tax Return and Annual Tax Return, due to its maturity date. The approach which is used on this research is qualitative approaching on descriptive disposition, and supported by quantitative data which are obtained from Small Taxpayers Office Jakarta Grogol Petamburan.

Based on the data, researcher is trying to make time calculating which is required by taxpayer is reporting Tax Return, by using queue theory which represents a quantitative theory. For instance, a queue theory constitutes of awaiting process conducted by taxpayers who request a services from service Provider Company. It is equivalent to taxpayer whom waiting services which are given by tax officer.

The result indicates that waiting time required by taxpayers is smaller than the existing practice. Hence, it is concluded that services for reporting Tax Return, both Monthly Tax Return and Annual Tax Return haven?t been effective yet. It is cause by lack services facilities, human resources, and the using of information system on Directorate General of Taxes ineffectively."

"ABSTRAKKelurahan Petamburan khususnya RW 01, 02 dan 03 sebagian besar wilayahnya merupakan daerah rawan banjir dengan keadaan sosial ekonomi rendah sehingga memungkinkan tingginya prevalensi penyakit kulit. Penelitian ini bertujuan untuk mengetahui prevalensi penyakit kulit pada beberapa RW di kelurahan Petamburan dan pengobatan serta faktor faktor yang mempengaruhinya. Data didapatkan melalui wawancara menggunakan kuesioner dengan responden yang mewakili keluarganya. Hasil penelitian menunjukkan prevalensi penyakit kulit sebesar 47,57% dari 103 keluarga yang diamati, dengan jenis yang terbanyak adalah penyakit kulit akibat jamur (71,43%) dan sisanya adalah infeksi kulit oleh bakteri (28,57%). Tindakan pengobatan terbesar yang dilakukan penderita penyakit kulit adalah swamedikasi dengan obat modern (37,50%), sedangkan lainnya berobat ke fasilitas kesehatan (33,93%), tidak melakukan pengobatan (21,43%), dan swamedikasi dengan obat tradisional (7,14%). Uji statistik korelasi Spearman dengan tingkat kemaknaan (α) 0,05 menunjukkan adanya hubungan bermakna antara tingkat ekonomi dengan kejadian penyakit kulit dan tindakan pengobatan penyakit kulit namun tidak ada hubungan antara tingkat pendidikan dengan kejadian penyakit kulit dan tindakan pengobatan penyakit kulit.

---

ABSTRACTMost of area in Kelurahan Petamburan particularly in RW 01, 02 and 03 was flood area with low socio-economic condition, which cause possibility of high prevalence of skin diseases. The aim of this study was to determine prevalence of skin diseases in several RWs in Kelurahan Petamburan, the treatment and factors affecting them. The data was collected by interviewing the respondents whom represent their families using questionnaire. The result showed that skin diseases accounted for 47.57% of 103 families, with the largest number of spesific skin disease was fungal infections (71.43%) and the rest were bacterial infections (28.57%). The most often method of treatment that used by respondents was self treatment with modern medicine (37.50%) while the other methods were treatment in public health care (33.93%), no action (21.43%) and self treatment with traditional medicine (7.14%). Statistical test (Spearman's correlation) with level of significance (a) 0.05 showed that there was an association between economic level and skin disease and method of treatment but no association between education level and skin disease and method of treatment."

"Penelitian ini membahas mengenai nilai guna sekunder arsip komunitas sebagai memori kolektif bangsa pada Belantara Budaya Indonesia. Kontrol kegiatan tertanam di dalam kelompok yang bersangkutan karena arsip komunitas bersifat independen. Arsip komunitas digambarkan sebagai “ruang generatif politik” atau “rumah memori” bagi komunitas dalam mendapatkan kendali atas pengambilan keputusan di masa depan. Komunitas mempertimbangkan penciptaan arsip berdasarkan keterlibatannya dengan pelestarian budaya atau motivasi lainnya. Arsip menjadi memori kolektif yang mengandung nilai mendasar bagi pendidikan karakter, jati diri bangsa, serta berperan dalam menumbuhkan jiwa nasionalisme. Penelitian ini bertujuan untuk mengidentifikasi nilai guna sekunder arsip dan faktor yang memotivasi pembentukan arsip di Belantara Budaya Indonesia. Pendekatan penelitian yang digunakan adalah kualitatif dengan metode studi kasus. Pengumpulan data dilakukan melalui wawancara, observasi, dan studi dokumen. Informan penelitian dipilih berdasarkan metode purposive sampling dengan kriteria yaitu anggota komunitas selama lebih dari 6 tahun, terlibat aktif dalam aktivitas dan perkembangan sejarah komunitas, serta mendokumentasikan, mempublikasikan, dan mengakses arsip komunitas. Hasil penelitian ini menunjukkan bahwa arsip Belantara Budaya Indonesia dapat menjadi memori kolektif bagi bangsa Indonesia, meskipun belum memiliki tenaga profesional bidang arsip. Pengelolaan arsip di Belantara Budaya juga memerlukan kebijakan sesuai dengan pedoman dan standar kearsipan. Selain itu, perlu adanya tautan antara arsip Belantara Budaya Indonesia dengan Jaringan Informasi Kearsipan Nasional (JIKN) dan Sistem Informasi Kearsipan Nasional (SIKN) milik ANRI sehingga memori kolektif dapat diakses oleh bangsa Indonesia.

---

This research discusses the secondary use value of community archives as a nation's collective memory in the Belantara Budaya Indonesia. Control of activities embedded in the group because community archives are independent. Community archives are described as "political generative spaces" or "memory houses" for communities to gain control over future decision-making. The community considers the creation of archives based on its involvement with cultural preservation or other motivations. Archives becomes a collective memory that contains fundamental values for character education, the identity of the nation, and plays a role in cultivating the spirit of nationalism. This research aims to identify the secondary use value of archive and factors that motivate community archives in Belantara Budaya Indonesia. The research approach used is qualitative with a case study method. The data is collected by interview, observing, and document studies. The informants are chosen by purposive sampling methods with the criteria of being community members for more than 6 years, actively involved in community activities and historical developments, as well as documenting, publishing, and accessing community archives. The result of this study shows that the archives of the Belantara Budaya Indonesia can be a collective memory for the Indonesian nation, even though it does not yet have professionals in the field of archives. However, there is a need for a link between the archives of Belantara Budaya Indonesia and the ANRI’s National Archives Information Network (JIKN) and National Archival Information System (SIKN) thereby that collective memory can be accessed by the Indonesian nation."