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"ABSTRAKTesis ini bertujuan untuk menjelaskan pemicu tawa dalam percakapakan humor antara David Letterman dan John Oliver pada gelar wicara Late Show with David Letterman yang ditayangkan pada 29 Januari 2015. Penelitian ini merupakan penelitian kualitatif dengan pendekatan analisis percakapan (Conversation Analysis (CA)). Penelitian ini menunjukkan bahwa di dalam percakapan yang mengandung pemicu tawa, terdapat beberapa pelaku percakapan yang terlibat dengan peran dan kontribusi masing-masing. Kemudian, ada empat bentuk pemicu tawa yang ditemukan, yaitu penggunaan kata-kata tertentu, simile, dialog dalam dialog, dan gabungan dialog dalam dialog dan penggunaan kata. Keempat bentuk pemicu tawa tersebut dapat berfungsi sebagaimana mestinya karena adanya konteks yang relevan. Hal ini menunjukkan bahwa konteks memiliki kedudukan penting dalam memicu tawa.

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ABSTRACTThe purpose of this study is to illuminate triggers of laughter found in a conversation between David Letterman and John Oliver in a talk show, Late Show with David Letterman on January 29th, 2015. This study is conducted using qualitative method and Conversation Analysis (CA) approach. It shows that in the conversation, there are some participants who have certain roles and contributions. It also shows that there are four types of triggers of laughter found in the conversation which are the use of certain words, simile, dialog in dialog, and the combination between dialog in dialog and the use of certain words. Those types of triggers of laughter can function well because of relevant context. It means that context plays a prominent role in making people laugh"

"Disertasi ini mengkaji nilai budaya wakimae yang terdapat dalam performa stimulus-respons bahasa Jepang. Wakimae dimaknai sebagai nilai atau norma yang diharapkan untuk dipatuhi anggota komunitas Jepang. Wakimae seperti apa yang secara konkret terdapat dalam bahasa Jepang dijelaskan dalam penelitian ini melalui pemarkah-pemarkah linguistik. Tujuan penelitian ini adalah menemukan struktur dan fungsi ujaran stimulus bahasa Jepang terkait nosi wakimae. Dalam disertasi ini, struktur dan fungsi ujaran stimulus bahasa Jepang diasumsikan berkaitan dengan wakimae yang dipegang masyarakat penutur bahasa Jepang. Untuk mencapai tujuan tersebut, digunakan metode kualitatif dengan sumber data percakapan tayang bincang Asaichi di televisi NHK Jepang. Sejumlah tiga puluh episode tayang bincang tersebut digunakan sebagai sumber data. Alasan pemilihan sumber data tersebut ialah: (i) percakapan tidak diatur dan tidak diedit, tiap-tiap partisipan tutur diberi keleluasaan untuk berbicara, (ii) pembawa acara lebih dari satu orang dan berganti-ganti, (iii) topik perbincangan bervariasi sehingga dapat diperoleh berbagai konteks percakapan. Wakimae yang tercermin dalam stimulus dapat dilihat dalam konstruksi ujaran bahasa Jepang, yaitu: (i) konstruksi dalam ujaran tuntas secara sintaktis (syntactically finished utterance), dan (ii) konstruksi dalam ujaran taktuntas secara sintaktis (syntactically unfinished utterance). Secara garis besar, ujaran stimulus terbagi menjadi dua tipe: (i) stimulus pertanyaan, dan (ii) stimulus nonpertanyaan. Stimulus pertanyaan memiliki fungsi/tindak sosial: (1) meminta informasi, (2) meminta konfirmasi, (3) memberikan pendapat, (4) memberikan pendapat dan meminta persetujuan, (5) meminta konfirmasi dan informasi, (6) memberikan pendapat dan meminta informasi, (7) memberikan pendapat dan mengajak, dan (8) memberikan pendapat, meminta persetujuan dan informasi. Stimulus nonpertanyaan ditemukan dalam fatis. Gambaran wakimae dalam respons dapat dilihat dalam dua tipe respons: (i) respons jawaban dan (ii) respons nonjawaban. Ujaran yang mengandung wakimae melibatkan konsep peran (nosi tachiba), in group-out group (nosi uchi-soto) dan teori teritori informasi (joohoo no nawabari riron). Hasil penelitian menunjukkan bahwa wakimae yang direalisasikan dalam bukti-bukti linguistik bertujuan untuk memelihara hubungan yang selaras dan harmonis. Hubungan yang selaras dan harmonis diutamakan dalam upaya memelihara kerja sama antarpenutur komunitas Jepang.This dissertation examines a cultural value called wakimae found in the stimulus-response performance in Japanese language. Wakimae is understood as a value or norm that is expected to be adhered to among Japanese community members. Wakimae concretely found in Japanese is described in this study using linguistic markers. The objective of the study is to find the structure and function of stimulus utterance in Japanese related to the notion of wakimae. In this dissertation, the structure and functions of stimulus utterance in Japanese are assumed to be associated with wakimae which is adhered to among Japanese language speakers. To achieve the objective, this study uses the qualitative method to analyze conversations taken from Asaichi talk show aired on NHK TV in Japan as the data. Thirty episodes of the talk show are used as the data. The reasons for selecting the data are: (i) the conversations are not scripted nor edited, as each participant can speak freely, (ii) there is more than one host and these hosts take turn in the talk show, (iii) the conversation topics vary so the contexts obtained are various. Wakimae which is reflected in the stimulus can be seen in the construction of utterances in Japanese language, namely: (i) the construction of syntactically complete utterance, and (ii) the construction of syntactically unfinished utterance. Broadly, an utterance stimulus can be classified into two types: (i) question stimulus, and (ii) non-question stimulus. The question stimulus has social functions/actions of: (1) asking for information, (2) asking for confirmation, (3) giving an opinion, (4) giving an opinion and asking for an approval, (5) asking for confirmation and information, (6) giving an opinion and asking for information, (7) giving an opinion and inviting, and (8) giving an pinion, as well as asking for an approval and information. The non-question stimulus is found in a phatic expression. Wakimae in a response can be illustrated in two types of response: (i) answer response and (ii) non-answer response. The answer response involves the concept of role (the notion of tachiba), in group-out group (the notion of uchi-soto) and the theory of territory of information (joohoo no nawabari riron). The result shows that wakimae realized in the linguistic evidence has the purpose to maintain a harmonious relationship. This harmonious relationship is a priority in the effort to maintain cooperation among speakers in Japanese speaking community"

"Keberadaan Usaha Kecil dan Menengah (UKM) mampu mendongkrak dan mempercepat pertumbuhan perekonomian di negara kita. Namun, jumlah UKM di Indonesia masih rendah karena menjadi wirausaha masih belum menjadi pilihan bagi masyarakat Indonesia, khususnya di kalangan dewasa muda. Padahal ini merupakan salah satu upaya penyerapan tenaga kerja yang paling memungkinkan di tengah semakin bertambahnya jumlah angkatan kerja. Ditambah lagi, informasi yang memadai mengenai edukasi keterampilan berwirausaha oleh media massa, jumlahnya masih sedikit. Media massa, khususnya radio, mayoritas lebih memilih mengangkat hiburan dan musik. Usulan program talk show radio ini diharapkan dapat memberikan inspirasi dan alternatif informasi bagi pendengar yang ingin berwiraswasta. Mind Your Own Business merupakan program talk show radio yang berisi konsultasi seputar dunia wirausaha dan bisnis. Program ini menyasar kalangan dewasa muda yang akan memulai bisnisnya. Dalam program ini pendengar juga dapat berkesempatan untuk merealisasikan idenya dalam segmen kompetisi ide bisnis. Perkiraan anggaran produksi yang dibutuhkan untuk program ini per episodenya kurang lebih adalah Rp 715.000.

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The existence of Small Business Enterprise (SBE) can boost up our national economic growth. However, the amount of SBE is still small because becoming an entrepreneur is not popular here, especially among young adults in Indonesia. In fact, entrepreneurship could be the possible way to solve unemployment problem since the number of labor is increasing day by day. Moreover, a lot of mass media, especially radio, prefer to present entertaiment and music rather than business topic.

"Mind Your Own Business" is a radio talk show program that presents business consultation for young adult entrepreneurs who want to start up their business. The listeners also have the opportunities to get the capital by joining business plan competition. The estimation for production cost is about Rp 715.000 per episode."

"Kehadiran media televisi membawa berbagai impilkasi terhadap kehidupan msyarakat Indonesia. Selain dapat memberikan informasi, televisi juga diharapkan dapat memberikan hiburan yang sehat bagi khalayak. Tampaknya para pengelola media tanggap terhadap pe;uang yang ada. Oleh karena itu, bermunculanlah berbagai jenis program bernuansa hiburan.Namun dalam perjalanannya, acara tersebut menimbulkan dampak yang tidak menguntungkan karena mereka terbuai oleh kesadaran palsu untuk menjadi seorang artis dengan segala kehidupannya yang serba mewwah."

"ABSTRAKTayangan televisi merupakan sebuah bentuk hiburan yang ditonton setiap harinya oleh sebagian besar masyarakat Indonesia. Namun sesungguhnya tayangan televisi merupakan bagian dari hiperrealitas, sebuah lapisan kehidupan dimana batas antara kenyataan dan kepalsuan menjadi kabur. Sadar atau tidak sadar, tayangan televisi menjadi produk yang terus dikonsumsi oleh masyarakat sehingga produksi tayangan televisi pun semakin berkembang. Dengan tuntutan tersebut, tayangan televisi dibuat dengan berbagai metode untuk menghasilkan tontonan yang menarik. Arsitektur memiliki peran dalam produksi tayangan televisi. Melalui desain set, arsitektur disimulasikan sehingga dapat membangun dan memperkuat tayangan televisi yang diproduksi.ABSTRACTTelevision show is a form of entertainment watched everyday by most Indonesians. However, television shows actually belong to hyperreality, a layer where the border between reality and artificiality is blurred. Conciously or not, television show becomes a product that keeps being consumed by people, thus developing the production of television shows. With that kind of demand, television shows must be produced in various methods to have interesting results. Architecture plays a role in television production. Through set design, architecture is simulated so it can build and strengthen television products."

"ABSTRAKSkripsi ini membahas mengenai tindak tutur memuji secara eksplisit dan implisit dalam bahasa Jepang. Penelitian ini bertujuan untuk menjelaskan tindak tutur memuji secara eksplisit dan implisit. Penjelasan mengenai tindak tutur secara eksplisit akan dipaparkan leksikon-leksikon yang secara lugas menyatakan pujian. Sedangkan, penjelasan mengenai tindak tutur implisit melalui ujaran-ujaran taklangsung yang mengimplikasikan pujian. Analisis masalah penelitian ini menggunakan teori tindak tutur yang dikemukakan oleh J.L. Austin dan John R. Searle, serta teori mengenai eksplikatur dan implikatur yang digagas oleh Paul Grice. Penelitian ini bersifat kualitatif dengan desain deskriptif analisis yang berfokus pada variety show X Factor Japan. Hasil penelitian ini ditemukan tindak tutur memuji secara eksplisit, tindak tutur memuji secara implisit serta kombinasi antara tindak tutur memuji secara eksplisit dan implisit.

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ABSTRACTThe focus of this study is the speech acts of compliment explicitly and implicitly in Japanese. This study aims to explain the speech acts of compliment explicitly and implicitly. Explanation of speech acts will be explicitly exposed by lexicon that plainly compliment. Meanwhile, the explanation of implicit speech acts through indirect utterances implies compliment. Analysis of this research problem using the theory of speech acts proposed by J.L. Austin and John R. Searle, as well as the theory of explicatures and implicatures who initiated by Paul Grice. This research is qualitative with descriptive analytical design that focuses on variety show X Factor Japan. The results of this study found speech acts of compliment explicitly, speech acts of compliment implicitly and a combination of speech acts of compliment explicitly and implicitly."

"[ABSTRAKDalam makalah ini, penulis menganalisa penggabungan dua bahasa secara bersamaan oleh para penutur dwibahasa. Penggabungan bahasa ini disebut campur kode. Makalah ini membahas penggunaan campur kode antara dua kelompok penutur yang berbeda dalam acara kompetisi memasak Master Chef Indonesia (RCTI). Dua kelompok tersebut terdiri dari koki amatir dan koki profesional. Para penutur tersebut mencampurkode kata, frase, klausa, dan kalimat dari Bahasa Indonesia ke dalam Bahasa Inggris. Makalah ini bertujuan untuk membuktikan apakah kecenderungan pemakaian campur kode yang berbeda antara kedua kelompok penutur secara tidak sadar dimaksudkan untuk menunjukkan keakraban dan hubungan kuasa di antara mereka. Dalam pembuktian tersebut, penulis menggunakan pola-pola campur kode dari Musyken dan teori bahasa dan hubungan kuasa dari El-daly. Karena adanya hubungan sosial di antara mereka, yaitu hubungan guru-siswa, ditemukan bahwa koki profesional lebih cenderung menggunakan campur kode dan memiliki kuasa yang lebih tinggi daripada koki amatir dalam kompetisi tersebut.;In bilingual phenomenon in Indonesia it is very common that speakers especially who sn bilingual phenomenon in Indonesia, it is very common that speakers, especially who speak two languages, combine two languages altogether in one sentence. This language combination is called code-mixing. This paper discusses the use of code-mixing between two different groups of speakers in the cooking competition show Master Chef Indonesia (RCTI). They are amateur chefs and professional chefs. The speakers code-mix words, phrases, clauses, and sentences from Indonesian into English. The purpose of this paper is to examine whether the different tendencies of code-mixing between them are unconsciously meant to show their solidarity and power relation by utilizing Muysken?s fundamental patterns of code-mixing and El-daly?s theory of language and power relationship. Due to their social relationship which is teacher-student relationship, it is found that the professional chefs have more tendencies in using code-mixing and higher power than the amateur chefs in the competition show. peak two languages combine two languages altogether in one sentence This language combination is called code mixing This paper discusses the use of code mixing between two different groups of speakers in the cooking competition show Master Chef Indonesia RCTI They are amateur chefs and professional chefs The speakers code mix words phrases clauses and sentences from Indonesian into English The purpose of this paper is to examine whether the different tendencies of code mixing between them are unconsciously meant to show their solidarity and power relation by utilizing Muysken rsquo s fundamental patterns of code mixing and El daly rsquo s theory of language and power relationship Due to their social relationship which is teacher student relationship it is found that the professional chefs have more tendencies in using code mixing and higher power than the amateur chefs in the competition show ;In bilingual phenomenon in Indonesia it is very common that speakers especially who sn bilingual phenomenon in Indonesia, it is very common that speakers, especially who speak two languages, combine two languages altogether in one sentence. This language combination is called code-mixing. This paper discusses the use of code-mixing between two different groups of speakers in the cooking competition show Master Chef Indonesia (RCTI). They are amateur chefs and professional chefs. The speakers code-mix words, phrases, clauses, and sentences from Indonesian into English. The purpose of this paper is to examine whether the different tendencies of code-mixing between them are unconsciously meant to show their solidarity and power relation by utilizing Muysken?s fundamental patterns of code-mixing and El-daly?s theory of language and power relationship. Due to their social relationship which is teacher-student relationship, it is found that the professional chefs have more tendencies in using code-mixing and higher power than the amateur chefs in the competition show. peak two languages combine two languages altogether in one sentence This language combination is called code mixing This paper discusses the use of code mixing between two different groups of speakers in the cooking competition show Master Chef Indonesia RCTI They are amateur chefs and professional chefs The speakers code mix words phrases clauses and sentences from Indonesian into English The purpose of this paper is to examine whether the different tendencies of code mixing between them are unconsciously meant to show their solidarity and power relation by utilizing Muysken rsquo s fundamental patterns of code mixing and El daly rsquo s theory of language and power relationship Due to their social relationship which is teacher student relationship it is found that the professional chefs have more tendencies in using code mixing and higher power than the amateur chefs in the competition show ;In bilingual phenomenon in Indonesia it is very common that speakers especially who sn bilingual phenomenon in Indonesia, it is very common that speakers, especially who speak two languages, combine two languages altogether in one sentence. This language combination is called code-mixing. This paper discusses the use of code-mixing between two different groups of speakers in the cooking competition show Master Chef Indonesia (RCTI). They are amateur chefs and professional chefs. The speakers code-mix words, phrases, clauses, and sentences from Indonesian into English. The purpose of this paper is to examine whether the different tendencies of code-mixing between them are unconsciously meant to show their solidarity and power relation by utilizing Muysken?s fundamental patterns of code-mixing and El-daly?s theory of language and power relationship. Due to their social relationship which is teacher-student relationship, it is found that the professional chefs have more tendencies in using code-mixing and higher power than the amateur chefs in the competition show. peak two languages combine two languages altogether in one sentence This language combination is called code mixing This paper discusses the use of code mixing between two different groups of speakers in the cooking competition show Master Chef Indonesia RCTI They are amateur chefs and professional chefs The speakers code mix words phrases clauses and sentences from Indonesian into English The purpose of this paper is to examine whether the different tendencies of code mixing between them are unconsciously meant to show their solidarity and power relation by utilizing Muysken rsquo s fundamental patterns of code mixing and El daly rsquo s theory of language and power relationship Due to their social relationship which is teacher student relationship it is found that the professional chefs have more tendencies in using code mixing and higher power than the amateur chefs in the competition show , In bilingual phenomenon in Indonesia it is very common that speakers especially who sn bilingual phenomenon in Indonesia, it is very common that speakers, especially who speak two languages, combine two languages altogether in one sentence. This language combination is called code-mixing. This paper discusses the use of code-mixing between two different groups of speakers in the cooking competition show Master Chef Indonesia (RCTI). They are amateur chefs and professional chefs. The speakers code-mix words, phrases, clauses, and sentences from Indonesian into English. The purpose of this paper is to examine whether the different tendencies of code-mixing between them are unconsciously meant to show their solidarity and power relation by utilizing Muysken’s fundamental patterns of code-mixing and El-daly’s theory of language and power relationship. Due to their social relationship which is teacher-student relationship, it is found that the professional chefs have more tendencies in using code-mixing and higher power than the amateur chefs in the competition show. peak two languages combine two languages altogether in one sentence This language combination is called code mixing This paper discusses the use of code mixing between two different groups of speakers in the cooking competition show Master Chef Indonesia RCTI They are amateur chefs and professional chefs The speakers code mix words phrases clauses and sentences from Indonesian into English The purpose of this paper is to examine whether the different tendencies of code mixing between them are unconsciously meant to show their solidarity and power relation by utilizing Muysken rsquo s fundamental patterns of code mixing and El daly rsquo s theory of language and power relationship Due to their social relationship which is teacher student relationship it is found that the professional chefs have more tendencies in using code mixing and higher power than the amateur chefs in the competition show ]"

"Reality show merupakan jenis tayangan televisi yang semakin diminati dan bahkan mampu menempati posisi prime time di televisi. Kemiskinan dan kehidupan kaum miskin merupakan salah satu tema yang cukup populer yang diangkat dalam tayangan realita ditelevisi. Tulisan ini membahas fenomena tayang anrealitas di Indonesia, khususnya bagaimana program tayangan realitas mengkontruksi ibadah keagamaan dan distingsi kelas. Empat tayangan realitas yang disiarkan pada momen bulan suci Ramadhan 1432 H yaitu "bukan puasa biasa" (Trans TV). "orang pinggiran" (Trans 7), "jika aku menjadi-Ramadhan" (Trans TV) dan "big brother Indonesia" (Trans TV) menjadi focus kajian dalam tulisan ini. Kajian mendalam terhadap ke empat tayangan realitas tersebut menunjukkan bahwa ada proses tertikasi dan obyektifikasi realitas kemiskinan guna mendefinisikan dan menggarisbawahi ibadah kelas. Tayangan realitas tentang kelas bawah cenderung menampilkan banalitas pesan tentang kemiskinan. Realitas hidup dan ibadah agama kelas bawah hanya menjadi project bagi kelas diatasnya untuk memperbaiki kualitas spiritual keagamaannya dan untuk membangun citra positif tentang sikaya. Persolan kemiskinan, pada akhirnya, hanya dianggap sebagai problem individual yang bisa dilalui atau diatasi dengan religiu sitas dan ketekunan ibadah individual."

"ABSTRAKSaat ini televisi Indonesia sangat minim menayangkan program anak. Jumlah program anak yang ada tidak bisa memenuhi kebutuhan waktu harian anak menonton, sehingga besar kemungkinan anak menonton tayangan dengan klasifikasi remaja atau dewasa. Selain itu saat ini program anak yang ada didominasi oleh tayangan serial animasi atau kartun yang ternyata belum sepenuhnya aman bagi anak Untuk itu program Jagoan Cilik hadir sebagai altenatif program anak di industri televisi nasional melalui format edutainment yang merupakan program televisi hiburan berbasis edukasi. Program ini memiliki tujuan sosial untuk menambah jumlah tayangan yang aman bagi anak. Untuk pembuatan prototype dilakukan riset khalayak terhadap 30 anak usia 5-8 tahun sebagai target khalayak program. Jagoan Cilik mengajak anak-anak untuk melakukan aksi menyelesaikan misi seputar keahlian unik serta memberi kesempatan penonton untuk terlibat langsung dalam program, yakni dengan mengirimkan karya atau video keahlian tertentu dan yang terpilih berhak menjadi Kapten Cilik (bintang tamu).

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ABSTRACT

The number of existing children's programs is very few and can not meet the needs of children's daily TV watching, so it is probable that a child watches teen or adult's programs. Besides, existing children's programs are dominated by animated series or cartoons which apparently are not entirely safe for children. Therefore Jagoan Cilik comes as an alternative to children?s programs through edutainment format which is educating yet entertaining at the same time. Social purpose of this program is to increase the number of programs that are safe for children. To create the prototype audience research is conducted to 30 children aged 5-8 as the program's target audience. Jagoan Cilik encourages children to take action completing the mission about unique skills and give the audience an opportunity to be directly involved in the program by submitting a video work or other specific skill works, and the elected one is entitled Kapten Cilik."

"Alih kode dan campur kode merupakan istilah umum untuk menyebut pergantian pemakaian dua bahasa atau lebih. Penelitian ini akan membahas penggunaan campur kode berbahasa Indonesia dalam tayangan televisi berbahasa Belanda The Late Late Lien Show episode ldquo;De Verhuizing rdquo;. Metode yang digunakan dalam penelitian ini yaitu metode deskriptif kualitatif, dengan menyaksikan tayangan tersebut kemudian menganalisis campur kode yang muncul. Tujuan penelitian ini adalah untuk memaparkan gejala-gejala campur kode yang terjadi serta menjelaskan tujuan penggunaanya. Hasil penelitian ini membuktikan bahwa terdapat penggunaan campur kode yang digunakan untuk tujuan berbeda-beda.

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Code mixing and code switching are the general terms to refer to mixing two or more languages. This research examines the use of Indonesian code mixing on Dutch television program The Late Late Lien Show episode De Verhuizing . The method used in this research was the descriptive qualitative, by watching the whole show then analyzing every code mixing that occured. The goal of this research is to explain symptoms of code mixing, along with explaining the purpose. The result of this research proves that code mixing might apply for various purposes."