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"This book contains the first detailed study of the use of ancient and medieval astronomical observations in order to investigate the moon’s secular acceleration from its discovery by Halley to the establishment of the magnitude of the acceleration by Richard Dunthorne, Tobias Mayer and Jérôme Lalande in the 1740s and 1750s. Making extensive use of previously unstudied manuscripts, this work shows how different astronomers used the same small body of preserved ancient observations in different ways in their work on the secular acceleration. In addition, this work looks at the wider context of the study of the moon’s secular acceleration, including its use in debates of biblical chronology, whether the heavens were made up of æther, and the use of astronomy in determining geographical longitude. It also discusses wider issues of the perceptions and knowledge of ancient and medieval astronomy in the early-modern period."

"The moon presents a broad array of tone, texture, and form. Capturing this in a painting or sketch at the eyepiece of a telescope – or even with binoculars – develops observational skills, leaves a record of the observation, and can also be a delightful and rewarding pastime. However, the choice of media available is extensive (acrylic paint, oils, pen, charcoal, etc., and even computer art programs), and there is no existing text that fully explains all lunar sketching and painting techniques in each respective medium. This beautiful and graphically rich book fulfills this requirement. It presents detailed step-by-step instructions, in the form of illustrated tutorials for every major medium employed to represent the moon. It also provides practical advice on how to sketch outdoors at night (not ideal conditions for an artist!)."