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"Penelitian ini ini bertujuan untuk mengetahui faktor yang mempengaruhi perilaku tokoh ‘boku’, karakter utama dalam novel Kaze no Uta wo Kike (1979) karya Haruki Murakami. Penelitian ini menggunakan pendekatan psikologi sastra, dengan menerapkan teori psikologi Sigmund Freud tentang Id, Ego, dan Superego. Peneliti menganalisis beberapa aspek yang ada di dalam novel yang meliputi narasi, pemikiran tokoh, dan dialog antar tokoh. Berdasarkan analisis yang telah dilakukan, peneliti menyimpulkan bahwa ada perilaku tokoh ‘boku’ dipengaruhi oleh Ide, Ego, dan Superego yang berada dalam dirinya.

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This study aims to determine the factors that influence the behavior of the character 'boku', the main character in the novel Kaze no Uta wo Kike (1979) by Haruki Murakami. This study uses a literary psychology approach, by applying Sigmund Freud's psychological theory of the Id, Ego, and Superego. The researcher analyzes several aspects in the novel which include narration, character thoughts, and dialogue between characters. Based on the analysis that has been done, the researcher concludes that the behavior of the 'boku' character is influenced by the Id, Ego, and Superego within him."

"Novel Characters offers a fascinating and in-depth history of the novelistic character from the "birth of the novel" in Don Quixote, through the great canonical works of the nineteenth and twentieth centuries, to the most influential international novels of the present day. An original study which offers a unique approach to thinking about and discussing characterMakes extensive reference to both traditional and more recent and specialized academic studies of the novel. Provides a critical vocabulary for understanding how the novelistic conception of character has changed over time. Examines a broad range of novels, cultures, and periods. Promotes discussion of how different cultures and times think about human identity, and how the concept of what a character is has changed over time"-- Provided by publisher."What makes novelistic characters unique? How do novelistic characters reflect or prefigure different ideas of human possibilities? Why and how has the concept of novelistic character changed over time? These are some the questions addressed in Novel Characters, an ambitious work that aims to reinstate character to its proper and central place in the art of fiction. Novel Characters argues that the novel is the literary form best suited to create characters of real, often troubling distinction, and that indeed it has a generic disposition, amounting to an obligation, to do so. DiBattista proposes a way of understanding what is distinctive about novelistic character as well as offering a discussion of how different cultures and times think about human identity. Novel Characters ranges from the "birth of the novel" in Don Quixote through the works of the nineteenth and twentieth centuries and concludes by considering today’s most influential international fiction. It simultaneously develops a lexicon of terms to describe the ’development’ and trace the moral genealogy of novelistic characters through various literary periods."

"Skripsi ini membahas tentang tokoh dan penokohan yang terdapat dalam novel Banaat Riyadh, yang diterjemahkan ke dalam bahasa Indonesia dengan judul The Girls of Riyadh. Landasan teori yang digunakan dalam skripsi ini adalah landasan teori tentang novel, tokoh, penokohan, latar, alur, gaya, sudut pandang pengarang, dan tema. Penelitian ini didasari pada penelitian kualitatif dengan menggunakan metode deskriptif analitis secara mendalam dalam melakukan pengumpulan data. Novel ini merupakan sebuah novel yang menceritakan tentang kehidupan para perempuan Riyadh yang merasa dibatasi dan terbelenggu oleh latar belakang sosial, kultur budaya serta tradisi dominan yang seolah terlihat tidak mampu untuk melindungi, memperdulikan perasaan, pikiran, dan hati para perempuan di Riyadh. Novel ini membuka sesuatu yang dikatakan aib bagi masyarakat Arab. Bagi masyarakat Arab, cinta bukanlah sesuatu yang indah. Bahkan lebih layak ditakuti, diawasi, dibatasi, dan dibentengi. Hasil penelitian menemukan, bahwa dalam novel Banaat Riyadh terdapat penokohan utama yang cukup unik dan berbeda dari novel pada umumnya, yaitu penggunaan empat tokoh utama untuk menjalin kisah secara keseluruhannya. Terdapat pula tokoh-tokoh antagonis sebagai tokoh yang memberikan konflik pada tokoh protagonis, dan tokoh bawahan yang terdiri dari tokoh periferal, tokoh tambahan, dan juga tokoh lataran yang berfungsi untuk membantu tokoh utama dalam mengutarakan kisahnya.

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This paper discusses the characters and characterizations contained in Banaat Riyadh novel, This novel, translated into the Indonesian language as The Girls of Riyadh. Theoretical basis used in this paper is the theoretical basis of the novel, characters, characterizations, setting, plot, style, point of view of authors, and themes. This study is based on a qualitative study using in depth analytical descriptive method in doing data collection.

This novel is a novel that tells about the lives of women in Riyadh who feel restricted and fettered by social background, culture and traditions of the dominant traditions are seen as unable to protect, the feelings, thoughts, and hearts of the women in Riyadh. This novel opens something to say disgrace to Arab society. For Arab societies, love is not something that is beautiful. Even more worthy feared, controlled, restricted, and fortified.

The study found that in the novel Banaat Riyadh, have main characterizations that quite unique and different from the novel in general, that use of four main characters to establish the story as a whole. There are also figures antagonist as the man who gave the conflict in the protagonist, and the subordinate characters consisting of peripheral figures, additional figures, and also lataran figures that serves to help main character to express her story."

"Tulisan ini membahas mengenai tokoh dan penokohan dalam novel Hotel Kindervreugd (2011) karya Janneke Schotveld. Tujuan dari penelitian ini adalah untuk memaparkan tokoh dan penokohan pada novel ini, yang dibatasi pada 2 tokoh, yaitu Dup dan juffrouw Prunella. Kedua tokoh ini dianalisis berdasarkan keterlibatan, peran, dan perkembangannya di dalam cerita. Dalam menganalisis tokoh, metode yang digunakan adalah metode deskriptif kualitatif, yaitu penelitian yang mendeskripsikan data apa adanya dan menjelaskan data atau kejadian dengan kalimat-kalimat penjelasan secara kualitatif. Selain itu, tulisan ini juga menggunakan metode studi pustaka, yaitu penelitian yang dilakukan dengan cara menelaah dan mengkaji sumber kepustakaan. Teori yang digunakan sebagai acuan adalah teori tokoh dan penokohan.Hasil penelitian menunjukkan bahwa tokoh utama protagonis, Dup, mengalami perubahan watak seiring dengan peristiwa yang terjadi di dalam Hotel Kindervreugd, sedangkan tokoh utama antagonis, juffrouw Prunella, tidak mengalami perubahan watak.

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This journal discusses the characters and characterizations in novel Hotel Kindervreugd (2011) by Janneke Schotveld. The purpose of this study is to describe the characters and characterizations in the novel, which is limited to two characters, namely Dup and juffrouw Prunella. Both of them are analyzed based on their involvement, role and development in the story. The method used to analyze the characters is descriptive qualitative, a research method that describes and explains data or situations using explanatory sentences qualitatively. In addition, this journal is also used literature study, a research method that is done by examining and reviewing literature sources. The theory which is used as a reference was the theory of character and characterization.

The results showed that the main protagonist character, Dup, changed his character during the events that occurred in Hotel Kindervreugd, while the main antagonist character, juffrouw Prunella, did not change her character."

"Penelitian ini membahas mengenai analisis tokoh Kadri dan Wiwiek dalam novel berbahasa Jawa berjudul Sirah! karya A.Y Suharyono, serta membedah kaitan kedua tokoh tersebut dengan konsep jagad atau konsep kosmos dalam religi Jawa, yang berfokus kepada jagad kecil atau jagad cilik dalam diri manusia. Tujuan penelitian ini adalah untuk melihat bagaimana penerapan konsep jagad cilik pada tokoh Kadri dan Wiwiek serta bagaimana jagad cilik seseorang dapat mempengaruhi jagad cilik orang lain yang mana dalam penelitian ini adalah jagad cilik Wiwiek yang mempengaruhi jagad cilik Kadri. Penelitian ini menggunakan jenis penelitian kualitatif deskriptif dengan kaitannya dengan konsep jagad cilik menurut beberapa buku dan kepustakaan. Hasil penelitian menunjukkan adanya kerusakan pada kedua jagad cilik, baik Wiwiek maupun Kadri, dan jagad cilik seseorang yang rusak berpotensi untuk merusak jagad cilik yang lain. Hasil inilah yang nantinya dapat dijadikan pengetahuan bagi pribadi masing-masing akan pentingnya keharmonisan dalam jagad cilik manusia sehingga akan berjalan baik dan tidak menyebabkan kerusakan pada jagad cilik orang lain.

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This research discusses the analysis of Kadri and Wiwiek characters in the Javanese novel entitled Sirah! by A.Y Suharyono. As well as observe the relationship between the two characters with the cosmos concept in Javanese religion, which focuses on the small universe (jagad cilik) in humans. The purpose of this study is to see how the application of small universe (jagad cilik) to the characters of Kadri and Wiwiek and how one person's small universe (jagad cilik) can affect other people's small universes, which in this study is Wiwiek's small universe that affects Kadri's small universe. This research uses descriptive qualitative research with its relation to the concept of the small universe according to several books and literature. The results showed that there was damages to the two small universes, both Wiwiek and Kadri, and one person's damaged small universe, has the potential to damaging other small universe. These results can later be used as knowledge for each individual about the importance of harmony in the human small universe so that it will run well and not cause damage to other people's small universe."