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Ditemukan 188082 dokumen yang sesuai dengan query
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Galuh Ratnaningtyas Hasnuprihandini
Karakteristik masyarakat urban di jerman awal abad 20 pada puisi Besuch vom lande karya Erich K. Stner dengan pendekatan konsep kota urban Georg Simmel = Characteristics of urban society in the early 20th century in german based on poetry Besuch vom lande by Erich K. Stner and the concept of urban city by Georg Simmel
"Sebagai salah satu jenis karya sastra, puisi selain memberi pesan atau gambaran suasana tertentu, juga mengandung nilai-nilai kehidupan dan sosialpsikologis. Pada karya tulis ini, penulis akan menganalisis karakteristik kehidupan perkotaan dan kemasyarakatan urban yang terdapat di dalam puisi urban awal abad 20, yaitu "Besuch vom Lande" (1929) karya Erich Kästner dengan pendekatan mengenai konsep kota dan masyarakat urban Georg Simmel.
As one type of literature, poetry besides giving a message or visual a certain atmosphere, it also contains the values of life and social-psychological feature. In this paper, the author will analyze the characteristics of urban life and urban community in the urban poetry early 20th century, namely "Besuch vom Lande" (1929) by Erich Kästner with the approach of the concept of city and urban communities by Georg Simmel."
Depok: Fakultas Ilmu Pengetahuan Budaya Universitas Indonesia, 2015
MK-Pdf
UI - Makalah dan Kertas Kerja  Universitas Indonesia Library
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Mohamad Fiky Herdiansyah
Arketipe shadow Carl Jung pada karakter di dalam novel To Kill a Mockingbird karya Harper Lee = Carl Jung shadow archetype on characters in Harper Lee's To Kill a Mockingbird
"Penelitian ini menganalisis teori arketipe shadow Carl Jung terhadap karakter yang terdapat di dalam novel To Kill A Mockingbird karya Harper Lee. Arketipe shadow atau shadow merupakan arketipe kegelapan yang merepresentasikan kualitas yang ditolak keberadaanya di dalam diri manusia. Akibatnya, manusia cenderung memproyeksikan shadow (kualitas yang dianggap buruk) mereka terhadap orang lain. Dengan menggunakan teori arketipe shadow, jurnal ini bertujuan untuk menemukan karakter mana yang berperan sebagai shadow bagi karakter lainnya beserta aspek yang dibawa oleh karakter yang berperan sebagai shadow tersebut. Metode yang digunakan di dalam penelitian ini adalah metode kualitatif di mana penulis menggunakan kutipan dari buku untuk melakukan analisis. Penulis menemukan bahwa terdapat tiga karakter yang berperan sebagai shadow bagi karakter lainnya. Ketiga karakter tersebut ialah Boo Radley yang merepresentasikan shadow dari ketakutan akan perbedaan; Tom Robinson, dan Calpurnia, yang merepresentasikan shadow dari rasisme.
This research looks at the analysis of Carl Jung‟s shadow archetype on characters in Harper Lee‟s To Kill A Mockingbird. Shadow archetype or the shadow is the archetype of „darkness‟ representing repressed qualities that individuals do not want to face within themselves. As a result, individuals tend to project their shadows (poorness of qualities they have repressed) on others. Using the concept of shadow archetype, this journal aims at figuring out which characters play a role as the shadows for other characters and what aspects are represented by the shadow characters. The method used in this research is qualitative method in which the author uses quotes from the book to do the analysis. The author analyzes there are three characters who become the shadows for other characters. The three characters are Boo Radley, which represents the shadow fear of difference; Tom Robinson, and Calpurnia, which represent the shadow of racism."
Depok: Fakultas Ilmu Pengetahuan Budaya Universitas Indonesia, 2015
MK-Pdf
UI - Makalah dan Kertas Kerja  Universitas Indonesia Library
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Arneta Iftita Pramadhani
Lanskap Linguistik di Kawasan Wisata Kota Malang: Studi Kasus di Kawasan Kayutangan = Linguistic Landscape in Malang Tourism Area: Case Study in Kayutangan
"Penelitian ini membahas implementasi teori lanskap linguistik dan fenomena multibahasa dalam lanskap linguistik yang ada di salah satu kawasan wisata Kota Malang, yaitu kawasan Kayutangan. Kayutangan adalah kawasan yang memiliki bangunan-bangunan kuno di pusat Kota Malang. Lanskap linguistik yang ditemukan di Kawasan Kayutangan berupa papan nama toko, papan nama bangunan, papan penunjuk jalan, spanduk iklan, poster, rambu lalu lintas, grafiti, dan lain-lain. Penelitian ini menggunakan pendekatan kualitatif dengan metode studi kasus. Teori lanskap linguistik yang digunakan adalah teori Landry dan Bourhis (1997). Data dikumpulkan dengan memotret lanskap di lokasi penelitian dan didukung dengan wawancara. Berdasarkan hasil identifikasi 178 data lanskap, diketahui bahwa lanskap linguistik di kawasan Kayutangan menunjukkan adanya fenomena multibahasa, meliputi bahasa Indonesia, bahasa Inggris, bahasa Jawa, bahasa Belanda, dan bahasa Arab. Lanskap bersumber dari dua sumber, yaitu tanda pemerintah dan tanda privat. Lanskap mengandung fungsi informasional dan fungsi simbolis. Melalui penelitian ini pula dapat diketahui bahwa lanskap linguistik dapat menunjukkan identitas masyarakat suatu wilayah.
This study discusses the implementation of linguistic landscape theory and multilingual phenomena in the linguistic landscape in one of the tourist areas of Malang City, namely the Kayutangan area. Kayutangan is an area that has ancient buildings in the center of Malang City. Linguistic landscapes found in the Kayutangan area include signboards, road signs, advertising banners, posters, traffic signs, graffiti and others. This research uses a qualitative approach with a case study method. The linguistic landscape theory used is the theory of Landry and Bourhis (1997). Data were collected by photographing the landscape at the research site and supported by interviews. Based on the identification of 178 landscape data, it is known that the linguistic landscape in the Kayutangan area shows a multilingual phenomenon, including Indonesian, English, Javanese, Dutch, and Arabic. Landscapes come from two sources, the government and private communities. The landscape contains an informational function and a symbolic function. Through this research, it can also be seen that the linguistic landscape can show the identity of the people of a region."
Depok: Fakultas Ilmu Pengetahuan Budaya Universitas Indonesia, 2022
MK-pdf
UI - Makalah dan Kertas Kerja  Universitas Indonesia Library
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Apsanti Djokosuyatno
Perihal Nama Tokoh Dalam Para Priyayi Karya Umar Kayam
Depok: Fakultas Ilmu Pengetahuan Budaya Universitas Indonesia, 1994
LP-pdf
UI - Laporan Penelitian  Universitas Indonesia Library
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Maria Immaculatus Djoko Marihandono
Implementasi Psikoanalisa Freud Dan Temanya Dalam Novel Pengakuan Pariyem Karya Linus Suryadi AG
Depok: Fakultas Ilmu Pengatahuan Budaya Universitas Indonesia, 1996
LP-Pdf
UI - Laporan Penelitian  Universitas Indonesia Library
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Bintang Cahya Dwi Putra
Kemampuan pemahaman anak berdasarkan menceritakan ulang struktur bacaan = Children`s comprehension skill based on retelling text structure
"Ada dua jenis struktur teks dalam sastra anak, yaitu repetitif atau pengulangan dan progresif. Setiap struktur mempunyai fungsinya sendiri dalam membentuk pemahaman terhadap anak. Struktur repetitif mengandung plot cerita yang berulang-ulang diceritakan, sedangkan struktur progresif menceritakan tiap babak terus maju. untuk mengukur pemahaman anak, kita dapat menggunakan dua pendekatan atau aktifitas pada anak, yaitu dengan menyusun paragraf yang acak dan menceritakan ulang cerita tersebut. Dalam memahami cerita dengan meyusun paragraf acak, anak cenderung mengikuti alur cerita secara aktan seperti yang dijelaskan Greimas dalam teorinya. Lalu, dalam aktifitas menceritakan kembali, pemahaman anak dilihat dari apakah mereka menuturkan klausa naratif secara benar atau tidak. Kedua aktifitas tersebut menunjukan hasil yang berbeda dalam memahami struktur teks.
There are two kinds of structure in children literature, which are repetitive and progressive. Every structure has its function in building up children's understanding. Repetitive structure contains the redundant plot, while progressive structure tells every scene of the text in progress. To measure children's comprehension, we can use two approaches, which are arranging random paragraph and retelling story. In comprehending story by arranging random paragraph, children tend to follow the story actantial-ly as Greimas mentioned in his theory. Then in retelling story task, children's understanding was reflected whether they uttered narrative clause completely or not. Both of the tasks show different result in term of understanding text structure."
Depok: Fakultas Ilmu Pengetahuan Budaya Universitas Indonesia, 2014
MK-Pdf
UI - Makalah dan Kertas Kerja  Universitas Indonesia Library
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Finoria Kurniawati
Analisis makna leksikal dan kontekstual pada rubrik make up mata di situs Rubriek.nl = An analysis of lexical and contextual meaning on eye make up rubric in the site rubriek.nl
"Kata yang kita temui dan gunakan dalam berkomunikasi memiliki makna leksikal dan kontekstual. Makna leksikal merupakan makna kata yang sebenarnya yang belum mengalami penyesuaian dengan konteks, sedangkan makna kontekstual adalah makna kata yang yang terikat dengan konteks situasi dalam suatu peristiwa bahasa. Ada kata-kata khusus yang digunakan pada satu topik, kegiatan, dan bidang tertentu tetapi juga dapat digunakan pada topik, kegiatan, atau bidang lainnya sehingga makna leksikal dan kontekstual kata tersebut menjadi berbeda-beda.
Jurnal ini membahas mengenai makna leksikal dan makna kontekstual pada kata-kata khusus yang digunakan dalam artikel tentang make-up mata di situs Rubriek.nl, serta bagaimana penggunaan kata-kata khusus tersebut pada topik, kegiatan, dan bidang lain. Metode yang digunakan adalah metode kualitatif.
Hasil dari penelitian ini adalah dari sembilan kata khusus yang digunakan pada artikel make-up mata, terdapat lima kata yang juga digunakan pada konteks atau bidang lain. Kata-kata tersebut memiliki makna leksikal dan kontekstual yang berbeda-beda satu dengan yang lain. Makna leksikal pada kata khusus dalam topik make-up mata dan topik lain berbeda disesuaikan dengan konteks, bentuk dan peruntukannya sehingga menghasilkan makna kontekstual.
Words that we find and use to communicate have lexical and contextual meanings. Lexical meaning is the meaning of the word that has not been adjusted to the context, while the contextual meaning is the meaning of the word that is bound to the context of the situation in a language event. There are special words that are used on a topic, activity, and certain field but also can be used on the other topic, activity, or field so that the lexical and contextual meaning of the word becomes different.
This journal discusses lexical and contextual meaning of the specific words used in eye make-up article on the site Rubriek.nl, as well as how to use these special words on the other topic, activities, and fields. The method used is qualitative.
The result of this study is nine of specific words used in eye make-up article, there are five words that are also used in the another context or field. These words have different lexical and contextual meaning from one another. Lexical meaning of any particular word in the eye make-up topic and other different topics is adapted to the context, forms and designation so it will create contextual meaning."
Depok: Fakultas Ilmu Pengetahuan Budaya Universitas Indonesia, 2015
MK-Pdf
UI - Makalah dan Kertas Kerja  Universitas Indonesia Library
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Syifa Andalusia, auhtor
Makna kata 洋 (Yáng) dalam cerita pendek 春蚕/Chūncán/Ulat Sutra Musim Semi karya Mao Dun =The Meaning Of 洋 (Yáng) in 春蚕/Chūncán/Spring Silkworms short story by Mao Dun
"[Ulat Sutra Musim Semi adalah cerita pendek karya penulis sastra modern Cina, yaitu Mao Dun. Ulat Sutra Musim Semi mengisahkan kehidupan para petani ulat sutra di sebuah desa di Shanghai, Cina. Desa ini dilanda kemiskinan akibat masuknya ulat sutra impor yang lebih populer di pasar dibandingkan dengan ulat sutra lokal. Bangsa asing menjadi penghancur bisnis turun temurun di desa itu, membuat masyarakat di sana jatuh miskin. Dalam cerita pendek ini Mao Dun seringkali menggunakan kata洋 (yáng) sebagai diksi yang berhubungan dengan hal-hal berbau asing. Jurnal ini akan meneliti makna yang terkandung dalam kata 洋 dan pengaruhnya dalam cerita.
Spring Silkworms is a short story written by Mao Dun, a writer from modern Chinese literature era. Spring Silkworms is a story about silkworm peasants in a village in Shanghai, China. The village is ruined by poverty due to the influx of imported silkworms are more popular in the market compared to local silkworms. Foreign nations become business destroyer hereditary in the village, made the villagers impoverished. In this short story Mao Dun often use the word 洋 (yáng) as a diction that relate to matters of foreign things. This journal will examine the meaning contained in the word 洋 and its influence in the story.;Spring Silkworms is a short story written by Mao Dun, a writer from modern Chinese literature era. Spring Silkworms is a story about silkworm peasants in a village in Shanghai, China. The village is ruined by poverty due to the influx of imported silkworms are more popular in the market compared to local silkworms. Foreign nations become business destroyer hereditary in the village, made the villagers impoverished. In this short story Mao Dun often use the word 洋 (yáng) as a diction that relate to matters of foreign things. This journal will examine the meaning contained in the word 洋 and its influence in the story., Spring Silkworms is a short story written by Mao Dun, a writer from modern Chinese literature era. Spring Silkworms is a story about silkworm peasants in a village in Shanghai, China. The village is ruined by poverty due to the influx of imported silkworms are more popular in the market compared to local silkworms. Foreign nations become business destroyer hereditary in the village, made the villagers impoverished. In this short story Mao Dun often use the word 洋 (yáng) as a diction that relate to matters of foreign things. This journal will examine the meaning contained in the word 洋 and its influence in the story.]"
Depok: Fakultas Ilmu Pengetahuan Budaya Universitas Indonesia, 2015
MK-PDF
UI - Makalah dan Kertas Kerja  Universitas Indonesia Library
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Jacqueline Sara Johanna
Penerjemahan kata sapaan orang kedua dalam novel pulang karya Leila S. Chudori ke dalam Heimkehr Nach Jakarta = The translation of second person forms of address from the novel pulang by Leila S. Chudori to Heimkehr Nach Jakarta
" ABSTRAK
Penelitian ini membahas penerjemahan kata sapaan orang kedua dalam percakapan langsung yang terdapat dalam novel Pulang ke dalam novel Heimkehr nach Jakarta. Padanan sapaan yang dipilih penerjemah diteliti berdasarkan relasi sosial antara penutur dan lawan tutur. Dalam penelitian ini juga akan dibahas faktor-faktor yang mendasari tindakan penerjemah dalam mempertahankan sapaan Indonesia maupun melesapkannya dalam teks sasaran. Penelitian ini menggunakan metode kualitatif berbentuk kajian pustaka. Kajian pustaka dilakukan untuk memperoleh dasar dalam menganalisis dan membandingkan seluruh sapaan yang ditemukan dalam novel Pulang dan terjemahannya dalam novel Heimkehr nach Jakarta. Hasil penelitian menunjukkan bahwa perbedaan konteks sosial dan budaya yang terdapat dalam masyarakat Indonesia dan Jerman menjadi dasar pertimbangan penerjemah dalam memilih padanan sapaan, mempertahankan sapaan Indonesia maupun melesapkannya dalam teks sasaran. Selain itu, hasil penelitian juga menunjukkan bahwa situasi komunikasi dan kaidah bahasa menjadi faktor lainnya yang memengaruhi penerjemahan sapaan.
ABSTRACT This research attempts to explain the translation of second person forms of address in direct conversations found in novel Pulang to Heimkehr nach Jakarta. The equivalents of the forms of address chosen by the translator are analyzed according to the social relation between the speaker and the listener. This research also attempts to explain the factors underlying the translator rsquo s decision to preserve Indonesian form of address or to omit it in the target text. This research applies the qualitative method in form of literature study. The literature study gives the principles for analyzing and comparing all forms of address found in the novel Pulang and their translation in the novel Heimkehr nach Jakarta. The result shows that the different social and cultural context in Indonesia and Germany underlies the translator rsquo s consideration in either choosing an equivalent in German, preserving the Indonesian form of address, or omitting it in the target text. Furthermore, the result shows that communication situation and language principles also affect the translation of the forms of address."
Depok: Fakultas Ilmu Pengetahuan Budaya Universitas Indonesia, 2017
S66190
UI - Skripsi Membership  Universitas Indonesia Library
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Hamzah
Interaksi dan pengembangan topik di dalam cet
"This research analyses utterances produced by English speakers who interact via computers in chat rooms, chat.yahoo.com. This study is aimed at investigating how the participants interact and develop topics under computer-mediated constraints.
The data consist of corpus containing sequenced-postings produced by multi-participants in Lobby, part of the chat room regarded as a public domain. Conversation Analysis Model introduced by Birmingham School was used for data analysis.
The findings of the study show that the chat has some unique features, which are different from the features of interaction in face-to-face conversation. Those unique features decrease the coherence of the interaction. The linearity of the sequence is disrupted by the presence of initiation without responses and the presence of multi-responses for one initiation. Then, the unity of the interaction is loosened by the absence of organizational exchanges or the presence of less discourse markers tying up explicitly the interaction units in each rank of the interaction. After that, the immediacy relationship between elements of adjacency pairs is loosened by the presence of other utterances between them. Finally, the structure of the utterance is loosened by the fragmentation of the utterance into smaller units and the positioning of those units in the different postings.
The chat has several unique features of interaction strategies that may decrease the coherence of the interaction and differ them from those in face-to-face interaction. First, the one person speak in one time rule is not applicable in the chat since who is currently speaking cannot be identified. Second, the competitive nature of the interaction requires an adjustment of the strategy for managing the turn. It is not necessary for the chatters to hold the turn; instead they have to send repetitive postings to maintain their presence. Finally, turn-taking strategies are very limited in the chat interaction. The strategy for taking the turn is limited to clean strategy and the strategy for yielding the turn is limited to the use of selection (turn design) and give-up strategies.
The topic introduction and closing in the chat is not so different from those in the face-to-face interaction. The topic development displays unique structure, in that the chat may produce parallel topics. The parallel topic is resulted by the introduction of a new sub-topic while the discussion of the existing topic still in progress. Another specification of topic development is the rapid progress of the topic change in the chat.
The uniqueness of the interaction and topic development in the chat is attributable to the lack of physical presence and voice as well as to the machine related constraints.
(For further information about this dissertation, contact: hamzahhs@yahoo.com)"
Depok: Fakultas Ilmu Pengetahuan Budaya Universitas Indonesia, 2005
D535
UI - Disertasi Membership  Universitas Indonesia Library
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