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"Tulisan ini membahas ruang publik sebagai tempat untuk arena berdebat dan menyampaikan gagasan bagi setiap orang. Namun, dalam konteks hari ini, ruang publik tidak lagi semata ruang dalam artian fisik, tetapi juga ruang di ranah virtual. Di ruang publik di media sosial, komunikasi face-to-face tidak lagi berlaku, termasuk jarak komunikasi seperti ruang publik dalam artian fisik. Sebagai ruang publik, media sosial seperti Facebook, Twitter, Path, dan Kompasiana bersifat bebas akses dan menjadi tempat bertemunya berbagai ekspresi, gagasan dan pendapat. Dalam tulisan ini dibahas lima kasus penggunaan ranah publik di media sosial, meliputi kasus Florence di Path, kasus penghinaan Jokowi di Facebook, kasus penghinaan Ahok di Twitter, kasus Prita dan RS Omi dan kasus Jilbab Hitam. Kasus tersebut menggambarkan bahwa meskipun prinsip kebebasan menyampaikan pendapat di ruang publik berlaku, pengguna bukan berarti dapat menyampaikan opini yang merugikan individu, kelompok atau institusi lain. Opini yang disampaikan tidak mengandung provokasi, baik berbentuk trolling ataupun flaming, sehingga pengguna tidak terjerat kasus hukum. Kasus penggunaan ruang publik dapat menciptakan sebuah gerakan sosial yang dijalankan para pengguna ruang publik. Sifat gerakan sosial tersebut bisa mendukung ataupun menjatuhkan subjek.

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This paper explains about public sphere as the place for debatting and giving the idea for everyone. But, in today’s context, public sphere is not only a sphere in physical way, but also virtual way. In social media, it is no longer effective for face to face communication, including distance as is found in public sphere. As public sphere media, social media like Facebook, Twitter, Path and Kompasiana have free access and become a place where any expressions, ideas and opinions meet.

In this paper, discussion is made regarding five cases related to the use of public sphere in social media including Florence case in Path, Jokowi humiliation on Facebook, Ahok humilation on Twitter, Prita and Omni Hospital case and also Jilbab Hitam case. The cases reveal that inspite of the principle of freedom of expression in public sphere, social media users are not meant to convey any opinion that may harm an individual, group or institution. Opinion delivered does not contain any provocations, either “trolling” or “flaming” so that the user will not be legally or lawfully caught. Cases of the use of public sphere may bring about a social movoment by public sphere users. The nature of this social movement may either support or bring down the subject."

"Penelitian ini membahas mengenai dinamika dramaturgi dalam penggunaan media sosial Path pada mahasiswa Universitas Indonesia. Media sosial merupakan bagian dari perkembangan teknologi yang tidak dapat dipisahkan dari kehidupan sehari-sehari pada masa ini. Salah satu perkembangan media sosial adalah munculnya media sosial Path. Saat ini, Path merupakan media sosial yang populer dan digunakan oleh berbagai kalangan, terutama kaum muda atau mahasiswa. Telah terjadi perubahan interaksi pada masyarakat di era media sosial. Perubahan interaksi langsung menjadi interaksi virtual yang dilakukan melalui media sosial turut menjadikan perubahan proses dramaturgi di era media sosial. Penelitian ini menggunakan metode kualitatif melalui wawancara mendalam informan, observasi di dunia nyata, observasi di media sosial Path, dan survei ringkas. Berdasarkan hasil survei, mahasiswa Universitas Indonesia secara umum merupakan tipe pengguna media sosial Path ?Socializers?. Penelitian ini juga menemukan bahwa terjadi proses dramatugi yaitu berubahnya batasan antara front stage dan backstage, yang secara spesifik disebut sebagai the forefront of the backstage, melalui interaksi virtual di media sosial Path.

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This research discusses the dynamics of dramaturgy in the usage of Path, a platform of social media, among students of Universitas Indonesia. Social media is a product of the technological advancement that nowadays cannot be separated from everyday life. The emergence of Path marks a phase of evolution of social media. Now, Path is one of the more popular social media, and it reaches all kinds of social groups, especially to those who are in young age or are in college. There has been a change in interaction among people in this era of social medias. The change from direct interactions through social media has also brought a change in the process of dramaturgy. This research used qualitative methods with in-depth interviews; observations on real world and virtual world of social media Path; and quick survey. According to the survey, the students of Universitas Indonesia in general are ?Socializers? type of Path user. This research also found that there is a process of dramaturgy, that is a shift of borders between the front stage and the backstage, specifically called as the forefront of the backstage, following the virtual interaction on Path."

"Kemajuan teknologi informasi dan komunikasi melahirkan media sosial di tengah-tengah masyarakat. Dalam bidang jurnalisme, media sosial - khususnya Twitter - sering digunakan dalam pekerjaan jurnalis dalam mengumpulkan dan menyebarkan informasi. Hal ini melahirkan potensi media sosial Twitter sebagai online public sphere (ruang publik daring). Permasalahan yang ingin diteliti dalam skripsi ini adalah apakah jurnalis Metro TV telah memanfaatkan potensi Twitter sebagai ruang publik daring dengan meng-tweet (mencuit) informasi terkait isu publik dan berinteraksi dengan khalayak. Tujuan dari penelitian ini adalah mengetahui pemanfaatan potensi Twitter sebagai ruang publik daring dilihat dari informasi yang dicuit jurnalis dan interaksi mereka dengan khalayak. Skripsi ini menggunakan asumsi teoritis ruang publik daring yang berangkat dari konsep ruang publik yang digagas oleh Jurgen Habermas serta kerangka konseptual partisipasi jurnalis dalam ruang publik daring di media sosial Twitter dilihat dari topik cuitan dan interaktivitas dengan akun lain. Penelitian dengan metode analisis isi kuantitatif dilakukan untuk melihat topik yang dibahas oleh jurnalis dalam cuitan yang dihasilkannya serta interaktivitas jurnalis dengan publiknya. Dari hasil penelitian yang dilakukan, dapat disimpulkan bahwa jurnalis Metro TV sudah mulai memanfaatkan Twitter sebagai ruang publik daring yang ditunjukkan dengan jumlah cuitan dengan topik yang berkaitan dengan publik lebih banyak daripada cuitan dengan topik pribadi meskipun partisipasi aktif baru ditunjukkan kepada jurnalis yang menggunakan akun profesional mereka. Meskipun demikian, pemanfaatan tersebut belum maksimal karena belum banyak diskusi antara jurnalis Metro TV dengan publik di Twitter yang ditandai dengan minimnya interaksi antar ajurnalis dengan pengguna Twitter lainnya.

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The development of information and communication technology inspire the emergence of social media in internet. For journalism, social media - especially Twitter - is often used on journalism works to gather and spread information. This thing makes Twitter have a potential to be a new online public sphere. Problems want to be solved in this research is whether Metro TV journalists have utilize Twitter's potential to be online public sphere by spreading information of public affair and interact with public in it.

The purpose of this research was to find the utilisation of Twitter's potential to become online public sphere by looking on the topics of journalists? tweets and their interaction with public. This research used conceptual framework of online public sphere, which derived from Jurgen Habermas public sphere concept. A quantitative content analysis research was conducted to see topics discussed on journalist's tweets and their interactivity with the public.

Based on the research, we can conclude that Metro TV journalists have tweeted informations about public affairs though they only do it with their professional account instead of personal account. They also have not interacted with public that much on Twitter."

"Masyarakat dapat dengan mudah memperoleh informasi mengenai vaksinasi COVID-19 dari berbagai sumber yang ada. Kementerian Komunikasi dan Informatika dipercaya untuk memberikan informasi vaksinasi COVID-19 yang akurat kepada publik. Salah satu alat yang digunakan oleh humas pemerintah untuk memberikan informasi terkait vaksinasi adalah Instagram @Kemenkominfo. Penelitian ini bertujuan untuk melihat pengaruh penggunaan media sosial Instagram oleh humas pemerintah terhadap kepercayaan publik. Penelitian ini menggunakan pendekatan kuantitatif dengan teknik pengambilan sampel non probabilita. Pengambilan data dilaksanakan melalui penyebaran kuesioner daring dan terdapat 222 responden dengan rentang usia 18 – 25 tahun yang pernah mendapatkan informasi vaksinasi dari Instagram feed @Kemenkominfo. Hasil menunjukkan adanya pengaruh positif terhadap penggunaan media sosial Instagram terhadap kepercayaan publik. Pengaruh penggunaan media sosial Instagram @Kemenkominfo hanya mencapai tahap kognitif. Saran dari penelitian ini agar humas pemerintah dapat menggunakan media sosial Instagram hingga memberikan pengaruh komunikasi pada tahap afektif dan konatif.

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The public can easily obtain information about COVID-19 vaccination from various available sources. The Ministry of Communication and Information Technology is trusted to provide accurate COVID-19 vaccination information to the public. One of the tools used by government public relations to provide information related to vaccination is Instagram @Kemenkominfo. This study aims to see the effect of the government's use of social media Instagram on public trust. This study uses a quantitative approach with non-probability sampling technique. Data collection was carried out through the distribution of bold questionnaires and there were 222 respondents with an age range of 18-25 years who had received vaccination information from the @Kemenkominfo Instagram feed. The results show that there is a positive influence on the use of Instagram social media on public trust. The effect of using social media Instagram @Kemenkominfo only reaches the cognitive stage. Suggestions from this study are that government public relations can use Instagram social media to influence communication at the affective and conative stages."

"Tesis ini membahas kontruksi realitas sosial penutupan lokalisasi Dolly dan Jarak di Surabaya, melalui program talk show Primetime News di Metro TV, serta peran media massa sebagai ruang publik ideal pada realitas sosial berpotensi konflik tersebut. Penelitian ini adalah penelitian kualitatif dengan paradigma kritis, yang menggunakan metode analisis wacana kritis milik Norman Fairclough. Hasil penelitian menunjukkan bahwa media membentuk representasi, relasi, dan identitas pihak-pihak yang terlibat dalam wacana. Selain itu, pekerja media, rutinitas media, organisasi media, dan extra media menjadi faktor yang mempengaruhi kontruksi realitas sosial. Temuan lain adalah adanya pengaruh keberadaan waktu prime time dalam industri televisi, serta munculnya dehumanisasi dalam peliputan terkait prostitusi. Program ini menjadi upaya Metro TV dalam menciptakan ruang publik sebagai media untuk diskursif inklusif, untuk mencegah terjadinya konflik. Meski demikian, faktor ekonomi menjadi penghalang untuk membentuk ruang publik dengan kondisi yang ideal.

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This thesis discusses construction of social reality, the closing of localozation "Dolly and Jarak" in Surabaya, through a talk show program "Primetime News" on Metro TV, as well as the role of mass media as an ideal public sphere related to that social reality potential conflict. This study is a qualitative research with a critical paradigm, which uses Norman Fairclough’s critical discourse analysis method.

The results showed that the media shape representations, relationships, and the identity of the parties involved in the discourse. In addition, media workers, media routines, media organizations, and extra-media are the factors that affect the construction of social reality.

Other findings, there is the influence of the existence of a prime time in the television industry, and the emergence of dehumanization in prostitution-related reporting. This program is a Metro TV efforts in creating a public space as a medium for discursive inclusive, to prevent conflict. However, economic factors become a barrier to form a public space with ideal conditions."

"ABSTRAKJurnal ini membahas mengenai pemilihan umum presiden di Indonesia 2014 yang menghadirkan fenomena baru dalam proses demokratisasi di Indonesia. Fenomena tersebut salah satunya adalah media sosial. Hal ini terjadi karena Indonesia menjadi salah satu Negara dengan jumlah pengguna media sosial terbanyak di dunia. Opini masyarakat yang berkembang di media sosial dipengaruhi oleh terbukanya kesempatan untuk mengakses internet yang menjadikan internet (media sosial) menjadi medium menyampaikan pesan mengenai proses pesta demokrasi di Indonesia. Media sosial berubah menjadi ruang publik kontemporer yang dipenuhi oleh masyarakat yang berkespresi menyuarakan pendapat. Namun, ketika kebebasan berekspresi dalam mendukung kandidat calon presiden dan wakil presiden dipengaruhi oleh tim sukses dan partisan, maka peran kritisme di ruang publik menjadi senantiasa hilang dan fungsi ruang publik sebagai salah satu alat kontrol bagi pemerintah menjadi luntur.

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ABSTRACTThis journal discusses about the presidential elections in Indonesia in 2014 that presents a new phenomenon in the process of democratization in Indonesia. This phenomenon is one of the social media. This happens because Indonesia has become one of the countries with the highest number of social media users in the world. Growing public opinion on social media influenced by the opening of opportunities to access the Internet that makes the internet (social media) into the medium to convey the message of the democratic party in Indonesia. Social media turns into a contemporary public space filled by people who expression their voice opinions. However, when freedom of expression in support of candidates for president and vice president are influenced by a successful team and partisan, the role of criticism in the public sphere becomes ever lost and public space functions as a control tool for the government becomes faded."

"Skripsi ini mengangkat penggunaan media sosial dalam praktek political public relations oleh pejabat publik setelah terpilih. Penelitian ini melihat bagaimana pendekatan personal dapat membentuk proses komunikasi dua arah di ranah media sosial antara pejabat publik dengan konstituennya. Selain penjabaran deskriptif dari kegiatan komunikasi, penelitian ini juga menjelaskan bagaimana interaksi sederhana namun intensif bisa mendukung kinerja pejabat publik dan membentuk persepsi positif terhadap pejabat publik. Penelitian ini juga mencari gambaran akan dampak komunikasi yang dilakukan pada komunikan (followers) akun yang digunakan. Penelitian ini dilakukan dengan pendekatan kualitatif melalui teknik wawancara mendalam dengan komunikator, tim kampanye, pengamat, dan komunikan untuk mendapatkan perspektif menyeluruh. Pada akhirnya, penelitian ini berhasil mengungkap bagaimana sebuah proses komunikasi di media sosial dapat dijadikan sebuah alat serta landasan bagi praktek governing, branding, sekaligus permanent campaign yang efektif dalam konteks pemerintahan lokal.

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This thesis discussed on how social media is used in a political public relations practice of an elected public official. The research sought to understand how personal approach is conveyed through a two-way communication among the official and his constituents in the digital world. Besides explaining the process descriptively, this research also aimed to explain how such a simple yet intensive interraction can support the work of a public official and shape the positive sentiments toward him at the same time. This research also sought for a snippet of how the public (the subject?s Twitter followers) perceive the communication and the communicator. The research used a qualitative approach through in-depth interviews conducted to the communicator, political expert, the communicator?s campaign manager, and the communicator?s Twitter followers to get different perspectives on the phenomenon. In the end, the research has managed to reveal a communication process and how it successfully became a tool and also a plattform of an effective practice of governing, branding, and permanent campaign in a local context."

"[ABSTRAKPesatnya pertumbuhan media sosial membawa banyak perubahan. Dengankarakternya yang berbeda dengan media lama, media sosial membuka banyakkemungkinan, termasuk bagi representasi identitas lokal. Seperti komunitasBanyumas, mereka menjadikan media sosial sebagai ruang baru untukmenunjukkan identitasnya. Sebuah pertanyaan mengemuka, apakah kehadiranmedia sosial yang berkarakter global akan melemahkan identitas lokal, atausebaliknya justru memperkuatnya.Penelitian ini mencoba melihat transformasiidentitas komunitas Banyumas dari ranah offline ke online, dengan melihatbagaimana realitas kontemporer praktik kebahasaan orang Banyumas dalamkehidupan sehari-hari dan di media sosial. Pengamatan praktik kebahasaan dimedia sosial dikhususkan pada pesan-pesan terpilih di blog, Twitter, danFacebook. Analisis dilakukan dengan menggunakan teori Pierre Bourdieu yangmelihat identitas sebagai sebuah kontestasi dalam sebuah ranah dinamis. Hasilpenelitian menunjukkan bahwa karakter dasar orang Banyumas seperti cablaka,penjorangan, dan dopokan, tergambar kuat dalam berbagai pesan di media sosial.Uniknya, pesan-pesan ini banyak yang ditampilkan secara kreatif, sebagai bentukadaptasi karakter media sosial. Sebagai sebuah kontestasi, representasi identitaslokal dipengaruhi oleh relasi antara ranah, habitus, dan modal. Ranahmenunjukkan setting media sosial itu sendiri. Sedangkan habitus ditunjukkan olehkecenderungan yang berbeda di antara para pengguna Banyumas dengan latarbelakang yang beragam. Sementara modal, ditandai kepemilikan modal yangberbeda, baik yang berupa modal sosial, budaya, simbolik, maupun modalekonomi. Secara teoritis, hasil penelitian ini menunjukkan perbedaan nilai dankekuatan modal, antara realitas offline dan online. Jika di ranah online, modalekonomi menjadi dominan perannya, maka di ranah online, modal simbolik lebihberperan. Secara praktis, hasil penelitan ini menumbuhkan optimisme bahwaidentitas lokal akan terus bertahan, bahkan menguat, di era media sosial.;

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ABSTRACTThe rapid growth of social media brings many changes. Distinguishing characterswith the old one, social media opens many possibilities, including therepresentation of local identity. For instance, Banyumas community uses socialmedia as a new space to show their identity. A question arose whether thepresence of social media which has global character may weaken or strengthentheir local identities instead. This study tries to figure out the transformation ofidentity of Banyumas community from offline to online field, by paying moreattention on how the contemporary reality of Banyumas people‟s linguisticpractices in their daily life and in social media is. The Observation on linguisticpractices in social media particularly focuses on the selected messages available inblogs, Twitter, and Facebook. The analyses were conducted using Pierre Bourdieutheories that viewed identity as a contestation within a dynamic field. The resultsshowed that the basic characters of the Banyumas people, such as cablaka,penjorangan, and dopokan, were strongly reflected in various messages availablein social media. These messages were uniquely displayed in creative ways, asforms of character adaptation in social media. As contestation, the representationof local identity was influenced by the relationship between field, habitus, andcapitals. Field showed the setting of social media itself. Habitus were shown bythe different tendencies among users of Banyumas with different backgrounds.Capitals were marked by the possession of different capitals, either in the form ofsocial, cultural, symbolic, or economic capital. Theoretically, the results of thisstudy showed differences in values and capital powers, between offline and onlinereality. If in online field, the economic capital had the dominant roles, thesymbolic capital had more roles. Practically, the results of this study growoptimism that local identity will surely survive and even be stronger in the era ofsocial media.;The rapid growth of social media brings many changes. Distinguishing characterswith the old one, social media opens many possibilities, including therepresentation of local identity. For instance, Banyumas community uses socialmedia as a new space to show their identity. A question arose whether thepresence of social media which has global character may weaken or strengthentheir local identities instead. This study tries to figure out the transformation ofidentity of Banyumas community from offline to online field, by paying moreattention on how the contemporary reality of Banyumas people‟s linguisticpractices in their daily life and in social media is. The Observation on linguisticpractices in social media particularly focuses on the selected messages available inblogs, Twitter, and Facebook. The analyses were conducted using Pierre Bourdieutheories that viewed identity as a contestation within a dynamic field. The resultsshowed that the basic characters of the Banyumas people, such as cablaka,penjorangan, and dopokan, were strongly reflected in various messages availablein social media. These messages were uniquely displayed in creative ways, asforms of character adaptation in social media. As contestation, the representationof local identity was influenced by the relationship between field, habitus, andcapitals. Field showed the setting of social media itself. Habitus were shown bythe different tendencies among users of Banyumas with different backgrounds.Capitals were marked by the possession of different capitals, either in the form ofsocial, cultural, symbolic, or economic capital. Theoretically, the results of thisstudy showed differences in values and capital powers, between offline and onlinereality. If in online field, the economic capital had the dominant roles, thesymbolic capital had more roles. Practically, the results of this study growoptimism that local identity will surely survive and even be stronger in the era ofsocial media., The rapid growth of social media brings many changes. Distinguishing characterswith the old one, social media opens many possibilities, including therepresentation of local identity. For instance, Banyumas community uses socialmedia as a new space to show their identity. A question arose whether thepresence of social media which has global character may weaken or strengthentheir local identities instead. This study tries to figure out the transformation ofidentity of Banyumas community from offline to online field, by paying moreattention on how the contemporary reality of Banyumas people‟s linguisticpractices in their daily life and in social media is. The Observation on linguisticpractices in social media particularly focuses on the selected messages available inblogs, Twitter, and Facebook. The analyses were conducted using Pierre Bourdieutheories that viewed identity as a contestation within a dynamic field. The resultsshowed that the basic characters of the Banyumas people, such as cablaka,penjorangan, and dopokan, were strongly reflected in various messages availablein social media. These messages were uniquely displayed in creative ways, asforms of character adaptation in social media. As contestation, the representationof local identity was influenced by the relationship between field, habitus, andcapitals. Field showed the setting of social media itself. Habitus were shown bythe different tendencies among users of Banyumas with different backgrounds.Capitals were marked by the possession of different capitals, either in the form ofsocial, cultural, symbolic, or economic capital. Theoretically, the results of thisstudy showed differences in values and capital powers, between offline and onlinereality. If in online field, the economic capital had the dominant roles, thesymbolic capital had more roles. Practically, the results of this study growoptimism that local identity will surely survive and even be stronger in the era ofsocial media.]"

"XPenelitian ini bertujuan menjelaskan elemen dramatis dan pola dramatisme dalam penggunaan media sosial Mendikbudristek ketika melakukan sosialisasi POP sehingga menimbulkan berbagai kritikan. Penelitian ini menggunakan paradigma interpretif dan pendekatan kualitatif deskriptif-interpretatif untuk. Metode penelitian yang digunakan adalah analisis dramatisme pentad dimana dengan analisis ini peneliti dapat melihat lima cara untuk mengetahui dan melihat motif pernyataan Mendikbud Nadiem ketika sosialisasi POP dan strategi multimodal untuk melakukan analisis. Hasil penelitian menyimpulkan bahwa Nadiem cenderung menjadikan agency sebagai elemen kunci untuk melancarkan tujuannya dengan menayangkan video testimoni, menyebutkan harapannya pada perangkat-perangkat sekolah seperti Kepala Sekolah, Guru, mahasiswa dan lainnya, dan menggunakan identifikasi sebagai motif meluncurkan POP dengan menempatkan diri sebagai masyarakat yang merasakan belum ada perkembangan yang signifikan pada pendidikan Indonesia. Nadiem juga cenderung melakukan retorika klasik sehingga tidak bisa membentuk kesatuan sosial. Kemendikbud menonjolkan elemen scene, di mana media sosial juga digunakan tidak hanya sebagai alat atau agency tapi juga sebagai tempat yang aman untuk menyampaikan pendapat-pendapatnya.

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This study aims to explain the dramatic elements and dramatic patterns in the use of the Minister of Education and Culture's social media when conducting POP socialization, which has led to various criticisms. This study uses an interpretive paradigm and a qualitative descriptive-interpretative approach. The research method used is pentad dramatism analysis where with this analysis the researcher can see five ways to find out and see the motives of the Minister of Education and Culture Nadiem's algorithm when socializing POP and multimodal strategies for conducting analysis. The results of the study concluded that Nadiem tends to make the agency as the key element to carry out his goals by showing video testimonials, mentioning his hopes for school officials such as principals, teachers, students and others, and using identification as a motive for launching POP by placing himself as a community that feels there has been no significant development in Indonesian education. Nadiem also tends to use classical rhetoric so that he cannot form social unity. The Ministry of Education and Culture emphasizes scene elements, where social media is also used not only as a tool or agency but also as a safe place to express their opinions."