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"his series goes in search of the biological roots of our senses and to uncover why particular sights, sounds and smells and tastes have such powerful effects on us, how we manage to block out intense pain, and why our sense of balance keeps working under the most extreme of conditions. This episode deals with smell. What is it about things that smell bad?"

"This sensory romp around the globe goes in search of the biological roots of our senses to uncover the reasons why particular sights, sounds, smells and tastes have such powerful effects on us. How do we manage to block out intense pain? How does our sense of balance keep working under the most extreme conditions? Live action combined with special effects creates incredible imagery to convey the 'feeling' of how our senses work."

"This series goes in search of the biological roots of our senses and to uncover why particular sights, sounds and smells and tastes have such powerful effects on us, how we manage to block out intense pain, and why our sense of balance keeps working under the most extreme of conditions. This episode deals with vision. Why is it that humans are so good at seeing some things, at other times their brains prevent them from seeing what's right in front of their eyes."

"Summary: "This book is an exciting new look at how archaeology has dealt with the bodily senses and offers an argument for how the discipline can offer a richer glimpse into the human sensory experience. Yannis Hamilakis shows how, despite its intensely physical engagement with the material traces of the past, archaeology has mostly neglected multi-sensory experience, instead prioritizing isolated vision and relying on the Western hierarchy of the five senses. In place of this limited view of experience, Hamilakis proposes a sensorial archaeology that can unearth the lost, suppressed, and forgotten sensory and affective modalities of humans. Using Bronze Age Crete as a case study, Hamilakis shows how sensorial memory can help us rethink questions ranging from the production of ancestral heritage to large-scale social change, and the cultural significance of monuments. Tracing the emergence of palaces in Bronze Age Crete as a celebration of the long-term, sensuous history and memory of their localities, Hamilakis points the way to reconstituting archaeology as a sensorial and affective multi-temporal practice. At the same time, he proposes a new framework on the interaction between bodily senses, things, and environments, which will be relevant to scholars in other fields"