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"Penelitian ini mengulas cinta, benci, dan patah hati dalam tinjauan filsafat psikoanalisis Slavoj Žižek. Terutama berkaitan dengan kritik Žižek terhadap seruan cinta universal kepada sesama manusia yang justru menghindari pertemuan dengan sesama. Seruan cinta universal dianggap mengingkari hal-hal yang tak dapat dicintai, mungkin dibenci, dalam diri manusia. Maka penelitian ini menelaah, pertama, soal apa dan bagaimana “yang kurang” dalam seruan cinta kepada sesama manusia sehingga gagal mengatasi kebencian? Kedua, apa dan bagaimana “yang kurang” dalam kritik Žižek tentang cinta itu sendiri? Metode analisis konseptual dan struktural diterapkan sehubungan dengan acuan Žižek pada tiga tataran psikis Lacanian yang membentuk realitas dan identitas: The Imaginary, The Symbolic, dan The Real. Adapun “yang kurang” merujuk pada konsep Lacanian tentang lack sebagai kondisi dasar atau ontologis dari keberadaan manusia. Dengan pendekatan pemikiran dialektis dan interpretasi kritikal dalam bingkai psikoanalisis, didapati bahwa hal “yang kurang” dalam seruan cinta universal kepada sesama manusia adalah kesediaan untuk jatuh, terlibat dan bertemu dengan sesama—dengan kemungkinan mengorbankan segala, hingga menumbuhkan benci. Lalu, “yang kurang” dalam cinta yang jatuh dan terlibat adalah patah hati, kesediaan untuk menghadapi sakit dari hati yang tercabik.

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This research analyze love, hatred, and heartbreak from the perspective of Slavoj Žižek's psychoanalytic philosophy. Especially related to Žižek's criticism of universal love towards neighbor, which paradoxically avoids encounters with others. The call for universal love is considered to deny the aspects within humans that are unlovable, and even hated. Therefore, this research examines, first, the issue of what is “lack” and how does “lack" in universal love fail to overcome hatred? Second, what and how is “lack” in Žižek's criticism of universal love itself? Conceptual and structural analysis methods are applied in connection with Žižek's reference to the three Lacanian psychic realms that shape reality and identity: The Imaginary, The Symbolic, and The Real. The “lack” refers to the Lacanian concept as a basic or ontological condition of human existence. Through a dialectical thinking approach and critical interpretation within the framework of psychoanalysis, it is found that the “lack” in the universal love is the willingness to fall, engage, and encounter others—with the possibility of sacrificing everything, even nurturing hatred. Then, the “lack” in love that falls and engages is heartbreak, the willingness to face the pain of a torn heart."

"Tesis ini berusaha untuk membahas fenomena penggunaan akun alter di media sosial Twitter dalam aktivitas berbagi konten seksual oleh kalangan dewasa awal. Terdapat dua hal yang menjadi fokus utama penelitian ini, yaitu motif individu dalam menggunakan akun alter untuk berbagi konten serta kaitan antara interaksi dan komunikasi dengan orang-orang sekitar terhadap keputusan berbagi konten. Penelitian ini merupakan penelitian kualitatif dengan paradigma konstruktivisme dan pendekatan fenomenologi yang hasilnya akan dipaparkan secara deskriptif. Konsep atau teori yang digunakan dalam penelitian ini adalah teori Psikoanalisis. Penelitian ini menggunakan metode pengambilan data dengan wawancara dan observasi, sedangkan subjek penelitian berjumlah empat orang pengguna akun alter perempuan. Hasil penelitian menunjukkan bahwa keputusan dalam menggunakan akun alter dan berbagi konten dipengaruhi oleh struktur kepribadian manusia yang terdiri dari id, ego, dan superego. Faktor id yang mendorong keputusan tersebut adalah hasrat agresivitas, ingin mendapatkan perhatian, hasrat seksual (libido), serta materi, yang dapat muncul tidak hanya dari dalam diri namun juga sebagai hasil interaksi dengan orang-orang di sekitar individu. Sedangkan superego individu berasal dari nilai dan norma masyarakat, aturan agama, serta kebiasaan yang telah dianut sejak kecil. Dinamika id dan superego memunculkan dua tipologi pengguna media dalam berbagi konten, yakni inhibition bagi individu dengan kepribadian introvert dan compulsion bagi extrovert.

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This thesis attempted to discuss the use of alter accounts on Twitter as a medium for content sharing by young adults. There were two focuses of this research, namely the individual’s motives for using alter accounts and for sharing sexual content as well as the relationship between interaction and communication with the decision to share. This research was qualitative research with constructivism paradigm and phenomenological approach whose results would be presented descriptively. The theory that was used in this research is psychoanalytic theory. The data was collected by interviews and observations, while the research subjects consisted of four females alter account users. The results showed that the decision for using alter accounts and sharing sexual content were influenced by the structure of the human personality which consists of the id, ego, and superego. The id factors that drive these decisions were the desire for aggressiveness, wanting to get attention, sexual desire (libido), and money, which can arise not only from individual’s natural urge but also because of interactions with others. While the individual’s superego came from the values and norms of society, religious rules, and habits that have been adhered to since childhood. The dynamics of the id and superego showed that there are two typologies of media users in the context of content sharing, namely inhibition that could be seen on the introverted person and compulsion on the extroverted ones."

"Buku ini merupakan kumpulan tulisan ilmiah mengenai cinta dan benci yang dianalisis berdasarkan pendekatan teori psikoanalisis."

"Charting over 45 years of feminist debate on the significance of gender in the making and understanding of art, this archival anthologyh gathers together 88 indicative texts from North America, Edurope and Australasia, and elsewhere. -- The volume embraces a broad range of threads and perspectives, from diverse national and global approaches, lesbian and queer theory, and postmodernism to education and aesthetics. The writings of artists and activists are juxtaposed with those of academics, creating an entertaining and provacative web of ideas. Some of the texts are now regarded as classic, but the anthology is particulary notable for its inclusion of rare and significant material not reprinted elsewhere. -- The scale and structure of the volume make it a uniqauely flexible resource for study and research. Each of the seven sections focuses on a specific area of debate and is introduced by a descriptive summary. The texts within each chapter are then presented in chronological order, indexing differing positions as they developed over time. -- Hilary Robinson is Dean of the School of Art and Design and Professor of Visual Culture at Middlesex University London, having previously held positions at Carnegie Mellon University, USA, and the University of Ulster, Norhern Ireleand"

"Charting over 45 years of feminist debate on the significance of gender in the making and understanding of art, this archival anthologyh gathers together 88 indicative texts from North America, Edurope and Australasia, and elsewhere. --The volume embraces a broad range of threads and perspectives, from diverse national and global approaches, lesbian and queer theory, and postmodernism to education and aesthetics. The writings of artists and activists are juxtaposed with those of academics, creating an entertaining and provacative web of ideas. Some of the texts are now regarded as classic, but the anthology is particulary notable for its inclusion of rare and significant material not reprinted elsewhere. --The scale and structure of the volume make it a uniqauely flexible resource for study and research. Each of the seven sections focuses on a specific area of debate and is introduced by a descriptive summary. The texts within each chapter are then presented in chronological order, indexing differing positions as they developed over time. --Hilary Robinson is Dean of the School of Art and Design and Professor of Visual Culture at Middlesex University London, having previously held positions at Carnegie Mellon University, USA, and the University of Ulster, Norhern Ireleand. --Book Jacket."

"Penelitian ini bertujuan untuk menguji pengaruh tampilan feminisme dan purity pada idola K-Pop perempuan terhadap intensi fanship dari fans laki-laki. Partisipan dalam penelitian ini adalah 93 individu laki-laki yang mengidentifikasi diri sebagai fans K-Pop dengan rentang umur 15–35 tahun (M = 20.88, SD = 4,02). Partisipan diberikan stimulus berupa vignette fiktif berupa foto, biodata fiktif, dan deskripsi kepribadian dari model dengan variasi pada tampilan ideologi feminisme dan pelanggaran purity. Hasil analisis Repeated Measures ANOVA menunjukkan bahwa terdapat pengaruh yang signifikan antara tampilan Feminisme (F(2,184) = 7,74, p = 0,001, ηp2 = 0,08) dan Purity (F(2,184) = 14,26, p < 0,001, ηp2 = 0,13) pada idola K-Pop perempuan terhadap intensi fanship, serta tidak terdapat interaksi yang signifikan antara feminisme dan purity pada idola K-Pop perempuan dalam mempengaruhi intensi fanship pada fans laki-laki (F(2,184) = 1,62, p > 0,05, ηp2 = 0,02). Post-hoc paired samples t-test dilakukan dan ditemukan bahwa perbedaan tingkatan intensi fanship lebih tinggi secara signifikan pada perlakuan feminisme dibandingkan dengan non-feminisme dan pada perlakuan tampilan purity dibandingkan dengan perlakukan purity violation. Penelitian ini menunjukkan bahwa laki-laki tidak ingin menjadi fans dari idola K-Pop perempuan yang menampilkan pelanggaran purity dan beridentitas feminis dengan menggunakan label feminis, tetapi justru memiliki preferensi terhadap idola yang menampilkan ideologi feminisme tanpa label.

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This research aims to examine the influence of the display of feminist ideology and purity in female K-Pop idols on the fanship intentions of male fans. The participants in this study were 93 male individuals who identified themselves as K-Pop fans, ranging in age from 15 to 35 years (M = 20.88, SD = 4.02). Participants were presented with stimuli in the form of fictional vignettes containing ‘idol’ photos, fictional biodata, and personality descriptions of a model with variations in the display of feminist ideology and purity violation. The results of the Repeated Measures ANOVA analysis show that there is a significant influence between the display of Feminism (F(2,184) = 7.74, p = 0.001, ηp2 = 0.08) and Purity (F(2,184) = 14.26, p < 0.001, ηp2 = 0.13) on female K-Pop idols towards fanship intention, and there is no significant interaction between feminism and purity in influencing fanship intentions for male fans (F(2,184) = 1.62 , p > 0.05, ηp2 = 0.02). Post-hoc paired samples t-test was carried out and it was found that the difference in fanship intention levels was significantly higher in the feminism treatment compared to non-feminism and in the display of purity treatment compared to the purity violation treatment. This findings indicate that men do not intend to be fans of female K-Pop idols who display purity violations and feminist labels, instead males prefer idols who display feminist ideology without labels."