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Hasil Pencarian

Ditemukan 7462 dokumen yang sesuai dengan query
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Tobias, Ronald B.
Cincinnati: Writer's Digest Books, 1997
808.23 TOB i
Buku Teks SO  Universitas Indonesia Library
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Cooper, Dona
New York: Prentice-Hall, 1994
808.225 COO w
Buku Teks SO  Universitas Indonesia Library
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Goldman, William
London: Bloomsbury, 2000
791.437 5 GOL w
Buku Teks SO  Universitas Indonesia Library
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Heath, Eric
New York: Prentice-Hall, 1953
808.06 HEA w
Buku Teks SO  Universitas Indonesia Library
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Goldman, William
London: Abacus, 2006
791.43 GOL a
Buku Teks SO  Universitas Indonesia Library
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Dimaggio, Madeline
New York: Simon and Shuster, 1993
808.066 DIM h
Buku Teks SO  Universitas Indonesia Library
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Cincinati, Ohio: Writer's Digest Bokks, 1994
808.02 Wri
Buku Teks  Universitas Indonesia Library
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Lederer, William J
New York: W W Norton, 1954
808.066 LED s
Koleksi Publik  Universitas Indonesia Library
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Turnip, Rayes Senoper S.
"Perlindungan Hak Cipta secara otomatis akan diberikan setelah adanya perwujudan suatu ide dalam bentuk yang nyata. Sebagai pencipta maka berhak atas hak ekslusif yang diberikan berupa hak moral dan hak ekonomi. Film dengan naskah film dianggap sebagai satu kesatuan dalam Undang-Undang no 28 Tahun 2014 Tentang Hak Cipta, padahal dalam pembuatan film melibatkan banyak pihak dimulai dari Penulis Naskah, Produser, Sutradara, Asisten Sutradara,Pelaku Pertunjukan, Sinematografer,Penata Suara , Pengarah Artistik dan Penyunting. Hak Cipta hanya diberikan kepada pihak produser sebagai pihak yang mengawasi terjadinya seluruh ciptaan. Adanya juga Pengalihan dalam perjanjian Lisensi kepada pihak lain dalam hak cipta tidak menyebabkan pencipta kehilangan hak ekslusifnya, namun pencipta hanya berbagi hak ekonomi yang dimilikinya dengan orang lain.Dalam pembuatan film dibuat oleh pemeran inti yakni Penulis Naskah, Produser , dan Sutradara sehingga dalam perjanjian pengalihan diharuskan melibatkan ketiga pihak ini khususnya penulis naskah karena memiliki hak cipta atas naskah.

Copyright Protection automatically given after an idea changes into a tangible form. As a Author have an exlusive right which are economic right and moral right. Film and Script as a part of object in Copyright owned by 1 author in Law 28 of 2014 about Copyright. As we known in making film, use many part besides Producer. There are Scriptwriter, Producer, Director, Assisten Director, Actor/Actress, Cameramen, Audioman, Artistic Direktor, and Editor. In Law 28 of 2014 about Copyright, an author of film is Produce as a people who control all about part in copyright. Something known and called License in copyright. Transfer License from an author make licensee have a right especially about economic right from an author. In making film there was called by Triangle System, which are Scriptwriter, Producer, and Director which is as a part of Licence Agreement especially scriptwriter who has copyright from his script. "
Jakarta: Fakultas Hukum Universitas Indonesia, 2021
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UI - Tesis Membership  Universitas Indonesia Library
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Hilliard, Robert L., 1925-
"Writing for Television, Radio, and New media has been the leading work in its field for more than fifty years. Its frequently updated revisions, including the eleventh edition, combine the best principles and examples of the past with those of contemporary practice. Its thorough coverage of concepts, approaches, and techniques concentrates on the key media formats of commercials; news and sports; documentaries; reality programs; talk shows; interviews; music programs; corporate, educational, and children's formats; and drama and sitcoms. The text also presents basic information that writers need to know about production techniques, demographics, copyrights, and career opportunities. New material on social media allows today's students to understand the continued importance of clear writing and shows them how their digital skills can transfer to career opportunities"
Stamford, CT, USA: Cengage Learning, 2015
808.22 HIL w
Buku Teks SO  Universitas Indonesia Library
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