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"For much of the twentieth century, the intellectual life of the Ottoman and Arabic-Islamic world in the seventeenth century was ignored or mischaracterized by historians. Ottomanists typically saw the seventeenth century as marking the end of Ottoman cultural florescence, while modern Arab nationalist historians tended to see it as yet another century of intellectual darkness under Ottoman rule. This book is the first sustained effort at investigating some of the intellectual currents among Ottoman and North African scholars of the early modern period. Examining the intellectual production of the ranks of learned ulema (scholars) through close readings of various treatises, commentaries, and marginalia, Khaled El-Rouayheb argues for a more textured - and text-centered - understanding of the vibrant exchange of ideas and transmission of knowledge across a vast expanse of Ottoman-controlled territory."

"Notes: The middle world. The hijra. Birth of the khalifate. The schism. Empire of the Umayyads. The Abassid age. Scholars, philosophers, and sufis. Enter the Turks. Havoc. Rebirth. Meanwhile in Europe. West comes East. The reform movements. Industry, constitutions, and nationalism. Rise of the secular modernists. The crisis of modernity. The tide turn"

"This volume brings together studies that explore the richness of the Arabic literary tradition and of Islamic intellectual life, from the beginnings of Islam to the present. The contributors cover an unusually wide range of subjects, including such topics as guile in the Quran, marriage in Islamic law, early esoterica, commentaries on al Hariris Maqamat, Hellenistic philosophy in Arabic, medieval music and song, scurrilous poetry, Arabic rhetoric, cursing, the modern social and legal history of the Middle East, al Kharrats modernist project, and contemporary Islamic thought and responses to it. The volumes range reflects the enormous breadth of Everett Rowsons scholarship and his impact over a lifetime of publishing, editing, teaching, and mentoring in the many fields that constitute the Arabic humanities and Islamic thought. "

"Peradaban Islam yang dikonstruksi oleh para muslim Arab dengan menyebarkan pengaruhnya ke berbagai kawasan di dunia telah melahirkan sejumlah pembesar intelektual. Kota Bukhara adalah salah satu wilayah Transoxiana yang kini berada di kawasan Uzbekistan modern, Asia Tengah, yang ditaklukkan oleh bangsa Arab pada 709 M. Pada periode 961-997 M, di bawah pemerintahan Dinasti Samaniyah, kota Bukhara bertransmisi menjadi pusat peradaban ilmu pengetahuan dan kebudayaan Islam di Asia Tengah. Namun, dewasa ini, pengkajian mengenai sejarah peradaban Islam di Bukhara kurang mendapat perhatian yang komprehensif sebagaimana pengkajian mengenai sejarah peradaban Islam di kawasan lainnya. Metode penelitian yang digunakan dalam penelitian ini adalah jenis penelitian kualitatif yang ditinjau secara historis-deskriptif, serta dilengkapi dengan teknik pengumpulan data studi kepustakaan (library research). Hasil penelitian menunjukkan adanya perkembangan peradaban Islam di Bukhara dalam bidang ilmu keagamaan, ilmu kesusastraan dan penerjemahan, serta ilmu kesenian dan desain arsitektur pada periode tersebut. Kota Bukhara juga melahirkan tokoh-tokoh intelektual yang memiliki kontribusi dan pengaruh besar dalam sejarah peradaban Islam di dunia, di antaranya Imam al-Bukhari dan al-Narshakhi.

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Islamic civilization, which was constructed by Arab Muslims by spreading its influence to various regions in the world, has presented a number of intellectual leaders. The city of Bukhara is one of the Transoxiana regions which is currently in the modern Uzbekistan, Central Asia, that was conquered by the Arabs in 709 AD. In the period 961-997 AD, under the rule of the Samanid Dynasty, the city of Bukhara was transmitted to be a center of Islamic scientific and cultural civilization in Central Asia. However, currently, studies of the history of Islamic civilization in Bukhara have not received as comprehensive attention as studies of the history of Islamic civilization in other regions. The research method used in this research is a type of qualitative research that is reviewed historically-descriptively, and is equipped with library research data collection techniques. The results of the research show the development of Islamic civilization in Bukhara in the fields of religious science, literature and translation, as well as art and architectural design during that period. The city of Bukhara also presented intellectual figures who had a major contribution and influence in the history of Islamic civilization in the world, including Imam al-Bukha."

"Penelitian ini mengkaji tentang seorang tokoh yang bernama al-Farabi dan konsepnya tentang teori musik dan juga bagaimana gagasan dari konsepnya tersebut dapat mempengaruhi perkembangan teori musik di Eropa pada abad pertengahan. Metode penulisan yang digunakan dalam penelitian ini adalah metode kualitatif deskriptif dan metode studi pustaka. Teori yang digunakan dalam penulisan penelitian ini adalah teori difusi budaya menurut Leo Frobenius (1897) dan teori pengaruh budaya melalui difusi menurut Sanders & Price (1968). Temuan dari penelitian ini adalah konsep tentang teori musik dari al-Farabi memiliki pengaruh yang penting pada perkembangan teori musik di Eropa pada abad pertengahan.

 

Kata Kunci:  Al-Farabi; Abad Pertengahan; Eropa; Teori Musik.

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Influence of Islamic Civilization in Arts:

Al-Farabi Influence in the Development of Music Theory in Medieval Europe (1130-1150 AD)

 

Abstract

 

The research of this paper is to discuss about al-Farabi and his concept about music theory and how his concept had its influence in the development of music theory in medieval Europe. The research method that is used in this paper is a qualitative research method. Theories of the research in this paper is based on a cultural diffusion according to Leo Frobensius (1897) and theory of cultural influence through a diffusion according to Sanders & Price (1968). Based from the data that is collected on this research, this research had discovered that al-Farabi’s concept of music had its influence on the development of music theory in medieval Europe."