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Abstrak :
Studi ini menganalisis tiga elemen penting dalam hubungan antarras antara Amir dan Emily di drama pemenang Pulitzer Prize karya Ayad Akhtar, Disgraced. Elemen-elemen tersebut adalah: Lukisan Amir karya Emily yang terinspirasi oleh Portrait of Juan de Pareja karya Diego Vel zquez; Kompleks Penyelamat Kulit Putih yang dimiliki Emily; dan kekerasan yang Emily alami di tangan Amir. Dua bagian pertama dari analisis ini akan menggunakan kombinasi teori Konstruksi Identitas milik Stuart Hall, Orientalisme milik Edward Said, dan diskursus neo-Orientalisme yang muncul pasca peristiwa 11 September. Bagian terakhir analisis ini akan menyatukan semua elemen dengan teori Artikulasi milik Stuart Hall. Pada akhirnya, studi ini menyimpulkan bahwa kekerasan yang dilakukan oleh Amir adalah pembalasan untuk dominasi Emily terhadap produksi identitasnya melalui representasi lukisan dan pengaruh Emily dalam keputusan-keputusan krusial yang diambil Amir menyangkut hubungannya dengan keluarganya. Gambaran Emily sebagai korban kekerasan dan empasis terhadap 39;hubungan tribal 39; yang dirasakan Amir dapat membuat drama ini dibaca sebagai teks neo-Orientalis. Dengan memahami Kompleks Penyelamat Kulit Putih yang dimiliki Emily, teks ini dapat dibaca sebagai artikulasi ulang re-artikulasi stereotipe 'orang kulit cokelat barbar' dan 'orang kulit putih bebas'. ...... This study analyses the three essential elements of the interracial relationship between Amir and Emily in Ayad Akhtar's Pulitzer Prize winning play, Disgraced. They are Emily's painting of Amir, her husband, in the style of Portrait of Juan de Pareja by Diego Vel zquez Emily's White Saviour Complex and the violence she suffered in the hands of Amir. The first two parts of the analysis will utilise the combination of Identity Construction theory by Stuart Hall, Edward Said's Orientalism, and the post 9 11 discourse of neo Orientalism. The last part of the analysis will foreground the entire elements by utilising Stuart Hall's theory of Articulation. It will be proved that Amir's violence is an act of retaliation towards Emily's domination over the production of his identity through representation and her influence in his crucial decisions concerning his relationship with his family. Emily's victimisation and the emphasis on Amir's lsquo tribalistic bond'risk a reductionist neo Orientalist reading of the text. By acknowledging Emily's White Saviour Complex, the text can be read as a re articulation of the neo Orientalist stereotypes of 'barbaric brown man' and 'free white woman'.

Abstrak :
ABSTRAK
Black female empowerment merupakan sebuah bentuk pergerakan yang bersinggungan dengan permasalahan ras dan identitas gender. Beyonc mdash;artis perempuan kulit hitam yang dikenal merangkul identitas rasnya mdash;memproduksi lagu ldquo;Forward rdquo; dan ldquo;Freedom rdquo;. Dua lagu bermuatan politis dalam albumnya, Lemonade, dirilis pada tahun 2016. ldquo;Forward rdquo; berfokus pada kasus kebrutalan polisi terhadap warga negara berkulit hitam yang marak terjadi sejak tahun 2014, sedangkan ldquo;Freedom rdquo; berfokus pada pemberdayaan perempuan kulit hitam untuk bergerak melawan penindasan terhadap mereka. Dalam penelitian ini dilakukan analisis terhadap motif Black female empowerment dengan menganalisis lirik dan video musik untuk menemukan mitos di balik gerakan tersebut dengan menggunakan teori semiotik Roland Barthes. Temuan-temuan dalam analisis lagu ldquo;Forward rdquo; menunjukkan bagaimana orang kulit hitam, terutama perempuan kulit hitam, dianggap tidak berdaya. Diskusi antara semua orang dari berbagai ras untuk menemukan solusi untuk menghentikan diskriminasi ras sangat dibutuhkan. Adapun temuan-temuan dalam analisis lagu ldquo;Freedom rdquo; menunjukkan bahwa kesempatan bagi perempuan kulit hitam untuk maju berbicara merupakan hal yang dapat diperoleh sekarang, dan mereka akan didukung oleh sesama perempuan kulit hitam.

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ABSTRACT
The Black female empowerment is a form of movement that is intersecting both race and gender identities. Beyonc ndash;a Black female artist known for embracing her black identity ndash;produced ldquo;Forward rdquo; and ldquo;Freedom rdquo;, two politically-charged songs in her 2016 album, Lemonade. ldquo;Forward rdquo; focuses on the police brutality against Black people that have been increasing since 2014, whereas ldquo;Freedom rdquo; focuses on empowering Black women to fight back against the oppression against them. Using Roland Barthes rsquo; semiotic theory, this thesis analyses the Black female empowerment motifs by analyzing its lyrics and music videos in order to find the myth behind the movement. The findings in ldquo;Forward rdquo; show how Black people, especially Black women, are deemed ldquo;voiceless rdquo; and a discussion between all people to find solution to end the racial discrimination is urgently needed. While the findings in ldquo;Freedom rdquo; suggest that the opportunity for Black women to speak up is now obtainable, and they will be supported by their fellow Black women.

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The Black female empowerment is a form of movement that is intersecting both race and gender identities. Beyonc ndash a Black female artist known for embracing her black identity ndash produced ldquo Forward rdquo and ldquo Freedom rdquo , two politically charged songs in her 2016 album, Lemonade. ldquo Forward rdquo focuses on the police brutality against Black people that have been increasing since 2014, whereas ldquo Freedom rdquo focuses on empowering Black women to fight back against the oppression against them. Using Roland Barthes rsquo semiotic theory, this thesis analyses the Black female empowerment motifs by analyzing its lyrics and music videos in order to find the myth behind the movement. The findings in ldquo Forward rdquo show how Black people, especially Black women, are deemed ldquo voiceless rdquo and a discussion between all people to find solution to end the racial discrimination is urgently needed. While the findings in ldquo Freedom rdquo suggest that the opportunity for Black women to speak up is now obtainable, and they will be supported by their fellow Black women.