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Abstrak :
Tesis ini menelusuri peran representasi dalam perancangan arsitektur. Dengan memahami mekanisme pada penggunaan media representasi, arsitektur dapat dipahami sebagai proses translasi antara ide dan material. Penggunaan media representasi secara tidak langsung mempengaruhi bagaimana proses translasi antara ide dan material tersebut terjadi. Transformasi yang terjadi pada representasi ini dipandang sebagai potensi yang patut ditelusuri. Penelusuran dilakukan secara teoritikal dengan memanfaatkan fotografi sebagai media representasi yang telah populer saat ini. Penelusuran berakhir pada penggunaan 'spatial cloud' sebagai alternatif dalam melihat ruang pada arsitektur secara lebih subjektif dan kontingen dengan memanfaatkan fragmentasi yang terjadi pada representasi. Pada akhirnya, proses penelusuran ini merupakan suatu cara lain untuk memahami arsitektur dan dapat dimanfaatkan untuk membuka peluang-peluang spasial baru dalam perancangan arsitektur. ......This thesis invetigates the role of representation in architecture. By understanding the mechanism within representation, architecture is understood as a translation between ideas and materiality. This translation is indirectly affected by the representation which is seen as a kind of possibility of transformation. Thereby, this transformation inevitably becomes a kind of possibility of architecture. The investigation is conducted theoritically using the representation of photograph which is already a popular medium in our everyday life. By identifying the fragmentation in the process of representing, the investigation results in 'spatial cloud' as alternative in seeing the space in architecture in a more subjective and contingent way. Finally, this investigation of representation becomes an alternative way to understand architecture which can be used to open spatial possibilities in architectural design.

Abstrak :
Tesis ini mengajukan sebuah penelusuran disain berbasis ide void dalam konteks ruang kampung. Ruang kampung yang terdiri dari berbagai aktivitas secara tidak langsung melibatkan berbagai jenis translasi void. Diskursus dalam tesis ini dimulai dengan pemahaman void terhadap persoalan kehadiran dan ketidakhadiran sebagai bentuk kajian representasi ruang. Pendekatan konteks spasial digunakan untuk mencari translasi mekanisme ruang void yang selanjutnya akan menjadi dasar pengembangan metode perancangan. Unsur absence-presence, tangible-intangible menjadi sebuah pengungkapan yang penting dalam penelusuran jejak ruang void ini, hingga pada akhirnya berujung pada mekanisme void sebagai sebuah ketertundaan ruang. Dalam proses ketertundaan itu, bekerja sistem diskontinuitas spasial yang akhirnya mendefinisikan pemaknaan dalam void seperti void as boundary, void as inbetween space, void as intermediary, void as residual space, void as perceptual activity, dan void as servant space. Translasi jenis void ini kemudian membuka kemungkinan yang lain sebagai spatial potential order dalam konteks perancangan ruang kampung. Mekanisme dalam void tersebut menghasilkan beberapa karakter ruang yang digunakan untuk melakukan transaksi ruang terhadap event void yang baru pada konteks. Oleh karena itu, rekonfigurasi event void yang terbentuk dapat membangun sistem ruang void sebagai transformasi ruang potensial dalam kehidupan ruang kampung yang lebih baik. Serta memberikan cara baru dalam melihat investigasi mekanisme pengungkapan ruang dalam arsitektur. ...... This thesis proposes a design approach based on the idea of “void” in the context of urban kampung. Urban kampung consists of a series of activities involving the existence of “void” in various meaning. The discourse in this thesis begins with the understanding of void in terms of the presence and the absence matter as form of space representation. Spatial context approach is used to explore the translation of void space mechanism as a basis of developing the design method. The element of presence-absence, tangible-intangible becomes a manifestation in exploring void as the delaying space. In the delaying process, there is a system of spatial discontinuity to define the meaning of void such as void as boundary, void as in-between space, void as intermediary, void as residual space, void as perceptual activity, and void as servant space. The translation of these different kind of void opens the other possibility as spatial potential order in the context of urban kampung. The mechanism of the idea of void produces several space character which is used to explores spatial transaction of the new void event in the spatial context. Therefore, the reconfiguration of void event develops the system of spatial void as a potential space transformation in the better kampung living. It also provides the new ways of seeing spatial investigation mechanism in architecture realm.

Abstrak :
[ABSTRAK
Tesis desain ini berawal dari sebuah konsep exaggeration yang menjadi awal penemuan sebuah metode perancangan yang berbasis pada konteks. Konteks yang tidak bisa dilepaskan dalam sebuah perancangan dianalisis menggunakan metode layering yang menjadi bagian penting dari konsep exaggeration. Metode layering dalam konteks spasial melibatkan interaksi yang terjadi pada tiga layer, Layer pertama merupakan layer yang menggambarkan adanya hasrat manusia yang perlu dipenuhi. Kemudian layer tersebut ditanggapi oleh layer kedua yang mencoba memasukkan order ke dalamnya. Namun order tersebut seringkali tidak bisa memenuhi kebutuhan pada layer pertama yang akhirnya memunculkan layer ketiga sebagai tanggapan atas layer dua untuk memenuhi layer pertama.

Dalam proses perancangan selanjutnya, layer ketiga merupakan layer terjadinya perkembangan desain yang terbentuk dari interaksi antara layer satu dan layer dua. Perkembangan metode layering diimplementasikan melalui gagasan choreography of movement yang menjadikan movement sebagai hal utama yang menjadi dasar dalam perancangan sebuah pasar di daerah Tanah abang.

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ABSTRACT
This design thesis begins from the concept of exaggeration as an initial idea to context based design method. Context inherent in design process is analyzed by layering method, which is an important aspect on exaggeration. Layering method on spatial context involves three layers of interaction. The first layer describes the human desire to be fulfilled. The second layer responds to the first by trying to impose order into it. However, the order is often unable to meet the needs of the first layer, and this eventually leads to the formation of the third layer in response to the second layer to meet the human desire on the first layer.

In the design process, the third layer is where the design ideas develop, the created by interaction between the first and the second layer. The development of layering method then focuses on the idea of choreography of movement, in which movement becomes the main basis for design development of market in Tanah Abang.;This design thesis begins from the concept of exaggeration as an initial idea to context based design method. Context inherent in design process is analyzed by layering method, which is an important aspect on exaggeration. Layering method on spatial context involves three layers of interaction. The first layer describes the human desire to be fulfilled. The second layer responds to the first by trying to impose order into it. However, the order is often unable to meet the needs of the first layer, and this eventually leads to the formation of the third layer in response to the second layer to meet the human desire on the first layer. In the design process, the third layer is where the design ideas develop, the created by interaction between the first and the second layer. The development of layering method then focuses on the idea of choreography of movement, in which movement becomes the main basis for design development of market in Tanah Abang.;This design thesis begins from the concept of exaggeration as an initial idea to context based design method. Context inherent in design process is analyzed by layering method, which is an important aspect on exaggeration. Layering method on spatial context involves three layers of interaction. The first layer describes the human desire to be fulfilled. The second layer responds to the first by trying to impose order into it. However, the order is often unable to meet the needs of the first layer, and this eventually leads to the formation of the third layer in response to the second layer to meet the human desire on the first layer. In the design process, the third layer is where the design ideas develop, the created by interaction between the first and the second layer. The development of layering method then focuses on the idea of choreography of movement, in which movement becomes the main basis for design development of market in Tanah Abang.;This design thesis begins from the concept of exaggeration as an initial idea to context based design method. Context inherent in design process is analyzed by layering method, which is an important aspect on exaggeration. Layering method on spatial context involves three layers of interaction. The first layer describes the human desire to be fulfilled. The second layer responds to the first by trying to impose order into it. However, the order is often unable to meet the needs of the first layer, and this eventually leads to the formation of the third layer in response to the second layer to meet the human desire on the first layer. In the design process, the third layer is where the design ideas develop, the created by interaction between the first and the second layer. The development of layering method then focuses on the idea of choreography of movement, in which movement becomes the main basis for design development of market in Tanah Abang., This design thesis begins from the concept of exaggeration as an initial idea to context based design method. Context inherent in design process is analyzed by layering method, which is an important aspect on exaggeration. Layering method on spatial context involves three layers of interaction. The first layer describes the human desire to be fulfilled. The second layer responds to the first by trying to impose order into it. However, the order is often unable to meet the needs of the first layer, and this eventually leads to the formation of the third layer in response to the second layer to meet the human desire on the first layer. In the design process, the third layer is where the design ideas develop, the created by interaction between the first and the second layer. The development of layering method then focuses on the idea of choreography of movement, in which movement becomes the main basis for design development of market in Tanah Abang.]