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"Helmut Schmidt is the neglected chancellor of modern German history, overshadowed by the greats-Bismarck, Adenauer, Brandt, and Kohl. This book retrieves Schmidts true significance as a pivotal figure who helped reshape the global order during the crisis-ridden 1970s. This major reinterpretation, based on detailed research in Schmidts private papers and numerous archives in Europe and America, reveals him as a leader equally skilled in economics and security and adept at personal diplomacy, who dared to act as a double interpreter between the superpowers during the nadir of the Cold War. Schmidt was no mere crisis manager: in fact he brought to the chancellorship a depth of reflection, evident in two decades of writings and speeches that justifies considering him an intellectual statesman on a par with Henry Kissinger. His achievements were prodigious. Hailed as the world economist, Schmidt helped create the G7 forum for global economic governance and the European Monetary System at a time when capitalism seemed on the rocks. And as the strategist of balance, he designed NATOs dual-track response to the crisis caused by the massive Soviet arms build-up of Euro-missiles. This decision, Kristina Spohr argues, played a crucial part in holding together the Western alliance and paved the way to defusing the Cold War in Europe. Schmidt brought his country to the top table of world politics-what he unashamedly called Weltpolitik-as an equal of the victor powers. It was through his chancellorship that West Germany came of age on the global stage."

"Musik beserta budaya punk mulai berkembang di Jerman pada akhir tahun 70-an di masa Perang Dingin, dimulai dari Jerman Barat yang kemudian memasuki Jerman Timur. Kehidupan mereka di kedua negara Jerman tersebut pada masa pra reunifikasi juga dibahas dalam film-film Jerman mulai dari tahun 2000-an. Salah satu film yang membahas kehidupan mereka adalah Wie Feuer und Flamme 2001. Film yang disutradai oleh Connie Walther ini menceritakan kehidupan seorang anak muda bernama Captain dan teman-temannya sebagai anak punk di Jerman Timur, film ini juga menceritakan cerita cinta Captain dengan seorang gadis bernama Nele dari Jerman Barat. Penelitian ini menggunakan teori identitas dari Stuart Hall untuk melihat konstruksi identitas remaja punk Jerman Timur dalam film. Setelah melakukan analisis dapat terlihat identitas remaja punk yang terlihat di dalam film terdiri dari dua, yaitu yang melawan otoritas serta yang pro- Jerman Barat. Konstruksi identitas mereka tersebut digunakan untuk mengkritik pemerintahan Jerman Timur dan menunjukkan ketertarikan mereka akan budaya barat dengan maksud untuk menunjukkan dominasi dan keunggulan Jerman Barat terhadap Jerman Timur, termasuk pula di dalam negara Jerman yang bersatu setelah reunifikasi Jerman.

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Music and punk culture began to flourish in Germany in the late 70s during the Cold War, starting from West Germany which later entered East Germany. Their lives in both Germany in pre reunification was also discussed in German movies from the 2000s. One of the movies discussing their lives is Wie Feuer und Flamme 2001. The movie, directed by Connie Walther tells the life of a young boy named Captain and his friends as punk in East Germany, the movie also tells the love story between Captain and a girl named Nele from West Germany.

This study uses the theory of identity from Stuart Hall to see the construction of the identity of East German punk teens in the movie. After doing the analysis, it can be seen that there are two identities of punk teenagers who are in the movie, namely punk who are against the authority and punk who are pro West Germany. The construction of their identities was used to criticize the East German government and show their interest in western culture with intent to show West German domination and superiority over East Germany, including within the united Germany after the reunification of Germany. "