Hasil Pencarian  ::  Simpan CSV :: Kembali

Hasil Pencarian

Ditemukan 10 dokumen yang sesuai dengan query
cover
Risse-Kappen, Thomas
Ithaca: Cornell University Press, 2010
305.800 9 RIS c
Buku Teks  Universitas Indonesia Library
cover
Drieënhuizen, Caroline
Abstrak :
As colonial Indonesia never was intended to be a “settler colony”, many Dutch citizens spent only a certain period of their lives there before returning to the Netherlands. However, there were also Europeans, many with Asian-European roots, who had called the colony home for generations and were forced to leave that home after 1945. All these different types of colonial migrants were displaced and maintained, built and reinforced their relations with the country (whether it was the colony or the “motherland”) they had left. This transnationalism (or, as I argue here, imperial orientation) took shape not only legally or relationally but also experientially (D. Ip, C. Inglis, and C.T. Wu 1997). In this article I show how, in both the colonial and post-colonial periods, objects helped European colonial migrants establish and maintain social relationships. Objects shaped identities and people’s status; bolstering increase migrants’ sense of “a continuous transnational self and identity”, a feeling of home, but also feelings of displacement.
Depok: Fakultas Ilmu Pengetahuan dan Budaya Universitas Indonesia, 2022
909 UI-WACANA 23:3 (2022)
Artikel Jurnal  Universitas Indonesia Library
cover
Bunga Tiara Putri
Abstrak :
The Transatlantic Trade and Investment Partnership (TTIP) atau Kemitraan Perdagangan dan Investasi Transatlantik adalah perjanjian perdagangan yang diusulkan antara Uni Eropa dan Amerika Serikat, dengan tujuan mempromosikan perdagangan dan pertumbuhan ekonomi multilateral. Namun, saat membahas rancangan perjanjian tersebut, Prancis menjadi salah satu negara yang menyatakan keberatannya. Perjanjian perdagangan tersebut dianggap akan membahayakan identitas kebudayaan Prancis. Perjanjian ini juga bertentangan dengan konsep "l'exception culturelle" (pengecualian budaya) Prancis yang memperlakukan budaya secara berbeda dari produk komersial lainnya. Dengan kata lain, tujuannya adalah untuk mempertimbangkan barang dan jasa budaya sebagai pengecualian dalam perjanjian internasional. Perjanjian TTIP juga dianggap berbahaya bagi industri audiovisual Prancis karena adanya kemungkinan dominasi dari Hollywood. Oleh karena itu, menjelaskan alasan Prancis dalam melindungi entitas dan identitas budayanya dalam pembahasan dan negosiasi TTIP. Selain itu, penelitian ini juga memaparkan hubungan antara penolakkan Prancis dengan konsep transnasionalisme, dan imbanya terhadap negosiasi TTIP. Penelitian dilakukan menggunakan metode penelitian kualitatif dengan menggunakan teknik analisis wacana kritis. Teori dan konsep yang digunakan adalah teori identitas milik Stuart Hall, serta menggunakan konsep transnasionalisme dalam melihat konsep pengecualian budaya Prancis. Hasil penelitian menunjukkan bahwa penolakkan Prancis terhadap TTIP didasarkan pada perlindungan identity as becoming Prancis. Dalam hal ini sektor audiovisual dilihat sebagai sebuah identitas budaya nasional yang harus dilindungi. Kemudian, negosiasi TTIP juga dianggap bertentangan dengan konsep "l'exception culturelle" (pengecualian budaya) Prancis. Ketiga, perjanjian TTIP dianggap akan mengancam sektor industri audiovisual Prancis, dan memungkinkan adanya dominasi budaya dan ekonomi dari sektor audiovisual Amerika Serikat. Penolakkan ini berkaitan dengan cara pandang Prancis terhadap konsep transnasionalisme yang dianggap sebagai sebuah ancaman dan serangan terhadap identitas budayanya. Karena sikapnya tersebut, Prancis mendapat kritik dari berbagai negara, sedangkan konsep transnasionalisme seharusnya bisa dilihat sebagai sebuah ajang promosi, sekaligus kesempatan untuk berekspansi. ......The Transatlantic Trade and Investment Partnership (TTIP) is a proposed trade agreement between the European Union and the United States, with the aim of promoting multilateral trade and economic growth. However, while discussing the draft of the agreement, France became one of the countries that raised its objection. According to France, the trade agreement is considered to endanger French cultural identity. This agreement also contradicts the French concept of the "l'exception culturelle" (cultural exception), which treats culture differently from other commercial products. In other words, to consider cultural goods and services as exceptions in the negotiations of international treaties. The TTIP agreement is also considered dangerous for the French audiovisual industry because of the possibility of domination from Hollywood. Therefore, this research aims to explain the reasons for France in protecting their cultural identity in the TTIP discussion and negotiation. In addition, this study also describes the relationship between the rejection of France and the concept of transnationalism, and its impact on the negotiations. The research was conducted using qualitative research methods with critical discourse analysis techniques. The theory and concept used is Stuart Hall's theory of identity, and utilizing the concept of transnationalism in seeing the French cultural exclusion. The results showed that France's rejection of TTIP was based on the protection of their identity as becoming. In this case the audiovisual sector is seen as a national cultural identity that must be protected. The TTIP was also deemed to contradict the French concept of "l'exception culturelle". Third, the TTIP agreement is considered to endanger the French audiovisual industry, and allows for cultural and economic domination of the the United States. In this case, France sees the concept of transnationalism as a threat and an attack on its cultural identity. Because of their action, France has received criticism from various countries for considering the concept of transnationalism as a direct attack on their cultural identity. Whereas, transnationalism should be seen as a gateaway for cultural promotion, as well as an opportunity for cultural and economic expansion.
Jakarta: Sekolah Kajian Stratejik dan Global Universitas Indonesia, 2021
T-pdf
UI - Tesis Membership  Universitas Indonesia Library
cover
Ade Solihat
Abstrak :
Disertasi ini membahas tindakan migrasi dan presentasi identitas tiga kelompok Turki yang beraktivitas transnasional, yaitu kelompok Gulen, kelompok Suleymaniyah, dan kelompok Said Nursi. Aktivitas transnasional ketiga kelompok ini menunjukkan fenomena eskalasi dan proliferasi migrasi, namun, tidak diiringi dengan perkembangan teori yang memadai. Teori migrasi masih didominasi oleh perspektif ekonomi dan politik, sehingga menggiring studi migrasi kepada kesimpulan migrasi sebagai problem. Penelitian ini bertujuan menjelaskan bahwa migrasi ketiga kelompok Turki ke Indonesia sebagai suatu proses transformasi sosial yang dipengaruhi oleh struktur dan melibatkan agensi para aktor di dalam mereproduksi kebudayaan. Penelitian ini merupakan studi etnografi yang diperkaya dengan studi sejarah. Data diperoleh observasi terlibat dan wawancara mendalam terhadap di ketiga kelompok Turki yang berada di wilayah sekitar Jakarta, yang berlangsung antara tahun 2013-2015. Selain itu juga data diperoleh melalui studi literatur terkait kondisi kultural historis aktor inspiratornya. Dara dianalisis dengan perspektif transnasionalisme dan konstruktivisme. Hasil penelitian menunjukkan bahwa migrasi tiga kelompok Turki merupakan model migrasi berbasis kultural. Identitas Turki tidak dipresentasikan secara tunggal dan statis. melainkan secara beragam dan dinamis, karena para aktor pada setiap kelompok pemahaman histori dan juga pengalaman berinteraksi dengan masyarakat Indonesia yang berbeda. ...... This dissertation discusses the practices of migration and identity presentation of three Turkish group in Jakarta, namely The Gulen 39 s Group, The Suleymaniyah Group, and The Said Nursi Group. Transnational activities of these groups show the escalation proliferation migration, however, theyare not accommodated with sufficient theories. The Theories of migration are still dominated by economic and political perspectives, leading migration towards a conclusion that migration is a problem. The research aims to explain that their migration to Indonesia is a social transformation process affected by structure, involving agency in reproducing culture. The data was obtained through participant observation and in dept interview with actors within the groups that live around Jakarta, conducted between 2013 2015, as well as through literature on the cultural history condition and actors inspiring the group. The data was analyzed with a perspective of transnationalism and constructivism. The result shows that Turkish migration is a migration model based on culture. The identity of Turkey is not represented as a singel and static, but diverse and dynamic, as a construction thet involves understanding of history and interaction experience with Indonesian societies.
Depok: Fakultas Ilmu Sosial dan Ilmu Politik Universitas Indonesia, 2017
D2360
UI - Disertasi Membership  Universitas Indonesia Library
cover
Sita Zahra Matarani
Abstrak :
ABSTRAK
Studi ini meneliti eksklusi rapper etnis Korea Amerika dari musik rap dan usaha mereka untuk bertahan di industri dengan budaya rap yang didominasi orang kulit hitam di Amerika serikat. Dengan menggunakan Analisis Wacana Kritis Fairclough 1995 , penelitian ini akan membahas dua lagu oleh tiga rapper Korea Amerika lewat penanda tekstual, praktik diskursif, dan konteks sosial, dimana telah ditemukan bahwa para rapper ini me-reterritorialisasi musik rap melalui penanda linguistik dan pembuatan makna dalam proses untuk menegaskan identitas mereka masing-masing. Dalam konten lirik, para rapper ini mengkronologikan bobot karya mereka untuk menegaskan pengalaman etnis yang unik yang bertentangan dengan konten rap mainstream. Selanjutnya, para rapper ini tidak secara khusus menerapkan strategi puitis berbasis etnis seperti Hangeul bahasa Korea untuk membangun identitas etnik mereka, melainkan untuk mengkontekstualisasikan makna di dalam lagu-lagunya.
ABSTRACT
This study examines Korean American rappers rsquo displacement from rap music and the struggle to surface in the industry amongst the predominantly Black rap culture in the US. By employing Fairclough rsquo s Critical Discourse Analysis 1995 , the study will look into four songs by three Korean American rappers and its textual markers, discursive practice, and social context, and has found that these rappers reterritorialize rap via its linguistic markers and meaning making process to assert individual identities. In the lyrical contents, rappers historicize the contents of their work to assert a unique ethnic experience in opposition to mainstream rap. Next, rappers do not specifically employ ethnicity based poetic strategies such as the Hangeul Korean language to establish their ethnic identity, but rather to contextualize meaning within the songs.
2017
S-Pdf
UI - Skripsi Membership  Universitas Indonesia Library
cover
cover
Van Beukering, Jorien
Abstrak :
In the twentieth century, decolonization sparked mass migration movements across the globe as former settlers left newly independent colonies for the former imperial metropole or a new country altogether. In the following decades, postcolonial migrants made new homes and created communities in their hostlands. Eventually, some travelled back to their country of origin, the former colony. Indisch Dutch returns to Indonesia are not uncommon and, although some members of the first generation visited Indonesia as tourists, accounts of (re)turns by the second and third generation are rare. To form a clearer picture of the transnational connections between Indonesia and the Netherlands, it is important to engage with Indisch Dutch travels to Indonesia after independence. By examining life narratives of second and third generation Indisch Dutch, this article investigates the complex relationships between diaspora, memory, nostalgia, and identity, and their impact on transnational relations between the two countries. Specifically, the paper examines accounts by Adriaan van Dis and Lara Nuberg about their journeys of return to Indonesia in the 2000s.
Depok: Fakultas Ilmu Pengetahuan dan Budaya Universitas Indonesia, 2022
909 UI-WACANA 23:3 (2022)
Artikel Jurnal  Universitas Indonesia Library
cover
Preston, Andrew
Abstrak :
The essays in Outside In show how Americans lived within transnational circuits featuring impacts and influences running in multiple directions. While the field of international history generally emphasizes the impact of the United States on the rest of the world during the period of US ascendancy and while some scholars today stress how America has been shaped by external forces, the work assembled here rises above such disputes by showing the immense complexity of transnational currents that both shaped the United States and of which the United States was an inextricably, often central part. Here, the agents of globalization appear very concrete, not at all the disembodied, irresistible forces of some conventional narratives. Outside In also transcends the divide between work focusing on the international system of nation-states and transnational history that treats nonstate actors exclusively. The authors range very widely in topic from international economic management and international statecraft to missionary activity and global antiwar dissent, from intellectuals discussing womens rights and working for a minimum wage across borders to right-wing counterinsurgency operatives, from oil tycoons and worldwide evangelists to neoliberal ideologues and officeholders. Religion, diplomacy, economics, and warfare all have their places here, as do people ranging across the entire political spectrum, from left to right. These essays point to the best and most current research directions in the transnationalization of US history.
Oxford: Oxford University Press, 2017
e20469858
eBooks  Universitas Indonesia Library
cover
Mario Laarmann
Abstrak :
ABSTRAK
Contemporary scholarship on Jamaican-born writer and poet Claude McKay, an influential figure of the Harlem Renaissance, seems to be unanimous in approaching his work through a lens of inter- or transnationalism. Thereby, mainly two aspects are often emphasized: First, his travelers life which he has documented in his autobiography A Long Way from Home, and second his political position, traceable in both his fictional and his non-fictional publications. This essay explores a third aspect of McKays transnationalism: his politics of culture and identity. Assuming that experiences and practices of groundedness and movement go along with an understanding of the self, I analyze McKays 1928 novel Home to Harlem and argue that the built-in paradox James Clifford calls dwelling-in-travel is not only evident in the novels politics of space, but can also be traced in its politics of gender relations and his representation of race.
Seoul : OMNES, 2019
350 OMNES 9:1 (2019)
Artikel Jurnal  Universitas Indonesia Library
cover
Hardtmann, Eva-Maria
Abstrak :
This work is a well-researched study of the last few decades of the networks in the Global Justice Movement (GJM) and World Social Forums. It offers a more novel perspective on the traditions of protest, ethics, organizational forms, and visions among activists than is usually presented in the literature on GJM, which largely focuses on Latin America, the United States of America, and Europe. It is an ethnographically rooted account of the two conflicting discourses-one among activists in GJM and the other emanating from the World Bank-that have become intertwined locally within the same circle of activists. The author argues that local and transnational activist networks, no longer spatially and territorially limited, have become entangled with forces understood under the paradigms of neoliberalism, and relations among activists have changed in unexpected ways. Through a vivid description of transnational movements, this book aims to make evident the not-so-obvious yet intricate links between the World Bank, the United Nations, popular rock stars, and historical knowledge production among activists in South Asia and Japan in the twentieth and twenty-first centuries.
Oxford: Oxford University Press, 2016
e20470374
eBooks  Universitas Indonesia Library