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"What would a history that put women at the centre of the rise and fall of kingdoms be like? When the armies of Khubilai arrived on Java in 1293, they found themselves in the middle of two warring states. Two historical traditions developed concerning the ensuing events: the official Chinese dynastic records in which no women are mentioned, and a number of Javanese histories and poems in which everything depends upon the actions and fates of certain women. The Chinese account has long been regarded as factual, whilst the Javanese versions have been dismissed as mere romance, their women stereotypical representations of male fantasies. But what happens if the women and the narratives about them are taken seriously rather than dismissed? Of Palm Wine, Women and War offers just such a reading."

"During the Javanese historical development since the First Mataram Empire until today, Javanese cultural concepts as cultural syncretism of early Hindu-Buddhism, latter Hindu-Buddhism and Islam tends to be preserved. In its contact with later concepts from the west, such as formal education, modern politics and the entrance of various ideologies such as nationalism, capitalism, socialism, democracy and so on, has not negated those Javanese cultures. The main problem posed in this article is as follow: to what extent Javanese value of political power has been embraced by elites from Surakarta and Yogyakarta palaces. Whether their values are still strong or has it been diminished. Results reached in this research are: (1) Dominant perception of the elite, shows that their understanding of Javanese political power is still strong. They still strongly embraced the palace tradition and fully involved in all palace's rituals; (2) Western cultural penetration has not able to negate the strong rooted Javanese culture from these palace's elites. Their spirits are still bound to the Javanese culture which surrounded their palace; (3) Javanese sense of political power will play important role when it is positioned as spiritual power to those "njawani" rulers."

"This article deals with traditional literature of the Pakpak-Dairi and Karo peoples in North Sumatra, who are speakers of closely related Batak languages and have many common features in their language and culture. Their traditional life-style, based on agriculture and the use of forest products, requires the regular performance of community rituals featuring songs, dance, music and other oral traditions including storytelling. The songs, prayers, and stories belonging to their literary tradition have characteristic features that are intimately connected with the social context in which they are created and performed. Karo and Pakpak-Dairi oral genres often contain information about the natural environment, local customs and religious concepts. They may also reflect perceptions of relationships with neighbouring groups, such as the Minangkabau and the Malays who live in the coastal areas."

"The article discusses Malay oral traditions and emphasizes the shamanistic aspects of these traditions. Shamans often recite mantras in the execution of their role in society. The role of the shaman, their self proclaimed knowledge, shamans and their economic activities, black magic and healthcare in Malay society are discussed, as well as the shaman?s role in Dayak ritual. Each aspect is discussed in combination with the mantra the shaman utters."

"Much of the storytelling in Java is the profession of the puppeteers (dalang; also spelled dhalang) who perform and direct shadow theatre plays (wayang). They improvise their stories in the context which their performance requires. Unless commissioned to do so by a patron, it is very unusual for a dalang to sit down and actually write out a story (lakon). In the early decades of the twentieth century in the area of Yogyakarta, a kind of storytelling mini-industry arose at the instigation of some western scholarly patrons and laymen interested in Javanese popular culture. One such patron was Ir. J.L. Moens. He encouraged dalangs to write down folk tales and, as they were dalangs, they clothed these in the wayang idiom. After Moens? death in 1954, his unpublished collection of wayang stories was dispersed. In 1964 one part found its way into the Leiden University Library. The topics discussed are: how the Collectie Moens originated and what its purpose was; who its authors were; which tradition they acknowledged; and the relationship between the Collectie Moens and the court collections of Surakarta and Yogyakarta."

"In eight novels, Ayu Utami has presented critical attacks on doctrines and practices of the major religions in Indonesia. The two books, that describe the spiritual struggle of the Catholic priest Saman (1998–2002), call for a religion that is more active in the political arena, but leaves sexual rules to the individual people. The novel Bilangan Fu (2008) condemns the monopoly of the great religions in favour of local and individual spirituality. This is developed in a series of novels of which two more have already appeared. A third cycle of three more or less autobiographic novels (2003–2013) sketch her personal quest from atheism towards a critical but positive spirituality condemning a clerical and monopolist trend in Catholicism. Utami’s criticism of the great religions is external (more players in the field should be recognized) and internal (religious leaders should have more modest claims towards their faithful and leave more space for personal choice)."

"Much of the storytelling in Java is profession of the puppeteers (dalang; also spelled dhalang) who perform and direct shadow theatre plays (wayang). They improvise their stories in the context which their performance requires. Unless commissioned to do so by a patron, it is very unusual for a dalang to sit down and actually write out a story (lakon). In the early decades of the twentieth century in the area of Yogyakarta, a kind of storytelling mini-industry arose at the instigation of some western scholarly patrons and laymen interested in Javanese popular culture. One such patron was Ir. J. L. Moens. He encouraged dalangs to write down folk tales and, as they were dalangs, they clothed these in the wayang idiom. After Moen's death in 1954, his unpublished collection of wayang stories was dispersed. In 1964 one part found its way into the Leiden University Library. The topic discussed are: how the Collectie Moens originated and what its purpose was; who its authors were; which tradition they acknowledged; and the relationship between the Collectie Moens and the court collections of Surakarta and Yogyakarta."

"Indigenous hunting has always been an indigenous human rights core issue that has received high attention in the conflict between national laws and indigenous legal traditions. J.Y. Interpretation No. 803 affirmed indigenous hunting culture is a constitutional guaranteed fundamental right enjoyed by individual indigenous people. Nevertheless, the said Interpretation did not satisfy indigenous claimant’s assertions. The most critical are the collective nature of indigenous right and the aboriginal title still in the predicament of unclear concept and undetermined content. This article starts with a brief comparative law study, and then analyzes the said Interpretation, and continues with the theory of multicultural constitutionalism to make the argument based on the indigenous claims of traditional territorial rights."