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Abstrak :
Media massa memiliki pengaruh yang kuat dalam masyarakat, media dapat memberikan opini tersendiri terhadap suatu peristiwa terutama kejahatan, Vincent Sacco (1955) menjelaskan bahwa media dapat melakukan kontekstualisasi terhadap suatu peristiwa kejahatan melalui tiga aspek utama diantaranya; Collecting, Sorting, dan Contextualization. Ketiga aspek tersebut berusaha untuk menjelaskan proses kontekstualisasi berupa frame terhadap peristiwa yang ingin diangkat oleh media. Salah satu contoh kasus yang memiliki unsur media framing adalah kasus pembunuhan Mirna Wayan Salihin dengan menggunakan sianida dalam kopi, dengan tertuduh Jessica Kumala Wongso. Beberapa penelitian sebidang menjelaskan bahwa dalam perjalanan kasus ini terdapat framing yang dilakukan oleh media terhadap Jessica. Dalam mengidentifikasi frame-frame tersebut tercipta perangkat analisis frame salah satunya adalah model Zhongdang Pan dan Gerald M. Kosicki. Pan dan Kosicki menggunakan perangkat ini untuk mengidentifikasi bagaimana realitas dari suatu isu permasalahan sosial dikonstruksi oleh media. Hasil dari kajian ini ingin memperlihatkan bahwa proses pembuatan berita oleh media (opini media) terhadap suatu peristiwa kejahatan dapat mengonstruksi persepsi masyarakat terhadap kasus tersebut, yang dapat berujung pada munculnya praktik trial by the press ......Mass media has a strong influence in society, the media can provide its own opinion on an event especially crime, Vincent Sacco (1955) explained that the media can contextualize a crime through three main aspects including; Collecting, Sorting, and Contextualization. These three aspects attempt to explain the contextualization process in the form of a frame for the events the media wants to raise. One example of a case that has elements of media framing is the murder case of Mirna Wayan Salihin using cyanide in coffee, with the accused Jessica Kumala Wongso. Several studies in one level explained that in the course of this case, there was a framing made by the media against Jessica. In identifying the frames, a frame analysis tool was created, one of which is the Zhongdang Pan and Gerald M. Kosicki model. Pan and Kosicki use this tool to identify how the reality of a social problem issue is constructed by the media. The results of this study want to show that the process of making news by the media (media opinion) on a crime can construct public perceptions of the case, which can lead to the emergence of trial by the press practice

Abstrak :
Penelitian ini membahas tentang proses digitisasi arsip surat kabar yang dilakukan di Pusat Informasi Kompas (disingkat PIK) sebagai upaya pelestarian koleksi. Seiring dengan pesatnya kemajuan teknologi dan informasi, hal ini turut dirasakan dalam ranah media pers. Salah satunya dalam hal pengelolaan surat kabar yang bergerak maju ke era digital dari yang sebelumnya hanya menggunakan bentuk tercetak saja. Digitisasi merupakan langkah nyata yang dilakukan PIK dalam kegiatan layanan surat kabar dengan tujuan untuk meminimalisir penggunaan koleksi asli secara langsung yang riskan terhadap kerusakan. Digitisasi dilakukan agar isi informasi dan nilai guna koleksi tetap terjaga serta untuk memperpanjang usia koleksi. Penelitian ini bertujuan untuk mengidentifikasi proses digitisasi arsip Surat Kabar Kompas sebagai upaya pelestarian koleksi di PIK. Penelitian ini menggunakan metode kualitatif melalui wawancara dan observasi. Hasil penelitian ini menunjukkan bahwa PIK telah melakukan proses digitisasi surat kabar dengan metode fotografi dalam langkah alih medianya, serta melakukan proses penyimpanan koleksi secara digital berbasis website. Proses digitisasi di PIK akan dijelaskan melalui pedoman The International Federation of Library Associations and Institutions (IFLA): Guidelines for Planning the Digitization of Rare Book and Manuscript Collections Tahun 2014. ......This study discusses the digitization process of newspaper archives implemented by Pusat Informasi Kompas ((abbreviated as PIK) as an effort to preserve the collection. In line with the rapid advancement of technology and information, the press media sector has also affected. One of these advancements is in the management of newspapers, which are progressing into the digital era from previously only existing in printed form. Digitization is a concrete measure implemented by PIK in service activities to minimize the direct use of original collections to reduce any damage. The digitization aims to preserve the informational content and utility value of the collection, thereby extending its lifespan. This study purposed to identify the digitization process of the Surat Kabar Kompas as part of the collection preservation efforts at PIK. This study use qualitative methods, through interviews and observations. The results of this research indicate that PIK has implemented the digitization of newspapers through the photography method for the media transfer step, furthermore, they have set up a web-based system for storing digital collections. The digitization process at PIK will be explained through the guidelines of The International Federation of Library Associations and Institutions (IFLA): Guidelines for Planning the Digitization of Rare Book and Manuscript Collections in 2014.

Abstrak :
ABSTRACT The television serial Siung Macan Kombang (The Panthers Fang), produced and broadcast by TVRI Stasiun Yogyakarta in 1992, has lived on in the collective memory of Javanese television audiences. Likewise, Indosiars Javanese drama programmes, broadcast in the mid 1990s, retrieve reminiscences of past times, when private broadcasters served specific ethnic and linguistic audiences with local entertainment linked to tradition. However, since most Indonesian television stations have not archived their audiovisual collections, the public no longer has access to audiovisual content from a deeper past. Hence these cultural resources have become intangible heritage; when the programmes cease to be recollected in tales and blogs, they vanish from Indonesian media history and fall into oblivion. This lack of archives affects historical research significantly. As I demonstrate in the main part of this article, resources like scripts and the print press could assist television scholars to approximate historical broadcasts and broadcasting history as closely as possible. Nevertheless, however useful they are, they do not disclose the performative and televisual aspects of the programmes. To demonstrate the value and riches of audiovisual archives, in the final part I show how a small collection of Javanese language television programmes in a Dutch university library could reveal a wealth of information concerning performance on Indonesian television and about television itself.