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"Slowly but sure traditional society has changed into a capitalistic one, and this has split the taste of the traditional society. Social change in the Javanese community has altered the face ofwayang kuwait. On the one hand, the old society still maintains the high taste of wayang kulit (purwa) because wayang kulit is a part of spiritual conduct. On the other hand, the new generation are crazefor pop culture. There has been a degradation in the high art. A number of artists felt anxious because the high art has declined with the rise of pop art. In this situation Wayang Kampung Sebelah has emerged as a counter culture. However, its emergence has truly enriched the world of wayang kulit. Using ethnographic methods, this research has found that a discourse has emerged and the utilization of social media in conveying the ideology of democracy does not reckon the dichotomy between high culture and low culture."

"ABSTRACT

Penulisan tesis ini bertujuan untuk menunjukkan dan menjelaskan bagaimana posfeminis di era Spice Girls dalam sepuluh lirik lagu dan penampilan panggung mereka. Spice Girls merupakan salah satu grup musik pop fenomenal asal Inggris di era 1990-an yang terdiri dari lima perempuan belia dan cantik. Fenomena Spice Girls menjadi menarik karena slogan Girl Power yang selalu mereka bawakan dalam setiap kesempatan baik dalam lirik-lirik lagu maupun penampilan panggung mereka. Terdapat perdebatan yang hadir menanggapi isu perempuan baik terhadap Girl Power maupun penampilan Spice Girls. Perdebatan tersebut adalah dengan adanya pendapat yang menyatakan bahwa Spice Girls sebagai salah satu posfeminis masa itu atau Spice Girls adalah grup yang hanya menampilkan sensualitas semata. Berdasarkan hal tersebut penelitian dilakukan terhadap sepuluh lirik lagu Spice Girls dikaitkan dengan penampilan panggung mereka serta menghubungkannya dengan posfeminisme yang berkembang di masa itu. Posfeminisme di era Spice yakni di tahun 1990-an hadir dalam kemasan budaya populer dan sisterhood yang membentuk Girl Power. Dengan demikian dapat disimpulkan bahwa kesepuluh lirik lagu Spice Girls terkait dengan penampilan panggungnya yang fenomenal menunjukkan bahwa posfeminis di era Spice Gilrs membawa semangat Girl Power.

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ABSTRACT

This thesis is aimed to point out and describe post-feminism in the Spice Girls era as reflected in ten song lyrics and performances of Spice Girls. Spice Girls that consists of five young and beautiful girls was one of the most famous British pop music in the decade of 1990s. They became a huge phenomenon for their Girl Power slogan that they immortalize in their lyrics as well as in their stage performances as a part of pop culture. There was also a debate concerning the phenomenon of the slogan and their performances. On one hand they were seen negatively by the critics. However, on the other hand they were regarded as the representations of post-feminists of the 1990s. This research tried to analyze the ten song lyrics of Spice Girls by relating them with the group?s stage performances. They are then examined with the post-feminism in the 1990s. Postfeminism of Spice Girls era appeared in the form of pop culture and sisterhood which are creating Girl Power. In conclusion, the writer found that the ten song lyrics as related to their stage performances are represent post-feminism of Spice Girls era which is bring a spirit named Girl Power."

"Pengaruh globalisasi telah menyentuh semua aspek kehidupan manusia, termasuk kecantikan dan penampilan diri. Makna kecantikan dapat berubah-ubah seiring waktu. Media massa mengambil peranan besar dalam penyebaran budaya salah satunya Korean Wave. Makalah ini berusaha mengkaji bagaimana kemunculan fenomena Korean Wave mulai membentuk standarisasi cantik ala Korea. Kajian menunjukkan bahwa media memiliki peranan dalam menanamkan nilai cantik, kehadiran selebriti Korea yang dianggap sempurna mendorong para remaja menggunnakan kosmetika Korea demi mencapai kecantikan ala Korea.

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The influence of globalization has touched all aspects of human life, including beauty and personal appearance. Beauty meaning can change over time. The media took a major role in spreading culture including the Korean Wave. This paper examines how the emergence of the phenomenon of Korean Wave start forming beautiful standardization of Korean Beauty. Studies show that the media has a role in instilling values of what is beauty using Korean beauty as standards, the presence of Korean celebrities who are considered perfect encourage the youth to use the Korean cosmetics in order to achieve the Korean style beauty. "

"Penelitian ini akan menganalisis perubahan-perubahan yang terdapat dalam pengadaptasian sosok Youkai pada karya budaya populer. Analisis akan dilakukan dengan membandingkan dua karya budaya populer yang menggunakan Youkai sebagai tema utamanya. Hasil dari artikel ini akan menyatakan dampak atau pengaruh dari perubahan imaji Youkai dalam budaya populer terhadap citra Youkai yang sebelumnya diketahui melalui folklore Jepang.

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This research will analize the differences that exist within folklore's Youkai adaptation into pop culture works. Analizying the works will be done by comparing both pop culture works which use Youkai as its main theme. The results of this journal will explain the impact of Youkai's pop culture image changes towards Youkai's image that was previously known from Japanese's folklore."

"ABSTRAKIdolling yang dibawa oleh JKT48 dari Jepang telah mengalami proses kontekstualisasi terhadap nilai dan norma yang ada di Indonesia dengan tujuan agar dapat diterima sebagai budaya populer seperti di Jepang. Studi-studi sebelumnya menyatakan bahwa manajemen dari grup idola telah melakukan proses komodifikasi dan lokalisasi budaya dalam membawa idolling sebagai budaya populer ke Indonesia. Berbeda dengan studi-studi sebelumnya, argumentasi dari penelitian ini adalah idolling yang dibawa oleh JKT48 muncul sebagai ruang negosiasi bagi manajemen JKT48 yang berasal dari Jepang dengan manajemen, anggota dan penggemar JKT48 yang kemudian membentuk idolling versi hybrid. Penelitian ini merupakan penelitian kualitatif dengan wawancara mendalam dan observasi sebagai metode pengumpulan data. JKT48 di dalam tulisan ini didefinisikan sebagai sebuah entitas yang melibatkan manajemen, anggota dan penggemar JKT48. Idolling versi hybrid muncul sebagai hasil negosiasi budaya yang berbeda antara Jepang dan Indonesia. Proses negosiasi tersebut melibatkan manajemen, anggota dan penggemar JKT48 sebagai bentuk resistensi terhadap budaya populer yang masuk yaitu idolling.

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ABSTRACTIdolling that was brought by JKT48 from Japan has experienced the process of contextualization of values and norms in Indonesia with the purpose to be accepted as popular culture as in Japan. Previous studies have stated that from within the management of the idol group has done the process of commodification and localization of culture in bringing idolling as a popular culture to Indonesia. Different from previous studies, the argument from this research is that the idolling that was brought by JKT48 emerged as a third space for JKT48 management from Japan with management, members and fans of JKT48 which later formed a hybrid version of idolling. This research is a qualitative research with in depth interview and observation as data collecting method. JKT48 in this paper define as an entity that involving management, members and fans of JKT48. Hybrid version idolling emerged as a result of cultural negotiations that took place in the third space . The negotiation process involves the management, members and fans of JKT48 as a form of resistance to idolling as popular culture which was originated from Japan."

"Penelitian ini bertujuan untuk mengeksplorasi bagaimana representasi visual warisan budaya dan tradisi Jepang melalui medium budaya populer Jepang, khususnya animasi Jepang atau yang lebih dikenal dengan anime, menjadi salah satu upaya oleh Studio Ghibli dalam menginspirasikan pelestarian budaya tradisional Jepang di tengah arus globalisasi dan modernisasi. Penelitian ini akan melakukan analisis terhadap dua film ikonik yang disutradarai oleh Hayao Miyazaki, yaitu "Spirited Away" dan "My Neighbor Totoro" dengan menggunakan teori representasi Stuart Hall untuk melihat penggambaran ikonografi Jepang dalam kedua film tersebut. Peneliti akan menggunakan adegan-adegan yang memiliki ikonografi yang berbeda dari kedua film tersebut dan mengeksplorasi bagaimana representasi tersebut dapat dianggap sebagai warisan budaya Jepang. Melalui pemeriksaan terhadap bagaimana film-film ini menggambarkan elemen-elemen budaya, cerita rakyat, dan nilai-nilai tradisional, peneliti berusaha untuk memahami bagaimana Studio Ghibli dapat berkontribusi terhadap pelestarian dan penafsiran ulang warisan budaya dalam konteks Jepang kontemporer.

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This research aims to explore how the visual representation of Japanese cultural heritage and traditions through the medium of Japanese popular culture, especially Japanese animation or better known as anime, is one of the efforts by Studio Ghibli in inspiring the preservation of traditional Japanese culture in the midst of globalization and modernization. This research will analyze two iconic films directed by Hayao Miyazaki, namely "Spirited Away" and "My Neighbor Totoro" by using Stuart Hall's representation theory to see the depiction of Japanese iconography in both films. The researcher will use scenes that have distinct iconography from both films and explore how these representations can be considered Japanese cultural heritage. Through an examination of how these films depict cultural elements, folklore, and traditional values, we seek to understand how Studio Ghibli can contribute to the preservation and reinterpretation of cultural heritage in the contemporary Japanese context."

"With reference to Homi Bhabha's concept of dissemination(1994) which suggests that the writing of a nation is a double-writing constructed from pedagogical and performative disourses with the possibility of generating tensions which question...."

"Jepang sebagai negara dengan teknologi maju telah memproduksi bermacam- macam hiburan sebagai komoditas dalam berbagai macam media dan bentuk. Skripsi ini akan membahas mengenai fetisisme komoditas pada konsumen otome game yang terbagi menjadi tiga bagian. Pertama, akan dijelaskan mengenai sejarah video game dan otome game di Jepang diikuti dengan penjelasan mengenai konsep fetisisme komoditas. Kemudian pada bagian kedua akan membahas lapisan terluar dari otome game, yaitu budaya pop Jepang yang dikhususkan pada industri hiburan dua dimensi. Selanjutnya akan dibahas mengenai industri merchandising disebut dengan goods di Jepang, seperti jenis- jenis goods yang dapat ditemukan di Jepang serta membahas bagaimana fetisisme terbentuk dengan goods sebagai objek fetish. Pada bagian ketiga, skripsi ini akan membahas mengenai apa itu otome game dan eksistensinya di masyarakat Jepang modern. Pada akhir pembahasan akan dibahas mengenai terbentuknya fetisisme komoditas terhadap karakter laki-laki dalam otome game.

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As one of technically advanced countries, Japan has produced many kinds of entertainment as a commodity into various media and forms. This thesis will explain about commodity fetishism in Japanese otome game consumers which will be divided into three sections. First, this thesis will explain the history of video game and otome game in Japan followed by explanation of the concept of commodity fetishism. Second, this thesis will explain the outermost layer of otome game, which is Japanese pop culture that is focused towards two dimensional entertainment industry. It will also explain about merchandising referred as goods industry in Japan, such as kinds of goods that you can find in Japan, and how fetish is formed with goods as the object of fetish. Third, this thesis will explain what is otome game and its existence among modern Japanese society. By the end of this thesis it will be explained too how fetishism is formed towards male character in otome game. "