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Abstrak :
Fluidized bed is used for many purposes in the industry such as for reactor, drying or mixing. In the pharmaceutical manufacture, drying in fluidized bed is an essential manufacturing step because during the drying process the resulting moisture content should be uniform. It was often founded that batch of the pharmaceutical products has a wide range of moisture content which therefore leads to a termination of the whole batch of product. To avoid different moisture content a better mixing inside the fluidized bed was then required. The effect of bed height, particle placement and geometry of fluidized bed was then analyzed. In this experiment a mixing of two different particle size are mixed inside an adjustable wall fluidized bed. With one of the particles are colored so the mixing could be seen visually from the sides of the perplex glass. The mixing was then observed at two different flow rates which is the bubbling and twice the bubbling flow rate. The variable that will be manipulated will be the bed height, particle size and wall angle It was then founded the higher the bed height the better the mixing will be this was shown in the result of increasing of mixing area for the 2 cm 13,8% , the 4 cm 38% and the 10 cm is 66,7%. The effect of particle placement shows that when the larger particle are placed on the bottom the mixing will increase particle placement when it is place on the bottom the mixing area is 44,2% and when it's place on the top the mixing area is just 29,1%. The effect of geometry wall was analyzed the result shows that the incline wall created better mixing for the 4 cm the mixing area is 44,2 % for straight wall and 58,2% for the angle wall although future work is still needed to strongly support the result due to possible equipment error.

Abstrak :
ABSTRAK
Penelitian ini membahas campur kode bahasa Indonesia - bahasa Inggris di acara tayang bincang Just Alvin. Tujuan penelitian ini adalah untuk menemukan jenis-jenis campur kode dan menjelaskan faktor-faktor penyebab campur kode pada percakapan di acara tersebut. Penelitian ini adalah penelitian kualitatif dengan data berupa transkripsi rekaman percakapan dan wawancara. Hasil penelitian menunjukkan terdapat tiga jenis campur kode pada percakapan di acara ini yang meliputi penyisipan, alternasi, dan leksikalisasi kongruen. Selain itu ditemukan delapan faktor penyebab campur kode yaitu terkait dengan topik percakapan, sebagai status, keinginan untuk mengutip ujaran, kekurangan kosakata, pengalihan metaforis, fungsi afektif, penekanan pesan, dan pengulangan untuk mengklarifikasi ujaran. Penutur melakukan campur kode dengan menyisipkan dan mengalternasikan tuturannya berdasarkan konteks percakapan. Dengan demikian, faktor-faktor penyebab campur kode berkaitan dengan jenis campur kode dan konteks percakapan.

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ABSTRACT
This thesis discusses the code mixing Indonesian English on the Just Alvin talkshow. The purpose of this study is to discover types of code mixing and explain the factors of code mixing in the conversation. This study is a qualitative research which data are the transcriptions of recorded conversation and interview. The results showed that there are three types of code mixing, namely insertion, alternation, and congruent lexicalization. Besides, there are eight factors of code mixing in the conversation. Based on the analysis, the factors of code mixing in this conversation are related to the topic of conversation, as a form of status, quoting speech, metaphorical switching, lack of vocabulary, affective functions, emphasize their messages, and repetition to clarify speech. In addition, the speakers mix the codes by inserting and alternating their speech based on conversation context. Therefore, the factors of code mixing are related to the types of code mixing and context of conversation.

Abstrak :
Campur kode merupakan fenomena menggunakan lebih dari satu bahasa untuk berkomunikasi dalam masyarakat. Penggunaan campur kode juga dapat ditemukan dalam berbagai media, salah satunya melalui film Mencuri Raden Saleh karya Angga Dwimas Sasongko dan Nussa karya Bony Wirasmono. Penelitian ini bertujuan untuk membandingkan bentuk campur kode, jenis campur kode, dan faktor penggunaan campur kode yang dituturkan oleh orang dewasa dalam film Mencuri Raden Saleh dan anak-anak dalam film Nussa. Analisis dilakukan dengan pendekatan sosiolinguistik dengan teori bentuk campur kode berdasarkan bentuk dan jenisnya yang dikemukakan oleh Suwito (1983), serta teori faktor terjadinya campur kode yang dikemukakan oleh Suandi (2014). Metode yang digunakan dalam penelitian ini adalah deskriptif kualitatif. Hasil penelitian menunjukkan bahwa berdasarkan bentuknya, film Mencuri Raden Saleh memiliki lima bentuk campur kode, yaitu kata, frasa, klausa, baster, serta ungkapan atau idiom, sedangkan film Nussa memiliki empat bentuk campur kode yaitu, kata, frasa, klausa, dan baster. Berdasarkan jenisnya, film Mencuri Raden Saleh hanya menggunakan satu jenis, yaitu campur kode ke luar, sedangkan film Nussa menggunakan dua jenis, yaitu campur kode ke luar serta campur kode ke dalam. Berdasarkan faktor penggunaan campur kode, film Mencuri Raden Saleh memiliki tujuh faktor, yaitu keterbatasan penggunaan kode, adanya penggunaan kosakata lain yang lebih populer, latar belakang budaya dan kepribadian penutur, mitra bicara, topik pembicaraan, pokok pembicaraan, dan modus pembicaraan, sedangkan film Nussa memiliki empat faktor, yaitu latar belakang budaya dan kepribadian penutur, mitra bicara, pokok pembicaraan, dan modus pembicaraan. ......Code mixing is a phenomenon of using more than one language to communicate in society. The use of code mixing can also be found in various media, one of which is film Mencuri Raden Saleh by Angga Dwimas Sasongko and Nussa by Bony Wirasmono. This study aims to compare the forms of code mixing, the types of code mixing, and the factors of using code mixing spoken by adults in film Mencuri Raden Saleh and children in film Nussa. The analysis was carried out using a sociolinguistic approach with the theory of code-mixing forms based on their forms and types put forward by Suwito (1983), as well as the theory of occurrence factors of code-mixing put forward by Suandi (2014). The method used in this research is descriptive qualitative. The search shows that based on the form, film Mencuri Raden Saleh has five forms of code mixing, namely words, phrases, clauses, basters, and expressions or idioms, while film Nussa has four forms of code mixing, namely words, phrases, clauses, and basters. Based on its type, film Mencuri Raden Saleh uses only one type, namely outer code-mixing, while film Nussa uses two types, namely outer code-mixing and inner code-mixing. Based on the use of code-mixing, film Mencuri Raden Saleh has seven factors, namely the limited use of the code, the use of other more popular vocabulary, the cultural background and personality of the speaker, the interlocutor, the topic of conversation, the subject matter, and the mode of conversation, while film Nussa has four factors, namely the cultural background and personality of the speaker, the addressee, the subject matter, and the mode of conversation