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"Jurnal ini membahas lukisan Isaac lazarus Israëls, pelukis Belanda di tahun 1880-an. Di Belanda ia mendapat nama sebagai pelukis impresionistik. Ia pernah datang ke Hindia-Belanda pada tahun 1920-an dan melukis mengenai Hindia-Belanda. Penulis ingin melihat bagaimana kacamata Belanda melihat Hindia-Belanda yang dipresentasikan melalui karyanya. Beberapa karya dianalisis melalui unsur-unsur pembangun lukisan. Dari analisis tenyata pandangan Isaac Israëls berbeda ketika ia melihat Belanda dan Hindia-Belanda. Hal itu terjadi karena kedekatan emosional Isaac Israëls terhadap subjek yang dilukisnya. Meskipun dalam melukis keduanya, ia tetap setia pada aliran impresionisme.

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This journal discusses about paintings made by Isaac Lazarus Israëls, an impressionistic painter from the Netherlands in the 1880s. He came to the Netherlands East Indies in the 1920s and made some paintings there. The author aim is to look how people of the Netherlands see the Netherlands East Indies which reflected from his paintings. Some of his works will be analyzed through the painting elements. The result shows that there are some differences on how he see the Netherlands and the Netherlands East Indies. This is happening because of Isaac?s closeness toward the subject that he painted. However, the impressionism style still visible in both of his paintings."

"Yue Minjun (岳敏君) dikenal sebagai seorang seniman bergaya Wan Shi Shixian Zhuyi 玩世实现主义 (Cynical Realism), dalam karyanya ia banyak melukiskan berbagai realitas sosial dengan gayanya yang jenaka serta menyindir. Pada artikel ini akan dibahas mengenai lima lukisan karya Yue Minjun dari seri lukisan Shaxiao Xilie 傻笑系列 (Silly Laughter). Sumber data utama penelitian ini adalah lima lukisan berseri Shaxiao Xilie. Melalui pengamatan terhadap simbol-simbol yang terbaca dalam ke-5 lukisan ini terungkap makna-makna simbolis dari objek lukisan. Temuan-temuan dalam penelitian ini membuka wawasan tentang pandangan Yue Minjun terhadap Cina masa kini maupun masa lampau.

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Yue Minjun (岳敏君) is known as a Wan Shi Shixian Zhuyi 玩世实现主义 (Cynical Realism) artist.

His works portrayed about social realism that wrapped with funny and cynical style. This article will only focus on five of Yue Minjun's paintings on Shaxiao Xilie 傻笑系列 (Silly Laughter) series, as the primary source of this study. The analysis of the symbols that are legible in these five paintings unfolds the symbolic meanings from the painting objects. The finding of this study has unfolded the insight of Yue Minjun’s perception about China's past and present"