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Abstrak :
Perkembangan internet menjadi ruang publik yang lebih demokratis dan inklusif membuka jalan bagi komunitas-komunitas subkultural untuk semakin berkembang. Salah satunya adalah fandom, yang mana praktik utamanya merupakan penciptaan fanwork layaknya fanfiction atau fiksi buatan penggemar, yaitu sebuah narasi yang menggabungkan kreativitas penulisnya serta sumber materi asli dari teks yang diangkat menjadi fanfiction sebagai alur cerita. Fanfiction sendiri digadang-gadang sebagai ruang produksi feminis karena demografi partisipannya didominasi oleh perempuan serta individu queer—dua populasi yang kerap tertindas dibawah hegemoni heteronormativitas dalam realitas sehari-hari. Salah satu genre paling populer dari fanfiction adalah Slash; fanfiction yang menggambarkan kedua karakter dari suatu media menjalani hubungan homoseksual, terlepas dari fakta bahwa karakter tersebut adalah heteroseksual dalam media tersebut ataupun tidak. Berangkat dari fenomena ini, peneliti pun melihat adanya indikasi bahwa fiksi slash turut berfungsi sebagai media bagi penulis yang mengidentifikasi diri mereka sebagai queer untuk menampilkan perlawanan mereka terhadap hegemoni heteronormativitas. Menggunakan konsep Hegemoni Budaya dan Kontra-Hegemoni sebagai pendekatan, peneliti menemukan bahwa kontra-hegemoni terhadap heteronormativitas ditampilkan dalam fiksi slash dengan penggambaran realitas yang bertolak belakang oleh individu queer, serta sebagai bentuk eskapisme dari realitas yang kerap mensubordinasi mereka. Penulis membentuk sebuah komunitas queer sebagai ruang aman bagi identitas queer mereka sekaligus untuk mengeksplorasi identitas gender maupun seksual dalam suatu teks media, yang mana dapat dituangkan menjadi bentuk fiksi slash yang diunggah dalam situs Archive of Our Own selaku saluran yang aman bagi penulis queer. ......The progression of the internet into a more democratic and inclusive public space paved the way for subcultural communities to thrive. One of them includes fandom, which main practice’s is the creation of fanwork such as fanfiction or fan-created fictional works, namely a narrative that combines the creativity of the author and the original source material from the text which is utilized as the basis of its storyline. Fanfiction itself is touted as a feminist production space due to women and queer individuals dominating it’s demography—none other than the most oppressed population under the hegemony of heteronormativity. One of the most popular genres of fanfiction is Slash; a fanfiction that depicts two characters from a particular medium being in a homosexual relationship regardless of the fact whether the characters are heterosexual in source material or not. Departing from this phenomenon, the researcher finds indications of slash fiction being a medium where the resistance of the writers’ towards heteronormativity is located, especially for those who identify themselves as queer. Using the concept of Cultural Hegemony and Counter-Hegemony as an approach, the researcher found that counter- hegemony towards heteronormativity is shown in slash fiction by depicting reality as the complete opposite of that in our everyday by queer individuals, as well as as a form of escapism from it which often subordinates them. Writers form a queer community as a safe space for their queer identity as well as to explore gender and sexual identity in a popular media texts, which can be transformed into a slash fiction which is uploaded on the Archive of Our Own website as a safe channel for queer writers.

Abstrak :
State islamic university (UIN) Sunan Kalijaga Yogyakarta,as a religious instutions and an intellectual community,for a few decades has been only regarded as marginal and conservative community. .....

Abstrak :
This writing is to parse the context of history from Antonio Gramsci?s thoughts regarding the concept of hegemony and positioning that approach in the realm of anthropological studies. The author wants to position Gramsci?s argument by outlining the opinions of the theory?s interpreters and explaining social and political context from the influences of Marxism and communism on Gramsci?s thinking. The fundamental concept of Gramschi?s thinking according to the auhor has influenced how post-1970s anthropology conceptualizes ideology, consent and hegemony as key issues that make the concept of culture become more operational in discussing matters of power.

Abstrak :
Diskriminasi berbasis agama kerap menjadi isu yang tidak terpisahkan dalam kehidupan Masyarakat Indonesia, tak terkecuali dalam dunia pendidikan. Tulisan ini mengangkat cerita tentang narasi toleransi dan diskriminasi berbasis agama yang terjadi di Sekolah Menengah Atas Negeri di Kota Tangerang Selatan. Bagaimana diskriminasi berbasis agama terjadi di sekolah tidak terlepas dari figure of hegemony yang ada di sekolah, terutama sebagian guru dan otoritas sekolah. Diskriminasi berbasis agama yang terjadi di sekolah juga hadir dengan berbagai bentuk yang bervariasi. Mulai dari larangan melakukan perayaan acara Natal di sekolah, sulitnya perizinan untuk menggunakan ruang kelas untuk beribadah, bias dalam mengatur aturan berpakaian di sekolah, serta menerapkan aturan-aturan tertentu dalam kegiatan dan ruang belajar di sekolah. Hegemony dalam beragama yang terjadi di sekolah tentunya juga tidak terlepas dari counter-hegemony. Pada bagian keempat tulisan ini akan spesifik menceritakan proses counter-hegemony yang terjadi di sekolah. Terutama melalui peranan guru di kelas memberikan informasi kepada siswa terkait dengan sudut pandang lain dalam melihat narasi toleransi selain dari sudut pandang hegemony, kegiatan OSIS, dan juga diskusi lintas agama antara guru dan siswa. ......Religious discrimination has long been an issue that seems near inseparable from Indonesian society, the education system being a sphere that is not exempt from that very fact. This paper aims to discuss how religious discrimination takes hold at a public high school in the city of Tangerang Selatan. Diving into how religious discrimination are inextricably linked to figures of hegemony at school, as such teachers and other school authorities. Religious discrimination at school also takes shape in a multitude of forms. From banning Christmas celebrations at school, to the difficulty of receiving permits from school authorities to use classrooms for religious prayer, biases in school dress codes, and other select rules that applied certain religious identities. Although, this religious hegemony has not stood without resistance from counter-hegemony. Counter-hegemony in this case refers to the role of teachers in the classroom informing students on different perspective to see religious discrimination other than the hegemonic point of view, student council events, and interfaith dialogue between teachers and students.

Abstrak :
Tesis ini membahas mengenai dominasi musik pop Melayu dengan melakukan analisis tesktual terhadap lagu-lagu pop Melayu, observasi pada program-program musik di televisi, dan wawancara terhadap pihak-pihak yang memiliki informasi terhadap fenomena tersebut. Tesis ini menggunakan pendekatan paradigma teori kritis untuk memperoleh gambaran mengenai teks dan dampaknya melalui media televisi. Hasil dari penelitian ini adalah diperolehnya kesimpulan, bahwa musik pop Melayu memiliki keseragaman musik yang kuat sehingga merupakan suatu fenomena dalam konteks industri budaya, juga sifatnya yang dominan karena dikukuhkan oleh program-program musik televisi yang bersifat hegemonik. Kesuksesan musik pop Melayu mendatangkan keuntungan yang tinggi untuk pihak-pihak yang terlibat di dalamnya, sehingga semangat kapitalisme sangat dominan di dalam wacana musik tersebut. Peneliti juga menemukan adanya perlawanan dari pergerakan musik label indie untuk melawan dominasi pop Melayu, untuk melawan kemunduran kualitas dan kreatifitas bermusik yang dikukuhkan oleh media massa arus utama. This thesis discusses the domination of Malay pop through textual analysis on the songs, observation on musical programs, and interviews on important figures. The data on this research was analyzed through a critical theory approach to gain an understanding of the text and it?s effects. The result of this thesis concluded that the Malay pop contains a strong uniformity which is called a phenomenon in the context of culture industry, while also being dominant because of the legitimacy created by the media. The nature of Malay pop was also very profitable for those participating in it; therefore the spirit of capitalism was also quite dominant in this context. This thesis also discusses the resistance from the indie music movement, to fight the regressive quality in music that was legitimized by the mainstream mass media.

Abstrak :
Masalah lokalitas dan kearifan lokal di Indonesia menjadi permasalahan yang banyak mendapat perhatian pasca-Reformasi 1998. Kecamatan Cepu di Kabupaten Blora saat ini mulai bangkit untuk merevitalisasi kejayaan Kadipaten Jipang di masa lalu. Sementara itu, Adipati Arya Penangsang yang memerintah Jipang pada pertengahan abad ke-16 adalah simbol pahlawan mereka. Babad Tanah Djawi dan budaya Jawa Mataraman/pedalaman telah membangun representasi yang bercorak hegemoni yang jejak-jejaknya terwujud dalam kesenian kethoprak Solo (Mataraman). Sementara itu, kethoprak Pati (pesisiran) yang mengakomodasi cerita tutur di Jawa Pesisir membangun representasi yang bercorak resistensi. Penelitian ini menunjukkan bahwa pementasan kethoprak Pati dan kethoprak Solo dalam mengonstruksi tokoh Arya Penangsang ada perbedaan yang berseberangan. Pertama, berkaitan dengan judul lakon dan penokohan. Kedua, berkaitan dengan adegan utama pementasan. Ketiga, berkaitan penggambaran antara poros Jipang-Kudus versus Pajang-Kadilangu. Cepu adalah kota yang mewarisi keberadaan tokoh Arya Penangsang dan Kadipaten Jipang. Upaya revitalisasi kejayaan Kadipaten Jipang di Cepu adalah representasi yang bercorak resistensi. Penelitian ini menunjukkan bahwa ada tiga hal penting dalam upaya revitalisasi Kadipaten Jipang. Pertama, melalui konstruksi Arya Penangsang sebagai pahlawan lokal dan Jawa Pesisir. Kedua, konstruksi memori kolektif Cepu sebagai bumi Arya Jipang. Ketiga, penetapan Raja Keraton Jipang terkait upaya revitalisasi. Akhirnya, penelitian menjelaskan bahwa dengan melihat kebesaran tokoh Arya Penangsang dan kejayaan Kadipaten Jipang masa lalu, masyarakat Cepu berusaha melakukan dua macam bentuk representasi. Pertama, representasi Cepu berubah dari representasi pasif ke representasi aktif. Kedua, representasi Cepu berupaya melakukan kapitalisasi representasi dengan berbagai motif, terutama politik dan ekonomi. ...... The problem of locality and local wisdom in Indonesia has become a problem that has got much attention in the post-Reformation 1998. Cepu District in Blora Regency is now starting to rise to revitalize the glory of the Jipang Duchy in the past. Meanwhile, Duke of Arya Penangsang who ruled Jipang in the mid-16th century was a symbol of their hero. The chronicle of Babad Tanah Djawi and the Javanese Mataraman/inland culture have built a hegemonic representation whose traces are manifested in the art of Solo kethoprak (Mataraman). Meanwhile, Kethoprak Pati (coastal area) which accommodates spoken stories in Coastal Java builds a representation that has a resistance pattern. This research shows that the performance of Kethoprak Pati and Kethoprak Solo in constructing the character of Arya Penangsang is different. First, relating to the title and characterization. Secondly, in connection with the main scene of the performance. Third, related to the depiction between the axis of Jipang-Kudus versus Pajang-Kadilangu. Cepu is a city that inherits the existence of the figure of Arya Penangsang and Kadipaten Jipang. The revitalization of the glory of the Jipang Duchy in Cepu is a resistance patterned representation. This research shows that there are three important things in the effort to revitalize the Jipang Duchy. First, through the construction of Arya Penangsang as a local hero and Coastal Java. Second, the collective memory construction of Cepu's memory as the Arya Jipang earth. Third, the determination of the King of Jipang Palace is related to revitalization efforts. Finally, the research explained that by seeing the greatness of the character of Arya Penangsang and the glory of the past Jipang Duchy, the Cepu community tried to do two forms of representation. First, Cepu representation changes from passive representation to active representation. Second, Cepu's representation seeks to capitalize representation with various motives, especially politics and economics.

Abstrak :
Aktivitas makan bukan hanya merupakan pemenuhan kebutuhan biologis, namun juga berhubungan dengan perasaan yang mendalam dari pengalaman manusia. Dengan menggunakan pendekatan etnografi dan pengumpulan data melalui studi pustaka, wawancara mendalam, serta pengamatan terlibat kepada vegan di Jakarta, dalam tulisan ini saya berusaha memahami kehadiran veganisme yang berciri khas pola makan berbasis nabati utuh yang keberadaannya bertentangan dengan kebiasaan makan dominan di Indonesia. Bahkan dalam mayoritas catatan sejarah manusia, hewan telah menjadi bagian dari menu makanan berbagai kelompok masyarakat di dunia sehingga dianggap normal. Akibatnya, pola makan vegan terkadang menjadi subyek perdebatan. Penulis dalam penelitian ini berargumen bahwa adanya vegan dan perkembangan veganisme di Indonesia beserta perdebatan yang menyertainya dimungkinkan oleh perbedaan pemaknaan yang diberikan khususnya terhadap hewan dan kondisi dunia. Berdasarkan hasil penelitian, umumnya terdapat tiga hal yang menjadi kepedulian kelompok vegan, yakni (1) kepedulian terhadap kesehatan; (2) kepedulian terhadap lingkungan; dan (3) kepedulian terhadap perlakuan terhadap hewan. Skripsi ini kemudian menunjukkan bahwa vegan memaknai veganisme dapat berkonstribusi untuk menyelamatkan kehidupan dunia melalui praktik mereka. ......Eating is not only biological, but also cultural because the foods we eat implies worldview and feelings associated with human experience. Using data from ethnographic interviews, participant observation, and study literature, I try to examine the growing trend of veganism which is a dietary habit that excludes the use of animal products, which opposed to the existing norms in Indonesia, even most of the world. In much of human history, animals has been part of human’s diet, therefore eating animal products is considered normal. As a result, veganism becomes the subject of debate. Here I argue that the growing trend of veganism in Indonesia as well as the debate surrounding its existence is made possible by the difference of interpretations and meanings given to animals and world’s condition in general. According to findings, there are three vegans’ main concerns, which are (1) health; (2) environmental issues; and (3) animal rights. This research finds that vegans believe veganism can help to save the world through their practice of limiting animal products.

Abstrak :
Rahman's book offers us some rich insights about the workings of cultural hegemony of Bollywood cinema in Bangladesh, not least relating to middle class media consumption practices. This book is a welcomed addition to the literature on film and media studies in the Bangladesh and popular Indian cinema contexts.' -- Professor Rajinder Dudrah, Birmingham City University, UK 'In the world of film scholarship, as in the world(s) of South Asian popular culture, Bollywood has enjoyed a hegemonic position. Rahman's work opens a unique window on the social, political, academic, technological and cultural dynamics of that hegemony. He provides a long-needed voice for Bangaladeshi film culture and film industry.' -- Professor Gregory D Booth, The University of Auckland, New Zealand 'In an engaging and comprehensive manner the book provides an overview of the circulation of Bollywood films in Bangladesh and their impacts on society and culture industry. A must read for anyone interested in exploring the relationship between film consumption, cultural hegemony and social inequality.' -- Professor Kristin Skare Orgeret, Oslo Metropolitan University, Norway This book examines the circulation and viewership of Bollywood films and filmi modernity in Bangladesh. The writer poses a number of fundamental questions: what it means to be a Bangladeshi in South Asia, what it means to be a Bangladeshi fan of Hindi film, and how popular film reflects power relations in South Asia. The writer argues that partition has resulted in India holding hegemonic power over all of South Asia's nation-states at the political, economic, and military levels-a situation that has made possible its cultural hegemony. The book draws on relevant literature from anthropology, sociology, film, media, communication, and cultural studies to explore the concepts of hegemony, circulation, viewership, cultural taste, and South Asian cultural history and politics. Harisur Rahman is Assistant Professor at North South University in Dhaka, Bangladesh. His research interests include Film, Media, Communication and Cultural Studies, Media Anthropology, Business Anthropology, Advertising Research, Material Culture, Globalization, Consumer Culture, Visual Culture, South Asian Media and Cultural Politics

Abstrak :
Skripsi ini membahas mengenai Hegemoni Dolar yang dibedah melalui pemikiran Hegemoni Antonio Gramsci. Tulisan ini mengantarkan pembaca ke dalam sebuah pemahaman bahwa Dolar menjadi elemen hegemoni yang mengantarkan Amerika Serikat sebagai negara hegemon dalam kancah ekonomi politik global. Skripsi ini menjelaskan tentang berkembangnya fungsi mata uang yang melampaui fungsi asasinya. Dolar bukan lagi sekedar alat tukar, melainkan menjadi sebuah alat dan simbol bagi proses Hegemoni Amerika Serikat. Dolar kini menjadi sebuah hiperealitas murni yang abstrak dan menjadi elemen vital dalam dinamika ekonomi politik global. Skripsi ini menyimpulkan bahwa Dolar menjadi alat hegemoni karena persetujuan yang diberikan negara-negara lain kepada Amerika Serikat atas penetapan Dolar sebagai mata uang hegemon dalam kesepakatan Bretton Woods 1944.

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This study discuss about the hegemony of the dollar which is described by Antonio Gramsci Hegemony thoughts. This paper bring readers into an understanding that the dollar became a hegemony element which deliver the United States as a hegemon country in the global political economy arena. This study explain about the development of the currency function beyond its basic function. The dollar is no longer just a medium of exchange, but became a tool and symbol of the United States Hegemony. Dollar has became a pure abstract hyper reality and became a vital element in the dynamics of the global political economy. This study concluded that the dollar became the instrument of hegemony because of the approval given by other countries to the United States for the determination of Dollar as a hegemon currency in the Bretton Woods Agreement in 1944.