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"Pada akhir tahun 1970-an, dunia kesusastraan Cina mulai memasuki era baru. Muncul aliran puisi Menglong yang merupakan aliran puisi paling penting dan berpengaruh dalam dunia kesusastraan Cina di era modern. Menglongshi, atau dalam bahasa Indonesia berarti “Puisi Samar” merujuk pada aliran puisi baru yang muncul dan berkembang pada periode mulai dari akhir 1970-an hingga awal 1980-an di Cina. Aliran puisi ini dipopulerkan oleh majalah literatur kritis yang mengkritik pemerintahan berjudul Jintian yang beredar di masyarakat pada masa Gerakan Dinding Reformasi, sebuah gerakan di tahun 1978-1979 dimana pemimpin tertinggi di Cina pada tahun-tahun itu memperbolehkan adanya demokrasi kebebasan berpendapat dalam masyarakat. Gu Cheng (顾城) merupakan salah satu penyair ternama di Cina yang namanya dikenal lewat kelompok penyair aliran puisi Menglongshi. Karya-karyanyanya yang beraliran Menglongshi memiliki ciri khas penggambaran alam yang nyata dan penggunaan simbol-simbol pribadi untuk menulis tentang tentang manusia, sosial dan masyarakat khususnya mengenai peristiwa Revolusi Kebudayaan yang merupakan sebuah tragedi menyakitkan yang terjadi selama 10 tahun di Cina. Dalam tulisan ini, dipilih 8 puisi Menglongshi oleh Gu Cheng untuk dikaji aspek simbol dan imajinya sehingga dapat ditelaah makna dari puisi-puisi tersebut. Hasilnya, puisi Menglongshi yang ditulis oleh Gu Cheng memiliki makna yang secara umum merupakan ungkapan sikap Gu Cheng terhadap peristiwa Revolusi Kebudayaan masa lalu dan harapan positif terhadap masa depan walaupun telah terdampak oleh peristiwa Revolusi Kebudayaan.

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As the 1970s nears its end, Chinese literature began a new era. A new poetry genre called Menglong emerged and became the most important genre in modern Chinese literature. Menglong developed itself in the late 70s to early 80s and was popularized by a critical literary magazine called Jintian. The magazine was published during the Wall Reform Movement (1978-1979) where the supreme leader of China allowed democracy and freedom of speech. In this genre of poetry, one of the most prominent poets in the Menglong genre was Gu Cheng. His Menglong poetry is characterized by the usage of vivid imagery of nature, and the usage of symbols to represent people, social issues, and the society that has been impacted by the nation-wide catastrophe; the Cultural Revolution that happened 10 years prior. In this writing, 8 Menglong poems by Gu Cheng are selected to analyze their meanings through its symbolic and imagery aspects in the poem. The result is generally Gu Cheng’s Menglong poems signify Gu Cheng’s expression towards his traumatic past caused by the Cultural Revolution and his positive outlook towards the future despite the things that has happened in the past."

"ABSTRAKGu Cheng merupakan salah satu penyair eksentrik (guguashi) yang mulai dikenal pada1980-an dan disebut juga sebagai penyair samar (menglong). Pada periode akhirhidupnya, Gu Cheng menyebut periode puisi yang dihasilkannya sebagai periodeSubjektif atau Wuwo (无我). Puisi Gu Cheng merupakan puisi liris yang bertumpupada suara dan karakteristik emosi atau perasaan dari pemikiran, visi, suasana hatiataupun perasaan pedih yang tidak menawarkan fondasi yang kuat untuk terciptanyabagian dari sebuah peristiwa yang berasal dari imajinasi penulis itu sendiri. Dalampenelitian ini, penulis menganalisis tiga puisi Gu Cheng pada periode subjektif, yangdiambil dari kompilasi puisi Gu Cheng yang berjudul Merkuri (水银) sebanyak duajudul, dan Dunia Lagu (颂歌世界) sebanyak satu judul. Analisis dilakukan denganmenggunakan pendekatan unsur instrinsik, diksi, figur retoris (majas), pengimajinasian,tema dan perasaan penyair untuk mengetahui seberapa besar unsur puisi Gu Cheng yangkontradiktif antara kenyataan dengan yang diungkapkannya dalam puisi. Kesuramanhidup Gu Cheng mempengaruhi suasana hati dalam penulisan karya puisinya yangmerupakan puisi samar atau berkabut.

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ABSTRACTGu Cheng was one of the eccentric poets (guguashi) who became known in the 1980sand was also called the misty poet (menglong). In the final period of his life, GuCheng called the period of his poetry as Subjective period or Wuwo (无 我). GuCheng s poetry is a lyrical poem that relies on sound and emotional characteristics orfeelings from thoughts, visions, moods or feelings of pain that do not offer a strongfoundation for the creation of a part of an event that comes from the imagination of theauthor himself. In this study, the author analyzed three Gu Cheng s poems in thesubjective period, which is two titles from Gu Cheng s poem compilation of Mercury (水􀀀), and one title from Ode s World (􀀀歌 世界). The analysis was carried out by using intrinsic elements, diction, rhetorical figures, imagination, themes and poets feelings to find out how much the elements of Gu Cheng s poetry were contradictory between reality and what he expressed in poetry. The gloom of Gu Cheng's life affected the mood in writing his poetry which was a misty poem."

"ABSTRACTMenglongshi or misty poetry (also translated as obscure poetry) is one kind of Chinese poems created by young poets who experienced the Cultural Revolution in 1970s. The emergence of a new style of poetry which is different from the previous styles marked a new era of poetry writing in China. its uniqueness lies in wordplay, metaphor, synesthesia, and symbols whose meanings cannot be easily identified. The misty poem also drew the cautious attention of the Chinese government, because the symbols and sequence of sentences were suspected to contain thoughts which are considered not in accordance with the government's policies. Bei Dao and Gu Cheng were known as two of the most important misty poets. This paper analyzes two poems by Bei Dao and two poems by Gu Cheng in terms of their intrinsic elements, such as imagery and language style in order to interpret their meaning. Furthermore, in order to provide more supporting evidence, this research also analyzes the poems extrinsic elements to identify their respective meanings in a more comprehensive way. Therefore, the explanation for the occurrence of Cultural Revolution is a very important finding in this research. This study sought to explain the important role of misty poems in explaining the Cultural Revolution by examining Bei Dao and Gu Cheng's works."