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"ABSTRAK Setelah perang kemerdekaan dari Prancis (1954 ? 1962), Aljazairmengalami perang saudara pada tahun 1990an antara agama dan pemerintah yangmenyebabkan perempuan menjadi korban dengan pembatasan aktivitas mereka.Beberapa perempuan tidak menerima keadaan tersebut dan melakukanemansipasi, salah satunya dengan menulis. Salah satu penulis perempuan feminisAljazair adalah Maïssa Bey dengan karya pertamanya, yaitu Au commencementétait la mer. Di dalam novel ini, Bey mendeskripsikan diskriminasi gender yangdialami oleh perempuan Aljazair pada masa tersebut serta perlawanan terhadapdiskriminasi yang dilakukan oleh perempuan dan laki-laki. Melalui analisis unsurintrinsik yang menggunakan teori struktural Roland Barthes mengenai hubungansintagmatik dan paradigmatik dan teori sekuen M. P. Schmitt dan Alain Viala,ditemukan tiga bentuk diskriminasi gender dalam novel ini, yaitu stereotip,marginalisasi, dan subordinasi. Selain itu, diketahui pula bahwa laki-laki ataupunperempuan dapat menjadi pelaku ataupun penentang diskriminasi. Perlawananyang dilakukan terhadap diskriminasi gender berupa penggugatan stereotip sertadukungan terhadap emansipasi perempuan untuk menghilangkan marginalisasi,sedangkan subordinasi masih belum dapat dihindari karena berkaitan denganbudaya patriarkal yang dianut oleh masyarakat. Kepala keluarga memiliki peran penting dalam diskriminasi gender ini.ABSTRACT After the war of independence from France (1954 ? 1962), Algeriaexperienced a civil war in the 1990s between religion and the government that ledto women becoming victims to restrictions on their activities. Some women didnot accept this situation and did the emancipation, by writing. One of Algerianfeminist writers is Maïssa Bey with her first work, named Au commencement étaitla mer. In this novel, Bey describes gender discrimination experienced byAlgerian women in the era as well as the fight against it done by women and men.Through analysis of the intrinsic unsure which use the structural theory of RolandBarthes syntagmatic and paradigmatic relations and M. P. Schmitt and AlainViala theory of sequences, found three forms of gender discrimination in thisnovel, such as stereotypes, marginalization, and subordination. In addition, alsoknown that men and women could be perpetrators or opposing discrimination.The resistance to gender discriminations could be criticizing stereotypes as well assupporting the women emancipation to eliminate marginalization, whereassubordination still cannot be avoided because it is associated with patriarchalculture embraced by the community. The head of family has an important role in this gender discrimination.;After the war of independence from France (1954 ? 1962), Algeriaexperienced a civil war in the 1990s between religion and the government that ledto women becoming victims to restrictions on their activities. Some women didnot accept this situation and did the emancipation, by writing. One of Algerianfeminist writers is Maïssa Bey with her first work, named Au commencement étaitla mer. In this novel, Bey describes gender discrimination experienced byAlgerian women in the era as well as the fight against it done by women and men.Through analysis of the intrinsic unsure which use the structural theory of RolandBarthes syntagmatic and paradigmatic relations and M. P. Schmitt and AlainViala theory of sequences, found three forms of gender discrimination in thisnovel, such as stereotypes, marginalization, and subordination. In addition, alsoknown that men and women could be perpetrators or opposing discrimination.The resistance to gender discriminations could be criticizing stereotypes as well assupporting the women emancipation to eliminate marginalization, whereassubordination still cannot be avoided because it is associated with patriarchalculture embraced by the community. The head of family has an important role in this gender discrimination.;After the war of independence from France (1954 ? 1962), Algeriaexperienced a civil war in the 1990s between religion and the government that ledto women becoming victims to restrictions on their activities. Some women didnot accept this situation and did the emancipation, by writing. One of Algerianfeminist writers is Maïssa Bey with her first work, named Au commencement étaitla mer. In this novel, Bey describes gender discrimination experienced byAlgerian women in the era as well as the fight against it done by women and men.Through analysis of the intrinsic unsure which use the structural theory of RolandBarthes syntagmatic and paradigmatic relations and M. P. Schmitt and AlainViala theory of sequences, found three forms of gender discrimination in thisnovel, such as stereotypes, marginalization, and subordination. In addition, alsoknown that men and women could be perpetrators or opposing discrimination.The resistance to gender discriminations could be criticizing stereotypes as well assupporting the women emancipation to eliminate marginalization, whereassubordination still cannot be avoided because it is associated with patriarchalculture embraced by the community. The head of family has an important role in this gender discrimination."

"Tulisan ini membahas karya pengarang perempuan Prancis, Kim Lefévre. Lefevre dilahirkan di Vietnam dari ayah Prancis dan ibu Vietnam?ia sendiri kini tinggal di Prancis. Karya-karya autobiografinya berkenaan dengan kompleksitas identitas campurannya. Dalam karya novelnya Marina la Malinche, ia menyajikan kehidupan seorang wanita penerjemah, Malinche, selama invasi Spanyol di Meksiko. Malinche saat ini dianggap oleh orang Meksiko sebagai pengkhianat bangsa. Dalam novel itu Lefévre menggunakan tokoh Malinche sebagai cermin problem identitasnya. Penerjemah hanyalah seorang ?pengkhianat? ketika ia menjadi korban kekuatan di luar dirinya."

"ABSTRAKNovel Allah Pas Oblige adalah novel keempat karya penulis frankofon Afrika, Ahmadou Kourouma. Novel ini bercerita tentang kondisi kehidupan masyarakat Afrika Barat ketika terjadi perang tribal dan penindasan rakyat sipil oleh kelompok serdadu anak atau enfants-soldats terhadap rakyat sipil. Penelitian ini mengkaji relasi kuasa yang melibatkanpemimpin masyarakat dan rakyat sipil dengan menggunakan konsep relasi kuasa Michel Foucault dan memaparkan kondisi kehidupan masyarakat Afrika Barat saat perang tribal. Hasil penelitian menunjukkan adanya empat bentuk relasi kuasa dalam novel ini, bentuk-bentuk itu antara lain relasi kuasa atas tubuh, pemikiran, wacana, dan disiplin. Penelitian ini juga membuktikan bahwa terdapat banyak petinggi negara di Afrika yang memanfaatkan keluguan anak-anak untuk merampas kekayaan negara. Tidak hanya itu, mereka juga mencuci otak anak-anak tersebut agar mau menjadi enfants-soldats dan melakukan tindakan yang tidak pantas untuk dilakukan oleh anak kecil, seperti merampok, memperkosa, dan membunuh. Peperangan, keculasan, kerakusan, dan kehancuran ini merupakan suatu ironi yang terjadi di Afrika.

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ABSTRACTAllah N rsquo;est Pas Oblige is the fourth novel, written by the African Francophone author, Ahmadou Kourouma. This novel unveils the story about the people rsquo;s live condition in Western Africa during the tribal war and the massacre by child soldiers or known as enfants-soldats towards the civilians. This research analyzes the power relation that concerns the people rsquo;s leaders and civilians using Michel Foucault rsquo;s theory of power relations and showing the life conditions of Western Africans during the tribal war. The result of this research indicates the presence of four types of power relations in this novel, which are as follows: power relation over body, thoughts, knowledge, and discipline. This research also proves that several leaders in Africa take advantage of the children rsquo;s innocence to rob the country rsquo;s wealth. Furthermore, they also brainwash the children to become enfants-soldats and to do things that are not meant for young children, such as robbing, raping and murdering. Wars, fraud, gluttony and this destruction is an irony that happens in Africa."

"Pascaperang kemerdekaan dan pascakolonialisme, kesusastraan Aljazair berkembang pesat dengan ciri khas yang mengangkat tema identitas, resistensi, dan kebebasan. Adanya hubungan yang erat dengan Prancis tersebut mengakibatkan identitas yang tumpang tindih pada masyarakat Aljazair, khususnya pada perempuan Aljazair. Artikel ini membahas konstruksi identitas yang terjadi pada tokoh utama dalam novel Vaste est la prison karya Assia Djebar (1995). Novel ini menceritakan perjuangan perempuan di tiga generasi (nenek, ibu, dan anak) dalam menentang struktur patriarki tradisional untuk membela anaknya, hidupnya, perempuan di negerinya, dan tanah airnya. Penelitian ini bertujuan mengidentifikasi konstruksi identitas tokoh utama yang terbentuk sebagai seorang perempuan muslim Aljazair yang submisif, kemudian berkembang menjadi liyan yang resisten melalui fokalisasi “Aku” sebagai narator dan wakil dari suara perempuan Aljazair. Dengan metode kualitatif, konsep naratif Roland Barthes, teori struktur alur Gustave Freytag, dan kajian struktur teks Genette digunakan untuk membedah struktur teks. Selanjutnya, dibantu oleh konsep écriture féminine Hélène Cixous untuk menganalisis konstruksi identitas yang terjadi pada tokoh utama. Hasil analisis mengidentifikasi bahwa tokoh utama pada novel atau perempuan Aljazair telah mengonstruksi identitasnya dalam upaya resistensi dari dominasi patriarki yang dianalogikan sebagai penjara yang sangat luas, di negaranya sendiri.

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Algerian literature developed rapidly following post-war independence and post-colonialism, with a characteristic that raised the themes of identity, resistance, and freedom. Algerian society, especially Algerian women, experience overlapping identities as a consequence of the country's close relationship with France. This article describes the main character's identity construction in Assia Djebar's novel, Vaste est la prison (1995). This novel tells of the struggle of a women in three generations (grandmother, mother, and daughter) in a traditional patriarchal structure to defend her child, her life, the women in her country, and her homeland. This study aims to determine the identity of the main character who is formed as a submissive Algerian Muslim woman, then develops into a resistant other through the focalization of "I" as the narrator and representative of the Algerian female voice. The author's structure was analyzed using qualitative methodologies, including Roland Barthes' narrative concept, Genette's analysis of text structure, and Hélène Cixous's concept of écriture féminine were used to evaluate the main character's construction of identity. The results of the study showed that Algerian women have constructed their identities in order to survive as oppressed women and to resist patriarchal domination, which is analogous to a large prison within itself."