Hasil Pencarian  ::  Simpan CSV :: Kembali

"Homosexuality has become a common issue nowadays that can be easily encountered in many television shows. This paper examines how the issue of homosexuality is being approached in BBC's Sherlock and its fan-produced fan-fiction. It is interesting that even though the show does not attempt to offer queer representation through its plot lines, there are several queer subtexts that can be found within the show. These queer subtexts work subtly in subverting heteronormative assumptions, and they create recognizable representations of queerness in a form of the show's fan-produced fan-fiction. The show is analyzed using queer theory, and focuses on underlying tone of homoeroticism presented within the episodes between the two main characters Sherlock and John. Meanwhile, the fan-fiction is analyzed by using representation theory (1995) by Stuart Hall. The queer theory (1993) used in this article mainly consists of the definitions and concepts provided by Judith Butler. There are two major points that this paper attempts to make. The first one is to discuss homosexuality subtext represented within several episodes of the show. Sherlock, a detective series, presents several scenes that can be read using queer theory. Secondly, this paper attempts to discuss how fan-produced fan-fiction of BBC's Sherlock is able to approach homosexuality by negotiating the nature of relationship between the two characters mentioned previously."

"Penelitian ini mengkaji resepsi pembaca fan fiksi subgenre alternate universe (AU) yang menggunakan face claim atau visualisasi tokoh di media sosial Twitter. Penelitian ini melihat AU dalam ruang media baru yang mesti dipahami dalam konteks transmedia storytelling dan budaya konvergensi atau convergence culture . Studi resepsi encoding/decoding dari Stuart Hall digunakan untuk memahami fenomena yang diteliti. Penulis AU dan enam pembaca menjadi sumber data dalam penelitian kualitatif interpretif yang dilakukan. Hasil penelitian menunjukkan bahwa terdapat tiga posisi pembacaan: dominan, negosiasi, dan negasi, namun ketiganya bersifat dinamis dan bukan trikotomis seperti asumsi Stuart Hall. Hubungan parasosial, pengalaman, posisi sosial, emosional, kecakapan terhadap teknologi, dan sosiodemografi pembaca dalam proses resepsi menciptakan posisi pembacaan yang dinamis dan kontekstual. Rekomendasi terkait studi kedepan dan implikasi praktis diajukan dalam tesis ini.

---

This research examines fan fiction readers' receptions of Alternate Universe (AU) using face claims or face visualization on Twitter. This research sees AU in a new media space that must be understood in the context of transmedia storytelling and convergence culture. Stuart Hall's encoding/decoding reception study is used to understand the phenomenon under study. The AU writer and six readers became the data sources in the interpretative qualitative research conducted. The results show that there are three reading positions: dominant, negotiation, and negation, but the three are dynamic and not trichotomous as assumed by Stuart Hall. The reader's parasocial, experiential, environmental, emotional, technological, and sociodemographic relationships in the reception process create dynamic and contextualized reading positions. Recommendations regarding future research and practical implications are proposed in this thesis."

"Terdapat perdebatan mengenai kemampuan penulis fanfic (fan fiction) dalam menciptakan karakter dibanding penulis orific (original fiction). Sehingga, tujuan penelitian ini adalah untuk mengetahui apakah terdapat perbedaan kemampuan menciptakan karakter pada penulis orific dan penulis fanfic. Penelitian ini menguji perbedaan menggunakan desain non-experimental between subject dengan analisis independent sample t-test. Analisis independent sample t-test menunjukkan tidak terdapat perbedaan signifikan dalam kemampuan menciptakan karakter antara penulis orific dan penulis fanfic.

---

There was a debate about the ability of fanfic (fan fiction) writers to create characters compared to orific (original fiction) writers. Thus, this study aimed to find out whether there were differences in the ability to create characters between orific writers and fanfic writers. This study examined the differences using a non-experimental design between subjects with independent sample t-test analysis. Independent sample t-test analysis showed that there was no significant difference in the ability to create characters between orific authors and fanfic authors."