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"Tulisan ini bertujuan untuk menjelaskan tentang kegiatan menyimpan dan ruang penyimpanan dalam ruang hidup Orang Laut dari perspektif keseharian, sebagai taktik yang dilakukan dalam ruang yang terbatas. Dalam ruang hidupnya yang terbatas di dalam sampan, Orang Laut menggunakan ruang sampannya dengan membawa peralatan untuk kebutuhan sehari-hari. Penulisan skripsi ini mempelajari kegiatan menyimpan dan ruang penyimpanan yang terjadi sebagai bagian dari interioritas, dalam konteks vernakular Orang Laut. Penelusuran dilakukan melalui studi literatur dan observasi langsung pada bulan Juni - Juli 2019 dalam kegiatan Ekskursi Orang Laut UI 2019 terhadap Orang Laut di daerah Tajur Biru, Lingga, Kepulauan Riau. Dengan cara hidup yang berpindah di alam, mereka menyusun peralatan tersebut dengan taktis sehingga terdapat suatu pola yang muncul berdasarkan kebutuhan dari setiap kegiatan, intensitas penggunaan, ukuran, serta zonasi basah dan kering, baik secara vertikal maupun horizontal dengan bergantian dalam waktu. 

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This article aims to explore the activities of storing and storage in the living space of the Orang Laut from the perspective of everyday life, as the tactics carried out in such a limited space. In such a limited space, Orang Laut uses its sampan to carry equipment for their daily needs away from the land. The writing of this article studies the activities of storing and storage that occur as part of interiority within the vernacular context of Orang Laut. The observation was carried out through literature studies and field study in June - July 2019 in the “Ekskursi Arsitektur UI 2019: Orang Laut” in the Tajur Biru, Lingga, Riau Islands. The fingdings of this study suggest that they store their everyday stuff and the equipment tactically based on the needs of each activity, constituting a storage pattern based on the intensity of use, size, and zoning of wet and dry area, both vertically and horizontally with turns in time."

"`In this sparkling new book, Philippa Williams describes in rich detail the social practices binding Hindus and Muslims together in the Indian city of Varanasi. Williams not only challenges received wisdom on religious communal relations in India but also demonstrates the crucial importance of examining the social reproduction of everyday peace. A tour de force.' Craig Jeffrey, Professor of Development Geography, University of Oxford, UK --`Philippa Williams' new book is in the best tradition of interdisciplinary and critical work on peace. Research and theory about peacemaking and peacebuilding has historically shifted from dealing with interstate war to how peace is configured through everyday social relations. Work on the latter approach is becoming increasingly sophisticated and interdisciplinary. It often draws upon examples now becoming visible because of more sophisticated methodologies and theory from across the world, and as opposed to the Eurocentric exemplars commonly used in political science. Williams' study pioneers new understandings of the spatial and social production of peace especially in subaltern frameworks such as some of India's Muslim communities.' Oliver Richmond, Professor of International Relations, Peace &​ Conflict Studies, University of Manchester, UK --Providing important insights into political geography the politics of peace, and South Asian studies, this book explores everyday peace in north India as it is experienced by Muslims living and working alongside Hindus. Based on over 14 months of qualitative and archival research in the regional city of Varanasi in Uttar Pradesh, it looks specifically at the everyday experiences and perspectives of the Muslim community to see how peace is socially and spatially produced. The author challenges normative understandings of Hindu--Muslim relations as relentlessly violent, and instead demonstrates the ways in which Muslims are orientated towards securing and maintaining peace within India's secular state. In doing so, she dispels the notion of peace as a romantic endpoint occurring only after violence and political maneuverings. --The author also examines the ways in which geographical concepts such as space, place, and scale can inform and problematize understandings of peace. She applies a critical eye to understanding how practices of peace and nonviolence are themselves inherently political, and play out through different spatial and material geographies. Filled with examples and case studies from the individual to the national level, this study uses the lens of geography to redefine the politics of peace and concepts of citizenship, agency, secular politics, and democracy. --Book Jacket."

"Starting out as a column in the Bali Post, Oka Rusmini’s alter ego Men Coblong offers, among other things, a feminist perspective on mothers and women and the social relations and cultural practices that confine them. Men Coblong fearlessly voices her view on religious sensitivities, culture, politics and, especially, everyday life. In Men Coblong, the self-titled collection of her columns, the (re) claiming of power operates on two levels. First, we have the journalist Oka Rusmini using words as power to challenge the injustices and absurdities she witnesses in contemporary Indonesia. Second, Oka’s alter ego Men Coblong engages in acts of everyday agency, using a range of strategies, to assert herpower as a woman. This analysis of Men Coblong is informed by notions of power, resistance, and agency as conceived by James Scott, Anthony Giddens, and Laura Ahearn. The power that Oka Rusmini is (re)claiming through Men Coblong is the right to confront, protest, and resist through words. Men Coblong reclaims power not through political activism but through enacting everyday agency."

"Tulisan ini mengeksplorasi metode perancangan arsitektur kontradiktif berdasarkan identifikasi unsur-unsur lukisan Batuan sebagai lukisan lokal Bali. Eksplorasi seni lukis menjadi salah satu alternatif dalam mengembangkan metode desain seperti yang dieksplorasi oleh beberapa arsitek, seperti Zaha Hadid, Van Doesburg, dan Gerrit Thomas Rietveld. Pendekatan tersebut menawarkan wawasan yang berbeda dalam memperkaya proses desain dengan menciptakan pemrograman arsitektur yang memiliki hubungan tertentu dengan konteks. Studi ini mengeksplorasi lukisan lokal Batuan yang erat kaitannya dengan kehidupan sehari-hari masyarakat Bali sebagai upaya untuk menghubungkan arsitektur dengan lokalitas dan identitas budaya sebagai bagian dari proses desain. Observasi dilakukan untuk mengidentifikasi unsur-unsur, komposisi, dan aspek penting yang selalu hadir dalam lukisan Batuan. Penelitian ini mengungkapkan bahwa ada tiga unsur seni lukis Batuan yang esensial dalam metode perancangan, yaitu heterogenitas, hierarki, dan teknik lukis lokal (ngabur). Unsur-unsur tersebut dikembangkan secara khusus oleh para pelukis dari Desa Batuan untuk merepresentasikan keseharian masyarakat setempat terhadap filosofi lokal Rwa Bhineda. Filosofi tersebut bermakna kontradiksi terkait klasifikasi spasial kegiatan lokal dan hubungan yang melekat antara manusia, manusia dengan alam, dan manusia dengan Tuhan. Berdasarkan unsur-unsur tersebut, tesis ini mengembangkan program arsitektur kontradiktif dengan pengaturan tatanan formal dan spasial serta kualitas spasial yang bermakna secara budaya dan konteks.

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This paper explores contradictive architectural design methods based on an investigation of the elements of Batuan painting, a local Balinese painting. The explorations of painting has become an alternative in developing design methods as explored by some architects, such as Zaha Hadid, Van Doesburg, and Gerrit Thomas Rietveld. Arguably, such approaches offer different insights into programming architecture and further enrich the design process by creating particular relations with the context, instead of producing a generic and contextless architecture. In this study, the local Batuan painting that is related closely to the daily life of the Balinese community and local philosophy is explored as an attempt to construct a form of architecture with appreciation of locality and cultural identity as part of its design process. This study reveals that there are three elements from Batuan painting that are essential for the development of design, namely heterogeneity, hierarchy, and the particular local painting techniques of ngabur. Such elements were particularly developed by the painters from Batuan Village to represent the everydayness of the local society, particularly with regards to Rwa Bhineda philosophy. Rwa Bhineda is defined as contradiction within the spatial classifications of local activities and the embedded relationship between humans, humans with nature, and humans with God. Based on these elements, the thesis further develop contradictive architectural program with the formal and spatial arrangements as well as spatial qualities that are more culturally meaningful and contextually situated."

"ABSTRACTDrying clothes by hanging them outside is commonly found in tropical countries, such as in Indonesia, Singapore, and Malaysia, because of the abundant supplies of direct sunlight. However, many neighborhoods regulate the practice of hanging clothes outside, since it is often viewed as polluting the neighborhood rsquo s visualization. In populated places, like Jakarta, drying clothes by hanging them outside is also practiced due to a limited space. This undergraduate thesis aims to research about the relation between laundry practice and architectural aesthetics, which uses a methodology of observation and interview that took place in Kampung and Rusun in Jakarta. Investigation of case studies discovers a new discussion about domestic laundry practices that is vital to architectural aesthetics.

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ABSTRAKMengeringkan pakaian dengan menggantungnya di luar rumah biasanya ditemukan di negara tropis, seperti di Indonesia, Singapura, dan Malaysia, karena banyaknya pasokan sinar matahari langsung. Namun, beberapa perumahan di negara lain banyak yang mengatur praktik menggantungkan pakaian di luar, karena sering dipandang mencemari lingkungan sekitar. Di tempat-tempat berpenduduk padat, seperti Jakarta, mengeringkan pakaian dengan menggantungnya di luar rumah juga dilakukan karena keterbatasan ruang. Skripsi ini bertujuan untuk meneliti hubungan antara praktik binatu dan estetika arsitektur, yang menggunakan metodologi pengamatan dan wawancara di Kampung Kerapu, Kampung Tongkol, dan Rusun Benhil. Investigasi pada studi kasus membuahkan diskusi baru mengenai praktik binatu dalam negeri yang ternyata penting bagi estetika arsitektur."

"Skripsi ini membahas tentang bagaimana leisure terjadi dalam keseharian ibu rumah tangga dalam ruang domestik, yaitu rumah. Leisure adalah sebuah momen di mana terjadi perubahan. Di dalamnya terdapat dimensi-dimensi, seperti kebebasan memilih, motivasi intrinsik, kesenangan, relaksasi, interaksi dan ekspresi diri, yang membuat seseorang menerima suatu momen sebagai leisure. Leisure tidak dapat disamakan dengan rekreasi atau waktu luang karena leisure adalah pengalaman. Ruang domestik yang berkaitan dengan waktu, ruang dan aktivitas menjadi salah satu container dari leisure bagi ibu rumah tangga. Selain itu, ruang domestik  juga menjadi salah satu container domain, yaitu segala hal yang bersifat obligatory dan terjadi secara rutin, bagi ibu rumah tangga. Momen leisure terjadi di antara domain dan dapat terlihat setelah domain teridentifikasi. Pembentukan momen leisure didorong oleh faktor preferensi pribadi, kehadiran orang lain dan perubahan yang mencakup perubahan ruang dan aktivitas. Hasil studi menemukan bahwa preferensi pribadi merupakan faktor pembentuk momen leisure yang paling mendasar. Sedangkan faktor lain, yaitu kehadiran orang lain dan perubahan menjadi faktor tambahan pembentuk momen leisure yang dialami. Selain itu, studi ini juga menemukan bahwa tidak seluruh bagian dari rumah adalah domain ibu rumah tangga dan terjadi overlapping domain dan leisure di beberapa bagian rumah. Temuan skripsi ini menunjukkan pentingnya ruang domestik untuk dapat mewadahi domain sekaligus leisure dalam keseharian ibu rumah tangga.

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This study discusses how leisure occurs in the everyday life of housewives at home as a domestic space. Leisure is a moment in which changes occur. It contains dimensions, such as freedom of choice, intrinsic motivation, pleasure, relaxation, interaction and self-expression, that make a person perceive a moment as leisure. Leisure is different with recreation or leisure time as leisure is an experience. Domestic space, which relate with space, time, and activity is one of the containers of leisure for housewives. Besides, it is also a container of domain, which is everything that is obligatory that occurs as a routine for housewives. The moment of leisure occurs in between domain and can be recognized after the domain is identified. The occurrence of moment of leisure is affected by some factors such as personal preference, the presence of others and changes that include changes in space and activity. The study discovers that personal preference is the basic forming factor of the moment of leisure. Whereas the other factors, namely the presence of others and change, become additional forming factors of moments of leisure. In addition, this study identifies that not all parts of the house are domain for housewives and there are overlapped spaces of domain and leisure in some parts of the house. The findings of this thesis show the importance of domestic to accommodate domain as well as leisure in the everyday life of housewives."

"Penulisan skripsi ini berfokus pada the overlooked architecture yang merupakan elemen arsitektur yang berinteraksi dengan aktivitas manusia dalam lingkup everyday life dengan frekuensi yang tinggi hingga menciptakan suatu ritme tersendiri. Pembahasan mengenai peran arsitektur dalam everyday life ini masih sangat minim. Hal ini karena ketidaksadaran manusia terhadap everyday life itu sendiri dan kurangnya kemampuan persepsi manusia menangkap detail sekelilingnya. Karena itu, diperlukan metode yang efektif untuk melihat overlooked architecture dan mendalami faktor pembentuknya. Dengan demikian, skripsi ini akan mengkaji the overlooked architecture lebih lanjut melalui sinema sebagai alat bantu kita melihat arsitektur dari perspektif everyday. Menggunakan sistem rhythmanalysis, pengkajian dilakukan dengan mengamati ritme yang terjadi pada film Still Walking (Kore-eda, 2008) yang menjadi studi kasus pada skripsi ini.

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This thesis is focused on the overlooked architecture that can be defined as architectural elements that interact with humans’ activities within the everyday life with such high frequency it creates its own rhythm. The discussion surrounding architecture’s role as a subject within the everyday life is still very much the bare minimum. Humans’ unawareness to everyday life and the limit of our environment perception is to blame. That is the reason why we need an effective method to see through the overlooked architecture and to understand its origins. By that means, this thesis will study the overlooked architecture even deeper through the cinema lens to help us look at architecture from the perspective of everyday life. Using rhythmanalysis, this study is conducted to observe and analyse the rhythm within Still Walking (Kore-eda, 2008) — the film that will be used for the study case in this thesis."

"Dapur kota merupakan sebuah istilah yang saya berikan terhadap kegiatan memasak yang di lakukan di jalan. Kegiatan memasak pada dasarnya merupakan sesuatu yang bersifat privat, ditinjau dari sejarah dapur yang merupakan bagian dari sebuah rumah tinggal. Dalam keseharian di ruang kota yang dipenuhi keragaman, banyak individu yang menempatkan ruang privat pada ruang publik, sehingga menciptakan suatu ruang yang tidak sesuai dengan order yang berlaku. Kejelian melihat eksisting, pemanfaatan tata ruang, dan pemilihan waktu ketika order lemah merupakan taktik arsitektur yang dilakukan dapur kota agar dapat melakukan aktivitasnya pada ruang publik. Akibat dari perlakuan taktik arsitektur ini, order semula mengalami perubahan.

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Urban kitchen is a term which I applied to the cooking activities happened on the street. Cooking is basically private activities in reference to the history of kitchen, that kitchen has always been part of residential. In the city with plurality in its everyday life, individuals tend to claim their private territories in public space, thus creating space which is not proper in actual given order. The sharpness in understanding existing condition, the ability to turn existing spatial arrangement into an advantage, and the ability to define time of weakness in actual order, are architectural tactics executed by the urban kitchen in order to seize existence in public spaces. The executions of those tactics change the actual order."

"Menurut teori perkembangan, mahasiswa umumnya termasuk dalam rentang usia dewasa muda, dimana individu dihadapkan pada berbagai masalah, baik pada kehidupan di dalam maupun di luar kampus. Salah satu aset penting yang perlu dimiliki mahasiswa untuk menghadapi masalah-masalah serta memenuhi tugas perkembangannya adalah psychological well-being (PWB). Menurut literatur, studi mengenai PWB pada mahasiswa masih tergolong sedikit. Kreativitas merupakan elemen esensial pada kehidupan mahasiswa. Terdapat jenis kreativitas lain yang masih sedikit mendapat perhatian, yang disebut sebagai everyday creativity (EC). Kreativitas ini ditemukan berhubungan dengan psychological well-being, namun bagaimana kreativitas tersebut berperan dalam kehidupan mahasiswa masih belum banyak diketahui. Penelitian dilakukan pada sampel 120 mahasiswa Universitas Indonesia, menggunakan alat ukur Ryff’s Scales of Psychological Well-Being yang dikembangkan oleh Ryff (1989) dan Everyday Creativity Questionnaire yang dikembangkan Ivcevic & Mayer (2009). Hasil penelitian membuktikan terdapat hubungan signifikan antara everyday creativity dan psychological well-being.

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According to a developmental theory, senior college students in general are in the stage of young adulthood, where they encounter various kinds of challenges, both in and outside the campus. One of the most important resources that help college students cope with these challenges and accomplish the development tasks required in this stage is psychological well-being (PWB). According to the literature, there are not many studies on the psychological well-being of college students. Creativity is an essential element in the university life. A form of creativity, called everyday creativity, is reported to be rather neglected in the research on creativity. Everyday creativity is reportedly related to psychological well-being, but not much is known about the role it plays in the everyday life of college students. A study is conducted to a sample of 120 college students of Universitas Indonesia, using Ryff’s Scales of Psychological Well-being and the Everyday Creativity Questionnaire. Results show there is a significant correlation between everyday creativity and psychological well-being."

"Konsumen produk kecantikan memiliki cara yang unik dalam mencari informasi tentang produk kecantikan berdasarkan parameter produk dan pengalaman pribadi, tergantung pada kanal informasi yang mereka pilih. Tujuan dari penelitian ini adalah untuk mengeksplorasi pola pencarian informasi mahasiswa Universitas Indonesia tentang produk kecantikan melalui kanal yang mereka gunakan. Studi ini juga melihat korelasi antara uang saku mahasiswa dan kanal yang mereka gunakan untuk mendapatkan informasi tentang produk kecantikan. Penelitian ini dilakukan dengan pendekatan kuantitatif, menggunakan survei yang didistribusikan kepada 351 mahasiswa Universitas Indonesia yang memakai produk kecantikan. Temuan dari penelitian ini menunjukkan bahwa media sosial merupakan kanal yang paling populer untuk mencari informasi produk kecantikan secara langsung. Selain itu, ada hubungan yang signifikan antara uang saku mahasiswa dan pilihan kanal informasi. Studi ini menyarankan merek kecantikan untuk meningkatkan diseminasi informasi di kanal-kanal tertentu, sesuai dengan cara yang digunakan mahasiswa untuk mencari informasi tentang produk kecantikan.

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Individuals who use beauty products often utilize diverse strategies for finding information about these products, influenced by the product’s traits and their personal experiences, and predicated on their preferred information channels. This research aims to analyze the pattern of how Universitas Indonesia students look for information on beauty products, focusing on their chosen channels. The relationship between the students’ discretionary spending and their chosen information channels is also examined in this study. The methodology adopted for this research is quantitative, and it involves distributing surveys to 351 Universitas Indonesia students who are beauty product users. The results of the research reveal that social media is the favored channel for directly obtaining information about beauty products. Additionally, a significant correlation was found between the students’ spending money and their choice of information channels. The study recommends that beauty brands enhance the spread of information on specific platforms that align with the methods students typically use to source beauty product information. "