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Abstrak :
ABSTRAK
Dalam kehidupan sehari-hari, kita sering menjumpai sebuah bangunan yang terasa memiliki suatu pengaruh kuasa terhadap lingkungan sekitarnya, seperti yang dapat kita temui pada monumen dan istana. Hal ini menjelaskan bahwa dalam arsitektur, kuasa dapat hadir melalui bentuk-bentuk dan elemen-elemen tertentu yang ada pada sebuah bangunan. Mengetahui bagaimana hubungan antara arsitektur dengan kuasa merupakan tujuan dari skripsi ini. Metode yang digunakan adalah dengan melakukan studi berbagai referensi terkait representasi kuasa melalui bentuk simbolis, dengan studi kasus Istana Daendels di Weltevreden, Batavia. Gaya Empire pada bangunan tersebut akan dianalisis sebagai suatu bentuk simbolis dalam merepresentasikan kekuasaan Belanda-Perancis di Batavia pada masa Gubernur Jenderal Herman Willem Daendels di awal abad ke 19. Bagaimana sebuah karya arsitektur dapat menjadi simbol kekuasaan, elemen arsitektur apa saja yang dapat menunjukan kuasa pada sebuah bangunan, dan bagaimana peran bentuk simbolis dalam merepresentasikan kuasa tersebut; dengan mengkaitkannya dengan teori mengenai kuasa dan simbol, kemudian akan dianalisis dan ditarik kesimpulan mengenai bagaimana hubungan antara arsitektur dengan kekuasaan.

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ABSTRACT
Sometimes, we encounter a building that emits the sense of power over its surrounding environment, such as monuments and palaces. It explains that in architecture, power can be presented through some forms and certain elements of a building. The objective of this work is to know how the relations between architecture and power. The study is conducted by literature reviews about power representation through symbolic forms, with a case study of Daendels Palace in Weltevreden, Batavia. Empire style of the building will be analyzed as a symbolic form in representing the Dutch-French authority in Batavia at the reign of Governor General Herman Willem Daendels in the early 19th century. How an architectural work can be a symbol of power, what architectural element that can demonstrate power in a building, and how the role of symbolic form in representing the power; by linking with the theories about power and symbol, will then be analyzed and drawn a conclusion about how the relationship between architecture and power.

Abstrak :
The Kwee family is an old Indonesian Chinese family from Pasuruan, in East java, and one of a few merchant families of either Chinese or Arab ethnic origin which led successful lives in this small town in the nineteenth century. From their Chinese ancestral village, Liu Chuan in Fujian province, China, a Kwee ancestor travelled to Southeast Asia and settled in Pasuruan, probably in the eighteen century. As with many families who held important positions in the ethnic Chinese community, it also owned large homes, mostly in a mixed architectural style, called eclecticism and later in what was known as the Indies empire style. The early family history is still clouded in mystery, as not much concrete information has survived. Its descendants worked hard and prospered and dealt among economic undertakings such as sugar production, opium sales, buying and selling of property and land as well as running pawnshops.