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Abstrak :
ABSTRAK
Skripsi ini membahas inflection sebagai metode produksi ruang potensial dari proses modulasi fabrikasi digital. Walau berpotensi, ruang negatif sebagai hasil dari inflection saat ini hanya dianggap sebagai residu dari hasil pemotongan. Untuk itu, studi terhadap penggunaan ruang negatif sebagai inflection dari pembentukan ruang positifnya saya lakukan. Saya menemukan bahwa keterhubungan antara permukaan ruang positif dan negatif dari proses modulasi fabrikasi digital dapat dimanfaatkan untuk memproduksi ruang baik sebagai satu sistem ataupun dua objek yang berbeda. Walau saat ini efisiensi lebih diprioritaskan dalam proses modulasi fabrikasi digital, bukan tidak mungkin inflection dapat dimanfaatkan sebagai metode merancang yang tidak menghasilkan residu sama sekali. Inflection memberikan sebuah perspektif baru terhadap penggunaan material lembaran.

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ABSTRACT
This paper presents inflection as a potential method for space production from digital fabrication modulation process. Despite this potential, negative space as a result of inflection is still merely considered as cutting leftovers. A study about applications of negative space as the inflection of positive space creation is therefore conducted. As a conclusion, I found that the relationship between positive and negative space surface from digital fabrication modulation process could be used to produce space either as a system or two different objects. Although the notion of efficiency still holds priority in digital fabrication modulation process these days, it?s possible that inflection can be used as a design method that might not produce leftover at all. Inflection gives a new perspective to the possible use of sheet materials

Abstrak :
Banyak kesamaan dalam desain dan teknik dapat dilihat pada hubungan antara arsitektur dan fashion. Baik arsitektur dan mode berbagi prinsip yang sama dalam struktur, bentuk, dan bahan untuk melindungi penggunanya. Pengenalan material dan teknologi baru meningkatkan interaksi antara mode dan arsitektur. Garis batasan yang mulai kabur antara mode dan arsitektur telah mendorong terciptanya praktik hibrid yang menggabungkan karakteristik kedua disiplin ilmu tersebut, seperti munculnya produk arsitektur yang dapat dikenakan. Karena produk arsitektur yang dapat dikenakan ini berada diantara industri arsitektur dan industri fashion, maka penulis tertarik untuk memaparkan proses produksi produk hybrid tersebut sebagai tujuan dari skripsi ini. Analisis teoretis tentang konvergensi industri arsitektur dan mode disebutkan dalam studi literatur. Investigasi penulis tentang bagaimana siswa di kelas digital fabrikasi menjalani proses berpikir dan merancang akan disebutkan dalam studi kasus. Penulis menyelidiki bagaimana keahlian dan pengetahuan dalam material dan manufaktur memengaruhi pendekatan desain merek ......Many commonalities in design and engineering may be seen in the link between architecture and fashion. Both architecture and fashion share the same principles in structure, form, and materials to protect and shelter their users. The introduction of new materials and technology is increasing the interplay between fashion and architecture. The blurring barriers between fashion and architecture have driven the creation of hybrid practices that combine characteristics of both disciplines, such as the growth of wearable architecture. Since this wearable architecture stands in a class between the architectural industry and the fashion industry, the author is interested in exposing the production process of this hybrid product as the purpose of this thesis. Theoretical analysis of the convergence of the architectural and fashion industries are mentioned in literature studies. Authors investigation on how students in a class go through the process of thinking and designing are mentioned in case study. The author investigates at how material and manufacturing expertise affects their design approach.

Abstrak :
Digital fabrication has been termed the “third industrial revolution”, and is promising to revolutionize many disciplines, including most recently the construction sector. Both academia and industry see immense promise in cementitious materials, which lend themselves well to additive manufacturing techniques for digital fabrication in construction. With this recent trend and high interest in this new research field, the 1st RILEM International Conference on Concrete and Digital Fabrication (Digital Concrete 2018) was organized. Since 2014, ETH Zurich has been host for the Swiss National Centre for Competence in Research (NCCR) for Digital Fabrication in Architecture, which is highly interdisciplinary and unique worldwide. In 2018, this NCCR opened the “DFAB House”, which incorporates many digital fabrication principles for architecture. It is also responsible for the 600 m2 Robotic Fabrication Lab and the first robotically built roof in the world. Held in tandem with Rob|Arch 2018, the leading conference for robotics in architecture, RILEM deemed it the right time to combine forces at this new conference, which will be the first large conference to feature the work of the recently created RILEM Technical Committee on Digital Fabrication with Cement-based Materials, among other leaders in this new field worldwide. This conference proceedings brings together papers that take into account the findings in this new area. Papers reflect the varying themes of the conference, including Materials, Processing, Structure, and Applications.