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"Rahman's book offers us some rich insights about the workings of cultural hegemony of Bollywood cinema in Bangladesh, not least relating to middle class media consumption practices. This book is a welcomed addition to the literature on film and media studies in the Bangladesh and popular Indian cinema contexts.' -- Professor Rajinder Dudrah, Birmingham City University, UK 'In the world of film scholarship, as in the world(s) of South Asian popular culture, Bollywood has enjoyed a hegemonic position. Rahman's work opens a unique window on the social, political, academic, technological and cultural dynamics of that hegemony. He provides a long-needed voice for Bangaladeshi film culture and film industry.' -- Professor Gregory D Booth, The University of Auckland, New Zealand 'In an engaging and comprehensive manner the book provides an overview of the circulation of Bollywood films in Bangladesh and their impacts on society and culture industry. A must read for anyone interested in exploring the relationship between film consumption, cultural hegemony and social inequality.' -- Professor Kristin Skare Orgeret, Oslo Metropolitan University, Norway This book examines the circulation and viewership of Bollywood films and filmi modernity in Bangladesh. The writer poses a number of fundamental questions: what it means to be a Bangladeshi in South Asia, what it means to be a Bangladeshi fan of Hindi film, and how popular film reflects power relations in South Asia. The writer argues that partition has resulted in India holding hegemonic power over all of South Asia's nation-states at the political, economic, and military levels-a situation that has made possible its cultural hegemony. The book draws on relevant literature from anthropology, sociology, film, media, communication, and cultural studies to explore the concepts of hegemony, circulation, viewership, cultural taste, and South Asian cultural history and politics. Harisur Rahman is Assistant Professor at North South University in Dhaka, Bangladesh. His research interests include Film, Media, Communication and Cultural Studies, Media Anthropology, Business Anthropology, Advertising Research, Material Culture, Globalization, Consumer Culture, Visual Culture, South Asian Media and Cultural Politics"

"Studi ini mencoba menjelaskan bagaimana hegemoni budaya dominan dalam bentuk praktik gaya hidup urban dilanggengkan melalui penggunaan jejaring sosial oleh remaja. Menggunakan paradigma kritis, studi ini akan berfokus untuk melihat bagaiamana gaya hidup urban menjadi budaya dominan dan menciptakan hegemoni melalui penanda kelas dan berbagai bentuk kapital dalam jejaring sosial. Untuk menjawabnya, studi ini menggunakan pendekatan kualitatif dan teknik pengambilan data melalui wawancara mendalam dengan lima informan remaja. Studi ini menemukan bahwa gaya hidup urban memiliki arti penting bagi remaja di Kota Bekasi terkait identitas dan penerimaan sosial. Studi ini juga menemukan bahwa terdapat upaya mobilitas sosial ke atas di antara remaja kelas menengah Kota Bekasi dengan menjadikan kaum muda Jakarta dalam Ask.fm sebagai panduan nilai dan gagasan.

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This study will try to describe how cultural hegemony in the form of lifestyle practices are maintained through the use of social networking sites among teenagers. Using the critical paradigm, this study will focus to see how urban lifestyle becomes dominant culture and create hegemony through class symbols and various forms of capital in social networking sites. To answer them, this study used a qualitative approach and data collection techniques through indepth interviews with five informants. The study found that the urban lifestyle has significance for teenagers in Bekasi related to identity and social acceptance. The study also found an effort for upward social mobility among middle class teenagers in Bekasi by following lifestyle related values and ideas of Jakarta youth in Ask.fm."

"ABSTRAKPenelitian ini membahas mengenai banyaknya produk makanan dan minuman berbahasa Jepang yang sudah masuk ke pasar Indonesia, yang diteliti melalui toko swalayan berskala nasional di kawasan Jalan Raya Margonda, Depok. Penelitian ini adalah penelitian kualitatif dan kuantitatif. Dengan menggunakan teori hegemoni budaya oleh Antonio Gramsci, hasil penelitian menunjukkan bahwa melalui kerja sama ekonomi dan Cool Japan Initiative, Jepang menanamkan budayanya melalui produk makanan dan minuman. Kemudian, masuknya produk-produk makanan dan minuman yang menggunakan bahasa Jepang tersebut merupakan bentuk dari hegemoni budaya Jepang di Indonesia.

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ABSTRACTThis study discusses the number of Japanese food and beverage products that have entered the Indonesian market, which is examined through a national scale supermarket in Margonda Highway, Depok. This research is qualitative and quantitative research. Using the theory of cultural hegemony by Antonio Gramsci, research results show that through economic cooperation and Cool Japan Initiative, Japan cultivates its culture through food and beverage products. Then, the entry of Japanese food and beverage products is a form of Japanese cultural hegemony in Indonesia."