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Ditemukan 2 dokumen yang sesuai dengan query
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Nurni W. Wuryandari
Abstrak :
What is meant by contemporary literature? The first thing that comes up in mind is that the terminology of contemporary literature points out to ?literature that is new? or ?literature that is very recent?, and constitutes a new trend lastly in touch with public. With this, contemporarity might possibly be seen or measured on the basis of time frame. In China, contemporary literature is not measured merely by the most recent time and the changing literary trend in a certain period of time, it is apparently not free from the political influence of the goverment in power. Political guidance issued by the goverment in a certain period, will define the change in the literary trend in China. Uniquely, the literary trend in a certain period not merely brings out certain themes, but also followed by a great deal of literary works representing the emerging literary trend. In China, by reading a literary work, one will easily be able to detect when that kind of literary works approximately emerged, and who were the authors producing that works.
Depok: Faculty of Humanities University of Indonesia, 2006
AJ-Pdf
Artikel Jurnal  Universitas Indonesia Library
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Panji Prasetyo
Abstrak :
Seni Gamelan Jawa ada secara historisitasnya, yang dimulai dari zaman Pra-historis, zaman Hindhu - Buddha, zaman Islam, sampai zaman Kolonial. Gamelan Jawa secara instrumental juga memiliki unsur - unsur akan kesadaran manusia Jawa itu sendiri, yang terdiri dari: 1. 'rasa' (sebagai ekspresi dari kesadaran manusia Jawa di dalam permainan Gamelan Jawa), 2. pengalaman estetis dari permainan dan kesatuan harmonisasi Gamelan Jawa, dan 3. pengalaman religius (sebagai wujud kesatuan aku dengan yang Transenden). Seni Gamelan Jawa juga selalu mengikuti perkembangan zamannya secara kreatif untuk dapat eksis, yang menjadi sebuah, 4. seni hiburan maupun bersifat kontemporer (seperti pandangan Collingwood bahwa seni yang salah satunya memiliki sifat yang menghibur, dan juga sebagai, 5. mediasi untuk mengekspresikan diri), walaupun unsur tradisinya tidak akan pernah lepas secara instrumentalnya sendiri. ......The art of Gamelan Javanese is any certainly in historisity, that to begin from before history age, Hindu - Buddha age, Islam age, until colonial age. The Gamelan of Javanese have also instrumentally every element about consciousness from Javanese Human, that to consist of: 1. 'Feel' (to an expression from consciousness of Javanese Human in an performance from Gamelan Javanese), 2. aesthetic of experience from an performance and unity of harmonization from Gamelan Javanese, and 3. religious of experience (as shape to unity about I with something transcendently). The art of Gamelan Javanese also always to follow about trend of periodly the creativity to exist, that become 4. the art as amusement and contemporerly (as viewing from Collingwood, that the art is one of other, have quality amusemently, and 5. as meditation to expression of itself), even though element of tradition from it will not ever instrumentally to loos.
Depok: Fakultas Ilmu Pengetahuan dan Budaya Universitas Indonesia, 2012
S1336
UI - Skripsi Open  Universitas Indonesia Library