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Abstrak :
This article examines decolonial approaches to the nature of botanical gardens in Indonesia in the artworks of nine artists featured in the exhibition On the nature of botanical gardens: contemporary Indonesian perspective at Framer Framed, Amsterdam in 2020. Zico Albaiquini, Arahmaiani, Ade Darmawan, Edwin, Samuel Indratma, Lifepatch, Ipeh Nur, Elia Nurvista, and Sinta Tantra presented works which confronted the coloniality of botanical gardens. This article provides a historical reading of the content matter of the artworks presented from a decolonial standpoint as conceptualized by Aníbal Quijano, Walter Mignolo, and María Lugones. The article will demonstrate that the artists have applied various strategies and methods to uncover, criticize, and decolonize botanical gardens and their role in empire-building, knowledge development, and the exploitation of nature. Some artists take this farther and develop a decolonial aesthesis or sensibility in order to re-appropriate Indigenous knowledges and ways of being which were silenced and erased by coloniality.

Abstrak :
ABSTRAK
The National Archives of Indonesia (Jakarta) and the National Archives of the Netherlands (The Hague) have been collaborating on the Java Archival Guide Project. This project, which initially ran from 2016 to 2017, will be continued in a second phase. It will provide insight into the size and richness of the local and provincial archives formed on Java during the colonial period after the dissolution of the Dutch East India Company (1800-1949). The whereabouts of these archives in Indonesia have been unknown to many researchers, preventing access to academics, local historians, and family researchers. The collections encountered during the research for this project date from the last days of the Dutch East India Company to the Japanese invasion and the years of the Indonesian National Revolution. The completed phase of the project was limited to the repositories of local and provincial governmental agencies on Java. In some cases the colonial collections seem to have disappeared, and in others, the records seem to have survived the years almost intact.

Abstrak :
History is a representation of the past based on (written) knowledge which has been passed on from one generation to the next, with a preference given to written sources from a Eurocentric tradition. However, written sources about (former) colonial territories are a product of the colonial system in which they were produced. Acknowledging the biases in these archives, therefore, opens the way for acceptance of other forms of knowledge which were previously deemed “not objective” in Eurocentric historical disciplines. This paper presents several examples from the Banda Islands in Maluku province in Indonesia to attest that, by placing contemporary perceptions of the past and local reiterations of history on an equal pedestal as colonial documentation, we can work towards a more decolonial practice of writing histories. In the case of the Banda Islands, this means a shift from a colonial Eurocentric perspective of its history towards a narration of the past which honours the Bandanese heroes, religion, and resilience.