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Abstrak :
ABSTRACT
Dalam dunia arsitektur, Sefaira digunakan secara bersamaan dalam process desain untuk menganalisa ketahanan yang dikenal di level internasional. Proyek tugas akhir ini mengukuhkan nilai kelestarian terhadap lingkungan serta rasa komunitas sebagai fokus dasar untuk membangun ulang kehidupan asli masyarakat Australia pinggiran kota. Pembangunan cluster ditujukan untuk 230 orang dengan maksimal 80m2 luas bangunan per-rumah. Arahan desain adalah untuk merancang pola induk berdasarkan pendekatan keberlanjutan. Proyek ini menguji apakah pertanian yang membaharui memiliki peran dalam pembuatan kota modern. Oleh karena itu, arsitektur yang dirancang bersifat menyambungkan kembali dari apa yang hilang dengan Sefaira sebagai panduan.

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ABSTRACT
In architecture world, Sefaira is used respectively on the design process to analyse the sustainability of a building and product as an internationally recognized rating system. This final project consolidates sustainability values and sense of community as the main focus as it is to recreate an Australian authentic suburbia living. The development of cluster is for 230 residents with R40 residential subdivision zoning or equivalent as maximum of 80m2 built area per-house. The design brief given by Dr. Simon Pendal, one of lecturer in Curtin University and architectural practice in Perth, is to propose a masterplan design based on sustainability approach. The project test whether regenerative agriculture has a role to play in the making of the contemporary city. Accordingly, the appropriate architecture is to reconnect to what has been missing based on Sefaira as a guidance.

Abstrak :
A House in the Sun describes experiments in solar house heating in American architectural, engineering, political, economic, and corporate contexts from the beginning of World War II until the late 1950s. Solar houses were built across the United States, and also proposed for sites in India, South Africa, and Morocco. These experiments developed parallel to transformations in the discussion of modern architecture, relying on new materials and design ideas for both energy efficiency and claims to cultural relevance. These experiments also developed as part of a wider analysis of the globe as an interconnected geophysical system. Perceived resource limitations in the immediate postwar period led to new understandings of the relationships among energy, technology, and economy. The solar house, both as a charged object in the milieu of suburban expansion, and as a means to raise the standard of living in developing economies, became an important site for social, technological, and design experimentation. A House in the Sun argues that this mid-century solar discourse was one of the first episodes in which resource limitations were seen as an opportunity for design to attain new relevance. Furthermore, discussion of and experimentation in solar technology established both an intellectual framework and a funding structure for the articulation of global environmental concerns in subsequent decades. In presenting evidence of resource tensions at the beginning of the Cold War, the book presents a new perspective on the histories of architecture, technology, and environmentalism, one more fully engaged with geopolitical and geophysical pressures.