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Abstrak :
ABSTRAK
Diskriminasi terhadap kelompok gay di Indonesia merupakan latar belakang dari penelitian ini. Adanya diskriminasi membuat mereka menyembunyikan identitasnya dan memilih untuk menikah dengan perempuan. Mereka membutuhkan ruang agar dapat merasa nyaman dan aman untuk mengekspresikan dan menunjukkan identitasnya. Kemajuan teknologi membantu mereka dalam menemukan ruang tersebut. Line di dalam penelitian ini dilihat sebagai sebuah cyberqueer space, yaitu tempat ketika pengalaman-pengalaman gay dapat terjadi dengan lebih mudah dari pada di offline. Oleh karena itu, melalui penelitian yang menggunakan pendekatan kualitatif dengan metode wawancara mendalam terhadap ke-enam infoman dan pengamatan baik di online ataupun offline, saya mencoba melihat identitas dan ekspresi diri yang dilakukan oleh individu gay di dalam grup mak-mak. Ekspresi yang mereka tunjukkan terlihat dari pembentukan identitas gay yaitu dari penerimaan hingga perasaan bangga akan identitasnya. Cara gay mengartikulasi identitasnya di Line berbeda-beda dan bermacam-macam, ada yang memilih hanya sedikit menambahkan apa yang telah ada dalam dirinya, ada pula yang mengubah total seluruh identitas aslinya. Interaksi yang dilakukan dalam grup membentuk hubungan sosial yaitu pertemanan, romantisme dan pekerjaan.

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ABSTRACT
Discrimination against gay group in Indonesia is the background of this research. Discrimination makes them hide their identity and choose to marry women. They need space in order to feel comfortable and safe to express and show their credentials. Advances in technology help them in finding the space. Line in this study is seen as a cyberqueer space, that place when the experiences of gay can occur more easily than in the real world. Therefore, through the study used a qualitative approach with in-depth interviews on all six informant and observations both in the real world or the virtual world, I try to see the identity and self-expression by individuals in a group of gay-mak mak. They show visible expression of gay identity formation, namely from reception to feeling proud of their identity. How gay identity in Line articulate different and diverse, there are selected only a few add what we have in him, there is also a change in total throughout his true identity. Interaction is done in a group that is forming social relationships of friendship, romance and work.

Abstrak :
This was the integrated research conducted by Puslitbang Pendidikan Agama dan Keagamaan related to the theme of religious education. In the 2006, covered by the title of Restrukturisasi MAK, in the 2007 by Madrasah Taffaquh Fiddin, in the 2008, by Profil Alumni Madrasah Aliyah Keagamaan, and in the 2009 covered by Formalisasi Madrasah Diniyah. These research done as a response of the social afraid with the reduction of religious values in the religious education caused by the chance of policies as for in the state or department degree. Those policies sometimes paying less attention to the negative impact and institutional history of the religious education. This occured especially to the Madrasah Aliyah Program Khusus (MAPK), which have become lost. On the other band, moslems community protested those policy and hoped to reconstruct this institution. So, this research conducted by mean to explore public opinion whether should be reconstruction of MAPK.

Abstrak :
Culture can only be revitalized when a cultural tradition is considered of significant importance by its owning community. How important it is for the identity of that community or to what extent it symbolizes that community can only be established after in-depth study. It is crucial that revitalization activities involve the community. If not, efforts would be pointless. Mak Yong is one of the Malay performing art traditions that has been revitalized over the last five years. It is an art form that originates in southern Thailand and was brought to Bintan in the Riau Islands (Kepulauan Riau, Kepri) via Singapore. It combines dialogue, dance, singing, music, and stories and may still be found in the Riau Islands in Indonesia. It is interesting to show how Mak Yong has represented and expressed Malay dynamics by means of revitalizations efforts.