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Abstrak :
Sebagai salah satu bentuk kesusastraan, puisi mengalami masa-masa keemasan di Cina. Puisi samar atau Menglongshi merupakan salah satu jenis puisi di Cina yang sulit diinterpretasikan maknanya dan muncul pada masa Revolusi Kebudayaan (1966-1976). Bei Dao adalah salah satu penyair yang menulis puisi samar berjudul “Xuanyan (Deklarasi)” pada masa itu. Revolusi kebudayaan membuat Bei Dao dan para penyair puisi samar lainnya tidak bebas berekspresi sehingga harus menggunakan berbagai simbol untuk menyembunyikan makna sebenarnya dalam puisi mereka. Penelitian ini bertujuan untuk mengetahui makna situasi zaman yang terkandung di dalam puisi “Xuanyan (Deklarasi)” karya Bei Dao melalui simbol-simbol yang dituangkan ke dalam puisi ini. Metode penelitian yang digunakan adalah deskriptif kualitatif, yaitu menganalisis puisi “Xuanyan (Deklarasi)” dan melakukan interpretasi untuk mendapatkan makna simbolik dari puisi ini. Penelitian ini mendapati hasil bahwa puisi “Xuanyan (Deklarasi)” memiliki makna simbolik tentang kritik dan penolakan Bei Dao terhadap segala propaganda dalam Revolusi Kebudayaan. ......As a form of literature, poetry experienced golden times in China. Misty poetry or Menglongshi is a type of poetry in China that is difficult to interpret and emerged during the Cultural Revolution (1966-1976). Bei Dao was one of the poets who wrote the misty poem “Xuanyan (Declaration)” at that time. The cultural revolution made Bei Dao and other misty poets not free to express themselves, so they had to use various symbols to hide the true meaning in their poetry. This study aims to find out the meaning of the current situation contained in the poem "Xuanyan (Declaration)” by Bei Dao through the symbols that are poured into this poem. The research method used is descriptive qualitative, namely analyzing the poem "Xuanyan (Declaration)" and interpreting it to get the symbolic meaning of this poem. This study found that the poem "Xuanyan (Declaration)" has a symbolic meaning about Bei Dao's criticism and rejection of all propaganda in the Cultural Revolution.

Abstrak :
ABSTRACT
Menglongshi or misty poetry (also translated as obscure poetry) is one kind of Chinese poems created by young poets who experienced the Cultural Revolution in 1970s. The emergence of a new style of poetry which is different from the previous styles marked a new era of poetry writing in China. its uniqueness lies in wordplay, metaphor, synesthesia, and symbols whose meanings cannot be easily identified. The misty poem also drew the cautious attention of the Chinese government, because the symbols and sequence of sentences were suspected to contain thoughts which are considered not in accordance with the government's policies. Bei Dao and Gu Cheng were known as two of the most important misty poets. This paper analyzes two poems by Bei Dao and two poems by Gu Cheng in terms of their intrinsic elements, such as imagery and language style in order to interpret their meaning. Furthermore, in order to provide more supporting evidence, this research also analyzes the poems extrinsic elements to identify their respective meanings in a more comprehensive way. Therefore, the explanation for the occurrence of Cultural Revolution is a very important finding in this research. This study sought to explain the important role of misty poems in explaining the Cultural Revolution by examining Bei Dao and Gu Cheng's works.