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"ABSTRAKThis article makes a contribution to the documentation of the genre of oral literature known as zapal amongst the Bunaq, a Papuan-speaking group of central Timor. I present an annotated and translated version of the elaborate zapal entitled Hul Topol or Fall of the Moon. Hul Topol is a lengthy, multi-event narrative which gives etiologies spanning the realms of subsistence, cultural practice and natural order including animal behaviour and appearance."

"ABSTRAKThis dissertation is a study in diachronic perspective on the impact of recording technologies, more specifically cassette and video compact disc (VCD), on Indonesian local cultures and societies. It examines how modern reproduced sound, which is constantly proliferating and multiplying up to today through various (social) media, but initially facilitated by recording media technology through the agency of regional recording industries, has influenced the contours of Indonesian local cultures. The study relates Indonesia?s first encounter with recording technology, examines the nature and cultural ramifications of the expansion of recording technology among Indonesia?s ethnic groups, and looks at its engagement with other media. As a case study, the West Sumatran recording industry is explored, along with the commercial cassettes and VCDs it has produced."

"Banten dikenal sebagai salah satu wilayah yang kaya akan khazanah maupun sastra. Dua antologi cerita rakyat berjudul Legenda Ayam Emas dan Kisah lainnya dan Legenda Keong Gondang menunjukkan kedua hal tersebut. Penelitian ini ditulis dengan tujuan untuk membuktikan pola hidup harmonis warga Banten yang mampu mengawinkan konsep nenek moyang dahulu dan konsep yang terusung dalam agama islam. Selain itu, warga Banten juga tidak menyangkal kehadiran hewan dan benda benda yang dinilai memiliki peranan penting dalam kehidupan mereka."

"Fandom merupakan subkultur yang menjadi salah satu fitur penting dalam budayapopuler. Bagi industri K-Pop misalnya, kehadiran fandom berperan banyak untukmencapai popularitas. Kesuksesan BTS sebagai sebuah fenomena budaya juga tidaklepas dari dukungan fandomnya yaitu ARMY yang kini telah menjadi sebuah fandomglobal. Dengan fitur yang dimiliki masyarakat jejaring, fandom seperti ARMY sangataktif memproduksi media penggemar dan membagikannya di media sosial.Penelitian ini menggunakan pendekatan kualitatif dengan metode analisis etnografidigital terhadap ARMY yang aktif di media sosial khususnya Twitter. Teknikpengumpulan data yang digunakan adalah wawancara semi terstruktur sebagai dataprimer, sementara observasi pasif sebagai data sekunder.Hasil dari penelitian ini menunjukkan kegiatan produktivitas media fandom ditandaidengan membuat dan menyebarkan konten penggemar, melakukan promosi, danmemberikan afeksi kepada objek fandom. Dalam penelitian ini juga tergambarbagaimana produktivitas penggemar ini membentuk suatu budaya penggemar yangunik. Ikatan emosional yang dirasakan ARMY juga menjadi penting untuk menjagamereka untuk tetap loyal terhadap fandom.

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For the K-Pop industry, for example, the presence of fandom played a role in achievingpopularity. The success of BTS as a cultural phenomenon is also inseparable from thesupport of the fandom, ARMY, which has become a global fandom. With the featuresof the network society, fandoms like ARMY are very active in producing fan mediaand sharing them on social media.This study uses a qualitative approach with digital ethnographic analysis methods ofARMY who are active on social media, especially Twitter. The data technique usedwas semi-structured interviews as primary data, while passive observation wassecondary data.The results of this study indicate the productivity of fandom media that creates andapproaches fans, promotes, and gives affection to fandom objects. This research alsoillustrates how fan productivity forms a unique fan culture. The emotional bondbetween BTS and ARMY is also important to keep them loyal to the fandom"

"ABSTRAKArtikel ini membahas konstruksi identitas imigran Maroko di Prancis dalam kesusastraan Frankofon. Kesusastraan Frankofon biasanya mengangkat masalah sosial yang terjadi di masyarakat. Salah satu isu sosial yang terjadi adalah identitas. Hal ini juga diangkat dalam cerpen Le P re No l N rsquo;est Pas Musulman karya Tahar Ben Jelloun. Dalam karyanya ini, Ben Jelloun menceritakan mengenai kehidupan imigran Maroko yang mendapatkan dua pengaruh budaya dalam konstruksi identitas mereka di Prancis. Metode yang akan digunakan dalam analisis adalah metode kualitatif. Dengan metode ini, penulis akan melakukan analisis secara fokus dan mendalam dengan menggunakan pendekatan struktural dan semiotik. Analisis teks ini memperlihatkan konstruksi identitas anak-anak imigran Maroko di Prancis yang dipengaruhi oleh budaya Maroko dan Prancis berdampak pada hubungan mereka dengan ayahnya.

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ABSTRACTThis article discusses the construction of the immigrant identity of Moroccan in France in francophone rsquo s literature. One of the social problems that often occurred is the identity of immigrant in the french society. This theme is also brought up in the short story Le P re No l N rsquo est Pas Musulman by Tahar Ben Jelloun. Ben Jelloun tells that the intersection of two different cultures in Moroccan immigrants affects their concept of identity in France. This article uses the structural and semiotic approach of qualitative method to analyze this case. The analysis reveals the identity construction that occurs in children of Moroccan immigrants in France as influenced by both Moroccan and French culture, differentiate them with their elders, in this case father."

"Domestikasi adalah salah satu teknik penerjemahan yang memiliki fungsi untuk membuat pembaca mudah memahami teks target dengan menghilangkan kesulitan yang disebabkan oleh istilah budaya dalam teks sumber. The Land of Five Towers adalah novel versi bahasa Inggris dari Negeri 5 Menara Ahmad Fuadi yang menceritakan kisah tentang seorang remaja laki-laki yang belajar di pesantren atau pesantren. Studi ini meneliti teknik domestikasi yang diterapkan oleh penerjemah dalam menerjemahkan istilah budaya pesantren yang ditemukan di Tanah Lima Menara Ahmad Fuadi. Data dikumpulkan dan dianalisis menggunakan teori domestikasi Venuti 1995 dan konsekuensinya terhadap representasi identitas dalam istilah budaya pesantren yang diklasifikasikan menjadi dua teknik; Persamaan fungsional Nida 1995 dan kelalaian. Analisis data menunjukkan bahwa semua istilah pesantren dalam novel ditandai dengan italisasi. Hasilnya menunjukkan bahwa terjemahan dari ST ke TT mengurangi identitas budaya melalui teknik domestikasi yang diterapkan.

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Domestication is the one of translation techniques which has a function to make the reader easily understand the target text by removing the difficulty caused by cultural terms in the source text. The Land of Five Towers is an English-version novel from Ahmad Fuadi rsquo;s Negeri 5 Menara which tells a story about a teenage boy who studied in Islamic boarding school or pesantren. This study examines the domestication technique which is applied by the translator in translating the pesantren cultural terms found in Ahmad Fuadi rsquo;s The Land of Five Towers. The data are collected and analyzed using Venuti rsquo;s theory of domestication 1995 and its consequence towards identity representation in pesantren cultural terms which are classified into two techniques; Nida rsquo;s functional equivalence 1995 and omission. The data analysis shows that all pesantren terms in novel are marked with italicization. The result shows that the translation from ST into TT reduces cultural identity through domestication techniques which are applied in the translation. "

"Nation as a cultural-psychological phenomenon is best understood in terms of how a sense of nationhood operates in order to construct social identities or a social imagination about the modern nation-state (Anderson 1983). The forging of nationalism as a national identity cannot be seen in isolation ofthe rise of modernization and industrialization (Gellner 1987). Although the nation appears to be a modern phenomenon, Smith (1991) stresses that every nation preserves its own past historical artefacts, narratives, and symbols for present-day needs. This model needs to be elaborated further as it is insufficient to understand how a sense of nationhood operates among borderlanders of a state. This paper relates the story of Kalimantan?s Iban borderlanders who are officially registered as Indonesian subjects but live on the dividing line between two countries. This makes them appear to be ambiguous subjects who are torn between the two different historical timelines of British and Dutch colonial history (as well as postcolonial Malaysian-Indonesian history). They are marginalized in every aspect and are the forgotten subjects in the history of the broader picture of Indonesia?s so-called nationalism project. The explanation is twofold. The first explains how identity is constructed as multi-layered historical narratives involving local and national cultures, and second, how transnational borderlanders give meaning to nation as narrative. The primary data for this article were collected in 2002 through a series of interviews in the village of Benua Sadap, an Iban settlement on the Batang Kanyau River, close to the West Kalimantan (Indonesia) and Sarawak (Malaysia) borderline."

"This is a preliminary description of the Malay variety used as a lingua franca in the Malaysian state of Sabah at the northernmost top of Borneo. The paper discusses a number of common linguistic features that distinguish Sabah Malay from other Malay varieties and analyses these features from a historical linguistic perspective. While it is argued that Sabah Malay has a close historical relation with other Malay dialects spoken in Borneo, especially Brunei Malay, the vernacular is also influenced phonologically and lexically by Sabah?s indigenous and immigrant speech communities. Words and sentences recorded or elicited during fieldwork in various parts of Sabah illustrate these points."

"The extremely popular poetic form from Insular Southeast Asia, the pantun, travelled from its unknown source throughout the Malay Archipelago, first in Malay, then in the languages of Southeast Asia. In the ports and states where they were received, local colour, other idiosyncrasies, references, and linguistic characteristics have been added, and in fact, special forms with special names developed. This basic form is known, composed, and loved in at least 40 dialects of Malay, and 35 non-Malay languages, in the Peninsula and many of the islands of Malaysia and Indonesia. It spread through trade routes, ports, and also via diasporas and colonial economic projects which caused numerous peoples to move, who in turn brought the pantun along with them. It is now the most dynamic single literary form and has the longest history."

"Due to its geographical location, Indonesia shares border areas with at least ten neighbouring countries with which maritime boundaries must be settled. As of March 2011, Indonesia is yet to finalize its maritime boundaries with various States including Malaysia with which four maritime boundaries need to be settled: the Malacca Strait, the South China Sea, the Sulawesi Sea, and the Singapore Strait (off Tanjung Berakit). It is evident that pending maritime boundaries can spark problems between Indonesia and Malaysia. The dispute over the Ambalat Block in 2005 and 2009 and an incident in the waters off Tanjung Berakit on 13 August 2010 are two significant examples. This paper discusses the incident in the waters off Tanjung Berakit, but will be preceded by a description of the principles of coastal States? maritime entitlement pursuant to international law of the sea. Following the discussion, this paper provides suggestions for settling maritime boundaries in the area from technical/geospatial and legal perspectives."