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"ABSTRAKKaitan dan Kesamaan antara Musik dan Masyarakat dalam Filsafat Musik yang Baru: Pemikiran Theodor Wiesengrund Adorno dalam Philosophy of New Music Tesis ini merupakan pembahasan dan penafsiran mengenai pemikiran Adorno terutama dalam Philosophy of New Music. Adorno merupakan filsuf yang menonjol dalam posisinya yang menyatukan musik dan sosial. Selain analisa mengenai isi, melalui konsep mimesis Aristoteles dan Goethe dilakukan analisa untuk memahami kaitan dan kesamaan antara musik dan masyarakat dalam tulisannya tersebut. Pemikiran filsafat musik baru dalam Philosophy of New Music tidak dapat dipahami tanpa melalui pemikiran Adorno sebelumnya yaitu Dialectic of Enlightenment dan sesudahnya yaitu Towards an Informal Music, juga tanpa melalui konteks historis pada modernisme. Kata Kunci:Adorno, musik, masyarakat, sosial, kaitan, kesamaan, filsafat musik baru, mimesis, modern, modernisme, philosophy of new music, dialectic of enlightenment, towards an informal music.

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ABSTRACTCorrelations and Similarities between Music and Society in New Philosophy of Music Theodor Wiesengrund Adorno 39 s Consideration in Philosophy of New Music This thesis is a discussion and interpretation of Adorno rsquo s thought expressed mainly in Philosophy of New Music. Adorno is a prominent philosopher who unified music and social. To enrich the content analysis of Adorno rsquo s Philosophy of New Music, Aristotle rsquo s and Goethe rsquo s concept of mimesis are also utilized alongside critical reading in understanding the correlations and similarities between music and society. Understanding the idea of philosophy of new music in the Philosophy of New Music requires taking into account Adorno rsquo s previous thoughts covered in Dialectic of Enlightenment and later thoughts in Towards an Informal Music, and also the historical context of modernism. Keywords Adorno, music, society, social, correlations, similarities, philosophy of new music, mimesis, modern, modernism, philosophy of new music, dialectic of enlightenment, towards an informal music."

"[Pengalaman estetis akan musik tidak selalu mengenai musik yang indah. Luigi Russolo sebagai seorang komposer Futuris abad ke 19 telah membuktikannya dengan berbagai karya noise music dan manifesto berjudul The Art of Noise. Noise music pada abad Kontemporer tumbuh menjadi aliran musik tersendiri yang banyak menuai polemik mengenai status estetisnya. Metafor di sini kemudian dijadikan wahana mensiasati pengalaman estetis intersubjektif dari noise music tersebut. Mengapa metafor dan pengalaman estetis seperti apa yang dimaksudkan? Analisis konseptual terhadap noise serta refleksi filosofis dari pengalaman estetis itu sendiri yang dilakukan dalam penulisan ini, berusaha membuka pemahaman baru mengenai musik serta estetika secara keseluruhan.;Aesthetic experience of music is not only about beautiful music. LuigiRussolo as a Futurist composer in 19th century has proved it with many pieces ofnoise music and manifesto titled The Art of Noise. In this postmodern era, noisemusic then grows become a polemic genre on its aesthetic status. Here then,metaphor being mode of inter subjective aesthetic experience from that noisemusic. Why metaphor and which aesthetic experience means? The conceptualanalysis to noise with philosophical reflection from that aesthetic experienceitself, due in this writing to try to open a new perception about music alsoaesthetic as a whole., Aesthetic experience of music is not only about beautiful music. LuigiRussolo as a Futurist composer in 19th century has proved it with many pieces ofnoise music and manifesto titled The Art of Noise. In this postmodern era, noisemusic then grows become a polemic genre on its aesthetic status. Here then,metaphor being mode of inter subjective aesthetic experience from that noisemusic. Why metaphor and which aesthetic experience means? The conceptualanalysis to noise with philosophical reflection from that aesthetic experienceitself, due in this writing to try to open a new perception about music alsoaesthetic as a whole.]"