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Abstrak :
Musik tradisional dalam ritual baliatn memiliki susunan atau struktur penyajian musik yang khusus, sehingga dapat memengaruhi pamaliatn atau tukang liatn (pemimpin ritual) memasuki masa trans. Selain itu, musik yang dimainkan berpengaruh mendatangkan kekuatan magis yang menunjukkan betapa kuatnya pengaruh dari bunyi atau suara gong, dau, dan gadobokng yang ditabuh mengiringi ritual baliatn. Masalah dalam penelitian dirumuskan menjadi bagaimanakah struktur penyajian musik dalam ritual baliatn pada masyarakat Dayak Kanayatn? Tujuan dari penelitian adalah untuk mendeskripsikan dan menganalisis masalah struktur penyajian musik dalam ritus baliatn tersebut. Metode deskriptif dengan bentuk penelitian kualitatif adalah metode yang digunakan dalam penelitian ini. Temuan penelitian menunjukkan bahwa struktur penyajian musik dalam ritual baliatn berlangsung dalam tiga tahap, yaitu: bagian awal yaitu motif tabuhan guntur mandayu, bagian inti adalah motif tabuhan ka' bawakng, dan bagian akhir menggunakan motif tabuhan ne' unte. Dalam penelitian ini dilakukan pula pembuatan notasi musik Dayak Kanayatn secara khusus dan sederhana.

Abstrak :
This book presents a novel method of grafting musical wind instruments by exchanging an instruments standard mouthpiece with different tone generators. Using the concrete example of the soprano saxophone, it describes how, with six other tone generators, including brass, double reed, and free reed mechanisms, the saxophone can be extended to nearly every wind instrument category in the von Hornbostel and Sachs classification system. The book demonstrates how it is possible to play these instrument variations with high proficiency, and describes the method of hyper-specialization, including acoustical insights, conservatory training methods and the underlying philosophy. The latter is based on the cultural traditions of the different wind instrument prototypes and the Deep Listening philosophy of cultivating internal diversity, and approach that leads to a new level of wind instrument virtuosity that offers great timbral variety combined with the flexibility of a regular acoustic wind instrument.

Abstrak :
The physics of music and color deals with two subjects, music and color, sound and light in the physically objective sense, in a single volume. The basic underlying physical principles of the two subjects overlap greatly: both music and color are manifestations of wave phenomena, and commonalities exist as to the production, transmission, and detection of sound and light. This book aids readers in studying both subjects, which involve nearly the entire gamut of the fundamental laws of classical as well as modern physics. Where traditional introductory physics and courses are styled so that the basic principles are introduced first and are then applied wherever possible, this book is based on a motivational approach: it introduces a subject by demonstrating a set of related phenomena, challenging readers by calling for a physical basis for what is observed.