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Abstrak :
Penelitian ini membahas mengenai dilema dalam diri Pandji Poestaka, sebuah majalah budaya terbitan Balai Pustaka pada era kolonial, kurun waktu 1922-1935. Sebagai salah satu produk terbitan Balai Pustaka yang merupakan badan resmi pemerintah dalam menangani persoalan bacaan, Pandji Poestaka menghadapi kenyataan bahwa ia tidak bisa begitu saja lepas dari tanggung jawab mendukung pemerintah, terutama saat situasi politik berkembang lebih dinamis dan kompleks pada tahun 1920-1930-an yang mana mulai banyak ancaman yang datang dari luar pemerintah kolonial. Hal tersebut membuat Pandji Poestaka dipaksa berperan untuk membela kepentingan pemerintah. Pada waktu yang sama, Pandji Poestaka mencoba tetap mempertanggung jawabkan personalitasnya sebagai majalah budaya dengan menawarkan gagasan baru tentang kebudayaan Indonesia dan elemen di dalamnya. Sebagai majalah yang lahir pada saat budaya nasional Indonesia belum sepenuhnya terbentuk, Pandji Poestaka mencoba memberikan arah dan contoh budaya dari seluruh dunia, yang mana kemudian Barat dipandang oleh Pandji Poestaka sebagai panutan terbaik bagi Indonesia. Penelitan ini memperlihatkan upaya Pandji Poestaka untuk tetap bertahan di Hindia dengan dihadapkan pada dilema antara berkontribusi menjaga kekuasaan kolonial dan konsisten menawarkan gagasan baru tentang budaya nasional Indonesia.

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This research discusses the dilemma within Pandji Poestaka, a cultural magazine published by Balai Pustaka in the colonial era between 1922 to 1935. As one of the magazines published by Balai Pustaka, an official government agency established to address the issue of reading, Pandji Poestaka faced the fact that it could not simply escape from the mandate it received from the government especially when the political situations grew more dynamic and complex in the late 1920 1930 and the publication of materials seen as a threat to the government more rampant. Pandji Poestaka was forced to take the role of defending government interest. At the same time, Pandji Poestaka tried to remain true to its ideal as a cultural magazine. It saw itself to be responsible for offering new ideas about Indonesian culture and its element. As a magazine that was born at a time when Indonesia rsquo s national culture was not fully formed, Pandji Poestaka was looking for directions and examples from around the world, The West however was seen by Pandji Poestaka as the great model for Indonesia. This study shows the efforts made by this magazine to survive in the Indies while facing dilemma between contributing to maintaining the colonial power and consistently offering new ideas about Indonesian culture.

Abstrak :
The Routledge Companion to Media and Gender offers a comprehensive examination of media and gender studies, charting its histories, investigating ongoing controversies, and assessing future trends.The 59 chapters in this volume, written by leading researchers from around the world, provide scholars and students with an engaging and authoritative survey of current thinking in media and gender research.The Companion includes the following features: With each chapter addressing a distinct, concrete set of issues, the volume includes research from around the world to engage readers in a broad array of global and transnational issues and intersectional perspectives.Authors address a series of important questions that have consequences for current and future thinking in the field, including postfeminism, sexual violence, masculinity, media industries, queer identities, video games, digital policy, media activism, sexualization, docusoaps, teen drama, cosmetic surgery, media Islamophobia, sport, telenovelas, news audiences, pornography, and social and mobile media.A range of academic disciplines inform exploration of key issues around production and policymaking, representation, audience engagement, and the place of gender in media studies.The Routledge Companion to Media and Gender is an essential guide to the central ideas, concepts and debates currently shaping media and gender research

Abstrak :
Producing Women examines the ways femininity is produced through new media. Michele White considers how women are constructed, produce themselves as subjects, form vital production cultures on sites like Etsy, and deploy technological processes to reshape their identities and digital characteristics. She studies the means through which women market traditional female roles, are viewed, and produce and restructure their gendered, raced, eroticized, and sexual identities. Incorporating a range of examples across numerous forms of media. "Producing Women examines the ways femininity is produced through new media. Michele White considers how women are constructed, produce themselves as subjects, form vital production cultures on sites like Etsy, and deploy technological processes to reshape their digital characteristics. She studies the means through which women market traditional female roles, are viewed, and produce and restructure their gendered, raced, eroticized, and sexual identities. Incorporating a range of examples across numerous forms of media--including trash the dress wedding photography, how-to instructions about zombie walk brides, nail polish blogging, DIY crafting, and reborn doll production--Producing Women elucidates women's production cultures online, and the ways that individuals can critically study and engage with these practices