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"Dalam menerjemahkan karya sastra, memilih strategi dan pendekatanpenerjemahan menjadi langkah penting yang dapat memengaruhi hal-hal yang sentraldalam teks sumber sperti ragam bahasa tidak baku. Memang telah banyak penelitian yangmembahas tentang strategi dan pendekatan penerjemahan bahasa tidak baku denganpasangan bahasa dan karya sastra yang berbeda sebagai objek kajiannya, namun belumada penelitian yang mencakup ragam bahasa tidak baku yang berasal dari bahasaIndonesia seperti terjemahan Colloquial Jakartan Indonesian (CJI) yang terdapat dalamkarya sastra Indonesia yang diterjemahkan ke dalam bahasa asing. Penelitian ini hendakmengkaji strategi dan pendekatan penerjemahan aspek CJI ragam rendah melaluiterjemahan bahasa Inggris dari salah satu novel sejarah fiksi Indonesia berjudul Senja diJakarta. Metode penelitian ini terdiri dari menganalisis ucapan karakter yangmengandung penanda dialek dari teks sumber untuk melihat bagaimana dialek ditandaidan membandingkannya dengan terjemahan bahasa Inggris untuk mengetahui bagaimanamereka menangani dan menerjemahkan variasi CJI yang menjadi inti dari novel. Hasilanalisis menunjukkan bahwa penerjemah melakukan pendekatan terhadap materi CJIdengan sangat hati-hati, dan strategi penerjemahan yang paling sering digunakan dalamteks sasaran adalah Padanan Situasional/Budaya.

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In translating literary works, choosing translation strategies and approaches

becomes a crucial step that can affect things that are central to a source text, such as

nonstandard language variety. Indeed, there have been numerous studies that discuss

nonstandard language translation strategies and approaches with different language

pairing and literary works as their object of study, yet there has not a study that covers an

Indonesian-originated nonstandard language variety like Colloquial Jakartan Indonesian

(CJI) translation contained in an Indonesian literary work that is translated into a foreign

language. This paper sets out to examine the aspects of CJI Low variety's translation

strategies and approaches through the English translation of one of the Indonesian

historical fiction novels titled Senja di Jakarta. The method of this research consists of

analyzing the characters' speech containing dialectal markers from the original novel to

see how dialect is marked and comparing them to the English translation to figure out

how they deal and render the CJI variety that is central to the novel. The results of the

analysis show that the translator approaches the matter of CJI in a very attentive manner,

and the most frequently used translation strategy used in the target texts is the use of

Situational/Cultural Adequacy."

"Bebasan adalah jurnal yang bertujuan mempublikasikan hasil-hasil penelitian bahasa dan sastra, baik bahasa Indonesia, bahasa daerah maupun bahasa asing. Seluruh artikel yang terbit telah melewati proses penelaahan oleh mitra bestari dan penyuntingan oleh redaksi pelaksana. BEBASAN diterbitkan oleh Kantor Bahasa Banten. Terbit dua kali dalam satu tahun, pada bulan Juni dan Desember.(BEBASAN is a journal aiming to publish literary studies researches, either Indonesian, local, or foreign literatures. All articles in BEBASAN have passed reviewing process by peer reviewers and edited by editors. BEBASAN is published by Kantor Bahasa Banten twice a year, June and December.)"

"In the article the concept of semiotic mediation, appropriation, internalization,Zone of Proximal Development (ZPD) and scaffolding in particular werereviewed to provide understanding of the process. Under the concept ofsemiotic mediation, the issue of how children learn through imitating adults wasexamined with inputs from second language acquisition theories. Vygotsky?sconcept of appropriation provides the springboard for a discussion on howchildren may appropriate the psychological tool of language through modelingand text meditation in the context of second language learning. It is hopedthat the understanding of these concepts could lead to more insights in orderto understand the various changes observable in children at early age as theynudge to achieve their potential in their literacy development. The informationgathered in the paper may be used by parents or teachers in preschool as thefoundation to help children acquire literacy skills at early age."

"In the history of modern Malay literature, the 1960s are labelled by many literarycritics as era picisan (the age of dime fiction) because of the flood of karya picisan(dime fiction) in the local market. Karya picisan here refers to works that clearlymanipulate sexual themes, with the intent of conjuring an atmosphere of eroticismto attract readers. Critics generally do not consider these works to be karya sastra(literary works) because they do not fulfil two important criteria that commonlyclassify the term ?literature?, namely bahasa yang indah (aesthetic language) and isiyang berfaedah (beneficial content). In the context of this definition of ?literature?,Shahnon Ahmad?s 1965 novel Terdedah is considered problematic because ofincongruities in the estimation of its ?literariness?. As opposed to critics whoinitially labelled it karya picisan, the ?literariness? of Terdedah was defended byits own author because it contained elements social criticism. This difference inopinion raises an important point regarding the commonly accepted definitionsof ?literature? and ?literariness? in Malay literature: after Shahnon proclaimed hisnovel?s worth based on its social criticism, critical reception towards Terdedahshowed an unmistakable shift. With respect to this shift of opinion, this articlewill perform a critical analysis of the meaning of ?literariness? in relation toTerdedah, and in doing so, clearly determine its status as either a karya picisan orkarya sastra, based on the definition of ?literature? practised in Malay literature."

"What is meant by contemporary literature? The first thing that comes up in mind is that the terminology of contemporary literature points out to ?literature that is new? or ?literature that is very recent?, and constitutes a new trend lastly in touch with public. With this, contemporarity might possibly be seen or measured on the basis of time frame. In China, contemporary literature is not measured merely by the most recent time and the changing literary trend in a certain period of time, it is apparently not free from the political influence of the goverment in power. Political guidance issued by the goverment in a certain period, will define the change in the literary trend in China. Uniquely, the literary trend in a certain period not merely brings out certain themes, but also followed by a great deal of literary works representing the emerging literary trend. In China, by reading a literary work, one will easily be able to detect when that kind of literary works approximately emerged, and who were the authors producing that works."

"The Dalā’il al-nāshid ‘an aḥkām al-walā’im fī-l-masājid (Arguments of the Seeker for Legal Judgements concerning Festive Meals in Mosques) is a short tract, written in 1938 in Malay in Arabic script by Yaḥyā b. ‘Uthmān b. ‘AbdAllāh, none other than a son of the renowned Batavian muftī Sayyid ‘Uthmān (1822-1914). Protesting against the (in his view) bid‘a (unauthorized religious innovation) of organizing festive meals in mosques, he felt it his duty to try to stop his co-religionists from doing wrong. Not being a theologian himself, his pamphlet is basically a tissue of quotations drawn from the prolific work of his well-known father."