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Abstrak :
Reading the novels of D.H. Lawrence for the first time in his life is for the student of English Literature usually a be_wildering experience. At least, with me it certainly was the case. In the beginning I was really puzzled when reading these novels; and I hardly could disentangle the knot of problems in them which struck me as being subtle and complex, and even often seemingly contradictory. At the same time this initial confusion and bewilderment was a challenge for me to try to understand this unusual and interest_ing writer. Gradually I became aware that one of Lawrence's main preoccupations in his novels was the pursuit of happiness through personal relationships. Also I became aware that Lawrence assumed to teach mankind new ways in the realm of human experience through personal relationships.In this I was rather astonished to find Mr. Mark Spilka's judgement in his book The Love Ethic of D.H. Lawrence, that As The Prophet of individual regeneration, Lawrence had achieved a good measure of success; his vision of love, friendship, and life-responsibility had broadened and deepened, through the major novels, and had reached its fullest scope with Lady Chatterley's Lover_

Abstrak :
Dari lima novel dan dua cerita pendek yang telah dibahas, dapat dilihat dengan nyata bahwa tokoh-tokoh utama wanitanya mempunyai banyak persamaan, baik dalam novel-novel yang diciptakannya sebelum pengembaraannya, setelah pengembaraannya yang pertama, maupun dalam karya-karyanya yang terakhir. Ciri-ciri tokoh-tokoh wanita itu tidak berubah. Perubahan hanya terjadi pada kritik-_kritiknya terhadap keadaan masyarakat dan sosial yang menyangkut modernisasi di bidang industri. Kritik-kritiknya di bidang pendidikan dan agama telah terasa se_jak karyanya sebelum pengembaraannya.Tokoh-tokoh wanita yang dibahas : Mrs. Morel dan Miriam (Sons and Lovers); Lydia Lensky dan Anna Lensky (The Rainbow), Ursula Brangwen dan Gudrun Brangwen (Women in Lave), Kate Leslie (The Plumed Serpent), dan Con_nie Chattarley (Lady Chatterley's Lover) adalah wanita-_wanita yang cantik dan menarik, serta terpelajar. Tampaknya wanita-wanita ini adalah cermin dari zamannya. Mereka berasal dari golongan atas dan menengah atas. Demikian juga tokoh wanita tanpa nama dalam The Woman Who Rode Away dan tokoh Pauline dalam The Lovely Lady, mereka berasal dari golongan menengah, cantik, menarik, dan cerdas.