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"Penelitian ini bertujuan untuk mengungkapkan identitas ketegalan yang terlihat sebagai strategi budaya dalam memposisikan puisi tegalan yang berkontestasi dengan budaya dominan. Korpus penelitian berupa tiga antologi puisi tegalan yaitu Ruwat Desa (1998), Ngranggeh Katuranggan (2009), dan Ganti Lakon Sintren dadi Ratu (2014). Melalui pendekatan strukturalisme dan analisis stilistika, diketahui bahwa puisi tegalan ditulis dengan menggunakan bahasa tegalan, yang dipengaruhi oleh gaya puisi Indonesia modern, dan menjadi media untuk merepresentasikan identitas ketegalan. Kajian semiotik pada struktur teks puisi tegalan memperlihatkan adanya objek yang dibaca sebagai penanda semiosis dalam setiap antologi yang mengkonstruksi identitas ketegalan, yaitu identitas bahasa, identitas budaya, dan identitas wong cilik. Sebagai subbahasa Jawa, bahasa tegalan diposisikan marginal dan dilekati stigma negatif sebagai bahasa kelas rendah yang kasar, tidak santun, dan apa adanya. Di sisi lain, stigma ini dimanfaatkan untuk merepresentasikan identitas budaya Tegal dalam teks puisi dan pemosisian orang Tegal sebagai wong cilik yang terdominasi. Antologi puisi tegalan tidak hanya menyajikan simbol-simbol yang bermakna konotasi, tetapi juga menjadi cara menyajikan mitos. Mitos-mitos yang ada di dalam teks memperlihatkan ideologi perlawanan terhadap budaya dominan. Dengan demikian, puisi tegalan merupakan salah satu wujud budaya yang memperlihatkan resistensi, kontestasi, dan eksistensi sastrawan tegalan dalam mengkonstruksi identitas budayanya, sekaligus memosisikan sastra tegalan dalam khazanah kesusastraan Indonesia dan daerah.

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This study aims to reveal the identity of Tegalness, which is seen as a cultural strategy in positioning Tegalan poetry that contests the dominant culture. The corpus of this research is taken from three tegalan poetry anthologies titled Ruwat Desa (1998), Ngranggeh Katuranggan (2009), and Ganti Lakon Sintren Dadi Ratu (2014). Through structuralism and stylistics approach, it is clear that tegalan poetry, which is written in tegalan language, influenced by modern Indonesian poetry, is a medium to represent tegalness identity. The semiotic study on the structure of Tegalan poetry shows the existence of the object that is read as semiosis markers in each anthology that constructs tegalness identity; language identity, cultural identity, and poor people identity. As a sub-language of Java, Tegal language has been positioned marginally with many negative stigmas. This language is known as a low-class language which is rude, disrespectful, and as it is. On the other hand, this stigma is also used to represent the cultural identity of Tegal people through the text of poetry. It also relates to the positioning of the people as the dominant underprivileged community. The anthology of tegalan poetry not only presents symbols with connotations but also becomes a way of presenting myths. The myths inside the text show the ideology of resistance to the dominant culture. Thus, tegalan poetry is a culture that shows resistance, contestation, and the existence of tegalan writers in constructing their cultural identity, as well as positioning tegalan literature in the Indonesian literature and local languages."

"Diskriminasi ras sudah menjadi permasalahan yang mendarah daging terhadap antara imigran Maghribi dan lingkungan sosial di Prancis. Permasalahan ini menimbulkan kesenjangan sosial di antara hubungan keduanya. Imigran Maghribi atau imigran yang berasal dari Afrika Utara merupakan salah satu kelompok imigran terbesar di Prancis. Melalui perbedaan budaya serta nilai dengan Prancis, hal ini menyebabkan diskriminasi dan segregasi sosial dari masyarakat Prancis terhadap mereka. Dalam proses beradaptasi dengan lingkungan baru, para imigran Maghribi mengalami sering kali mengalami krisis identitas. Kehadiran permasalahan krisis identitas kultural ini hadir dalam salah satu karya penulis Maroko terkenal, yakni Tahar Ben Jelloun dengan judul novel Au Pays (2009). Au Pays mengungkap kesenjangan sosial yang terjadi terhadap para imigran Maghribi di Prancis. Artikel ini berfokus pada permasalahan krisis identitas kultural yang dialami oleh para imigran Maghribi dalam novel Au Pays dengan menekankan pada kesenjangan sosial lingkungan Prancis serta ambivalensi identitas kultural para imigran. Artikel ini bertujuan untuk mengungkap kesenjangan sosial di Prancis yang dipicu secara signifikan oleh permasalahan krisis identitas kultural yang dialami oleh dua generasi imigran Maghribi. Artikel ini menganalisis bagaimana keberpihakan penulis di dalam cerita menunjukkan adanya realita kesenjangan sosial bagi para imigran Maghribi. Artikel ini menggunakan teori analisis teks naratif Roland Barthes (1966), konsep pascakolonialisme Homi K. Bhabha (1994), dan konsep identitas kultural Stuart Hall (1996). Artikel ini menyimpulkan bahwa permasalahan identitas kultural yang dialami dua generasi imigran Maghribi diungkap melalui kesenjangan sosial di lingkungan sosial Prancis serta sudut pandang penulis dalam menghasilkan karyanya

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Racial discrimination has been a deep-rooted problem among the Maghreb immigrants and the local society in France. It provokes the lack of social equality of their relations. One of the largest numbers of immigrant groups in France came from North African immigrants or commonly classified as the Maghreb immigrants. Due to the fact they have distinct values and culture with France, it led to discrimination and segregation from local people to them. For the purpose of possessing self-adaptation in the alien country, the Maghreb immigrants faced a cultural identity crisis oftenly. The existence of a cultural identity crisis issue is shown in one of the influential and active Moroccan writers, Tahar Ben Jelloun’s works, namely as Au Pays (2009). Au Pays reveals a miserably inequality society with the Maghreb immigrants in France. This article focuses on a cultural identity crisis faced by the Maghreb immigrants in Au Pays, outlining a state of inequality society in France and also the immigrants’ cultural identity ambivalence. This paper aims to highlight the inequality society in France provoked significantly a cultural identity problem experienced by two generations of the Maghreb immigrant characters. This paper analyzes how the writer’s mannerism shows the Maghreb immigrants’ unfortunate reality while surviving in the unequal French society using Roland Barthes (1966)’s narrative text analysis, the post-colonial theory by Homi K. Bhabha (1994) and the cultural identity concept by Stuart Hall (1996). The paper concludes that the cultural identity problem experienced by two generations of the Maghreb immigrants’ is disclosed on the basis of the inequality in French society and the author’s point of view in producing his work."

"In early modern lyric poetry, the male poet or lover often appears not as powerful and masterly but rather as broken, abject, and feminine. Catherine Bates examines the cultural and literary strategies behind this representation and uncovers radically alternative models of masculinity in the lyric tradition of the Renaissance. Focusing on Sidney, Ralegh, Shakespeare, and Donne, she offers astute new readings of a wide range of texts, a sonnet sequence, a blazon, an elegy, a complaint, and an epistle. She shows how existing critical approaches have too much invested in the figure of the authoritative male writer to be able to do justice to the truly radical nature of these alternative masculinities. Taking direction from recent psychoanalytic theories of gender formation, Bates develops critical strategies that make it possible to understand and appreciate what is genuinely revolutionary about these texts and about the English Renaissance lyric tradition at large."

"The period from the reformation to the English civil war saw an evolving understanding of social identity in England . This book uses four illuminating case studies to chart a shift from mid-sixteenth-century notions of an individually generated, spiritually motivated self, to civil war perceptions of the self as a site of civil control. Each centers on the work of an early modern woman writer in the act of self-definition and authorization, illustrating the evolving relationships between public and private selves and the increasing role of gender in determining different identities for men and women."